Recent reviews

Our latest album reviews, featuring the records we've most enjoyed (or not) over the past few weeks.

Reviews by score
Browse our album reviews according to score: Highest (9.5/10 or more) or Lowest (2/10 or less)

The Anomalys

Down The Hole
Slovenly (2024)

If I have to give the elevator pitch, I’ll call The Anomalys garage rock with an ear for surf and psyche rock -- turned up to 11 and blasted through blown out speakers in an old 1980s sedan. It’s high-energy, no-frills rock ‘n’ roll with attitude. While it’s short, loud and fast, there’s also quite a bit of nuance and musical influence that oozes through the gritty first layer. The album is a mix of instrumental and vocal tracks, and the mood sometimes shifts from bite-your-thumb nihilism to pedal-to-the-metal intensity. It’s against the grain music and, while it’s anti-authority, it’s also a little low key, if that makes any sense. At times The Anomalys sound like a strobe light. All of the photos I see of the band are black and white and grainy -- or maybe it’s just in my head, because it’s exactly what I think they should look like. If I were to pick the singles, I’d select the garage-rock stomping “Flat Top” which blends surf finger-picking with fuzzy head nodding tones in a way that really keeps its momentum for a full four minutes, as well as “Slaughterhouse,” which maintains that same balance of anxiety and … Read more

Pinhead Gunpowder

Unt
1-2-3-4 Go! Records (2024)

Pinhead Gunpowder began in 1990, recording a 7” in 1991. The band last released a 7” in 2008… Until late … Read more

The Cure

Songs of a Lost World
Capitol, Fiction, Lost Music, Polydor/Universal (2024)

It's been sixteen years since The Cure released their last album. I don't know if anyone really knew what to … Read more

City Mouse

So Far Out
Brassneck Records, It's Alive (2024)

There are few bands that hit with the mix of raw emotion and musical talent as a live City Mouse … Read more

Machine Girl

MG Ultra
Future Classic (2024)

Ideally, I would be a bit more interested in art. In visual art- paintings, sketches, MS Paint monstrosities- whatever. I … Read more

Ekko Astral

pink balloons
Topshelf (2024)

Their music is for people “who are struggling, who are at their absolute lowest". That’s a quote from vocalist and … Read more

Browse our review archives

Reviews by year

Choose a year to view reviews of albums released in that year.

Reviews by artist name

Choose a letter to view reviews ordered by that letter (band name first).

Review categories

200 Words Or Less

749 reviews

Book Review

42 reviews

Classic Album

25 reviews

Multiple Authors

300 reviews

Review

4874 reviews

Video/DVD Review

19 reviews

One from the archives

Melon

Mirage
Milltown (2007)

I really love this kind of music but it has to be the most difficult thing for the musicians themselves to pull of or to be lauded for. There has to be more bands playing psychedelic heavy, Black Sabbath/Blue Cheer rock than any other type of music and every single reviewer writes the same thing every single time; "It's good but why listen to it when you have the originals at home" or "Good to drink beer to, but it's no different than any other weed-toking, Sabbath-worshipping band out there." This must be frustrating, to constantly have your efforts belittled and considered run-of-the-mill. Forget about it and keep playing what you feel like. This music is as we all know not played if you crave instant critical applause, but merely … Read more

More album reviews

Build Us Airplanes

All Things Expire
Sell The Heart Records (2024)

Build Us Airplanes covers a lot of ground on this 9 song LP, All Things Expire. It’s melodic punk for the most part, but with distinct elements of emo, post-hardcore and what I’ll call post-screamo, meaning there are somewhat jarring vocal shifts, but minus the blunt aggression. The overall vibe of this record is angry and somewhat somber, while still … Read more

Lustmord

Much Unseen Is Also Here
PELAGIC RECORDS (2024)

Lustmord, the reluctant pioneer of the dark ambient scene has returned with another expansive work of existential dread in Much Unseen Is Also Here. His arsenal of industrial components, field recordings, and sampling are engineered to evoke a true sense of cosmic horror. While many extreme music acts embrace the terrifying aspects of the Lovecraftian literary corpus, few can transmit … Read more

Økse

Økse
Backwoodz Recordz (2024)

Økse is a gathering of brilliant, creative minds. The project's roster is pristine, with avant-jazz phenoms Mette Rasmussen on saxophone, Savannah Harris on drums, and Petter Eldh on bass/synths/samplers joining electronic artist and multidisciplinery extraordinaire Val Jeanty (of the fantastic Turning Jewels Into Water project.) The result is a multi-faceted work that stands on top of multiple sonic pillars, as … Read more

Final

What We Don't See
Room40 (2024)

Justin K. Broadrick's prolific output keeps giving, and may it never stop! The latest release is one of Broadrick's earliest projects, Final, which started in the power electronics tradition but since its resurrection in the early '90s, it is solidly standing in the ambient realm. Final's new full-length What We Don't See continues on the same trajectory, relishing drone's minimalistic … Read more

Bambies

Snotty Angels
Spaghetty Town Records, Wanda Records (2024)

The digital files I’ve been listening to as I write this review are all tagged to begin with the band name, e.g. “Bambies Teenage Night,” “Bambies Love Bite,” etc. It seems like a fitting metaphor. The Bambies play the kind of Ramones-adjacent garage-punk that’s often self-referential and in on their own joke. The Bambies play leather jacket-clad, straight-forward punky songs … Read more

Buñuel

Mansuetude
Overdrive, SKiN GRAFT (2024)

With a stellar line-up featuring vocalist Eugene S. Robinson (ex-Oxbow), guitarist Xabier Iriondo (Afterhours, A Short Apnea), bassist Andrea Lombardini (The Framers) and Franz Valente (Il Teatro Degli Orrori), Buñuel return with their sophomore record, Mansuetude. A true follow-up to Killers Like Us, Mansuetude further exposes Buñuel's dark, twisted noise rock, from the get-go with "Who Missed Me." The dark … Read more

Night Court

$hit Machine
Recess (2024)

Forget all the stereotypes about punk. Night Court are a punk band, but they aren’t nihilistic or aggressive. Instead, they’re scrappy and DIY and -- while they are certainly cynical at times -- they carry an air of positivity. It’s a well-defined sound on the band’s fourth LP, with 17 bouncy songs to singalong to. “Human Torch” is a fitting … Read more

Pharmakon

Maggot Mass
Sacred Bones (2024)

Pharmakon's body of work is a visceral etude on the human condition. Since 2013 with the release of Abandon, Margaret Chardier has explored the darkest sides of the human mind, psyche, and body through the fierce nature of power electronics. This path resulted in the absolute highlight with 2019's Devour, with Chardier perfecting her style. Noise storms raging, abstracted rhythmic … Read more

Mouth Wound

Tallow
Handmade Birds (2024)

Alright! Handmade Birds, easily one of the most important underground extreme/experimental labels of the '10s, is entering a new phase with their Literary Criticism series of releases. The introduction is now upon with Mouth Wound, the project of artist extraordinaire, Trine Paaschburg, who dives head first into the intersection between dark ambient, noise, and industrial. Paaschburg has already been making … Read more

Bad Year

Bad Year
Motorcycle Potluck Records, Snappy Little Numbers (2024)

The last time I reviewed a Bad Year record, roughly four years ago, I thought of quirky pop-punk like BlackDots. On their new self-titled record the takeaway is poppy and anthemic, more akin to Broadway Calls or Ann Beretta. While the bands I just named are direct and smooth with their song structures, they lean toward crisp production. I’d say … Read more

The Peawees

One Ride
Spaghetty Town Records, Wild Honey Records (2024)

Many years ago I read an essay about how the difficult-to-decipher vocals of Joe Strummer was part of The Clash’s legacy -- how making the listener not key in just on the words, but the melody and movement instead makes it more effective and more open to interpretation in a good way. That concept stuck with me. A song is … Read more

Beak>

>>>> (2024)
Invada, Temporary Residence (2024)

Without fanfare or much notice, Beak>'s unexpected appearance is nothing short of a welcomed surprise. Since their inception, the Bristol (now) trio have offered an alternate approach to the meticulous arrangements and orchestrations of their close relative, Portishead. Their latest record, >>>> does not deviate from this path if anything doubling down on their live compositional and semi-improvisational approach. It … Read more

Chuck Ragan

Love and Lore
Rise (2024)

Genre labels have their place and I think they’re more useful than not -- but sometimes they just aren’t going to convey the point. Chuck Ragan, best known for his long tenure with Hot Water Music, also plays solo under his own name. I’m going to slap the “singer-songwriter” label on his solo work, though it pulls from bluegrass, Americana, … Read more

The Necks

Bleed
Northern Spy (2024)

Any record The Necks release is a pathway to a deeply meditative experience. From the vastness of Open to the cinematic introspection of Vertigo and the constant build-up of Unfold, this act rarely (if at all) disappoints. Their latest offering, Bleed, sees them return to their most delicate strand of minimalism, patiently weaving their compositions in an attempt to uncover … Read more

Reviews by score
Browse our album reviews according to score: Highest (9.5/10 or more) or Lowest (2/10 or less)