I've reviewed a lot of Brokedowns records over the years. First, I'll say I love the band and I honestly feel like they keep getting better. Second, I'll say that this record threw a couple of surprises at me. The band play multi-vocalist poppish punk in the school of Dillinger Four or Errth, albeit more on the angry side. There are pop elements but it's aggressive and harsh in its general sound. If I have a complaint about the band, sometimes they get a little shouty, even though the band knows how to mix in a mean harmony. One of the surprises on the new Let's Tip The Landlord is that it features more vocal variety. Without going all soft on us, there is some actual, factual singing. The second surprise is the saxophone of "Infinite Flex" which...somehow is just perfect. Any long-running band with a defined sound can fall into the same-y trap, and elements like this really mix it up. Considering that all the songs are about two-minutes apiece, The Brokedowns are surprisingly good at mixing up tones on this 13-song, 28-minute album. Let's Tip The Landlord is not a theme record, but it's steeped in toxic pop … Read more
Crippling Alcoholism have always navigated a delicate balance between musical depth and immediacy. A blend that few bands attempt, let … Read more
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Collaborations in the experimental music domain always bring something interesting to the table. Oneida is a great experimental rock band, encompassing elements of noise rock, psychedelia and krautrock, as a method of crafting a diverse sound. Having released a plethora of records, mostly through Jagjaguwar, they are now putting out their first collaborative full-length with Rhys Chatham. Chatham is a master of experimental music, with an aptitude for the avant-garde and minimalistic extensions of the genre. What brings Oneida and Chatham together, is that they both rely on their improvisational skills, and What's Your Sign? unveils how such a coalition can work to maximum effect. It is all about experimentation, with whatever aspect of sound tempering comes naturally. Avant-garde motifs, huge sonic collages appear in the record, an example being … Read more
Is The Eradicator a joke that's been going for 10 years (the band), or for 35 (the skit)? Does it matter? Well, only in the sense that I question how much material the Kids In The Hall-inspired hardcore band can cull from a 5-minute skit. (Maybe 10 minutes. The character was revived in 2022's Season 6.) Why do I bring … Read more
Standing between genres can act as a vantage point. For Prayer Group, sitting at the intersection between noise rock and hardcore has armed them with the necessary arsenal to propel their anger and frustration forward. And so, through a series of EPs and singles, this work culminated in their 2022 debut full-length, Michael Dose, where The Jesus Lizard methodology collided … Read more
For experimental rock artists torn between noise-rock abrasion and torturous drone immersion, one side usually wins. It is either a certain sentimental and ethereal quality or an oppressive noise dimension that prevails. But there are some acts that can balance between these worlds. Names like The Angelic Process, and of course Low exemplify this strange balance in different ways. A … Read more
I believe the first I heard of this album was when Wild Honey released the limited edition It’s All About The Music concept 7” EP back in July. Exclusively released for the Punk Rock Raduno festival, IAATM is a three song 7” but only sort of? The concept: one garage-rock anthem, three versions- one is slowed down, one is regular … Read more
Formed around the tight-knit chemistry of brothers Xavier and Vincent Morency with drummer John Muggianu, Canada’s Second Harbour are that rare modern post-hardcore band that sound equally comfortable bleeding and building. Their new four-song EP, Coalesce, marks both their SharpTone Records debut and their clearest creative statement yet. The title isn’t just poetic, it’s literal. This is where the band’s … Read more
Hailing from Wichita, Kansas, Stay The Course brings their brand of pop-punk/easycore onto the scene. This is the band’s second album and is being released courtesy of Punkerton Records out of Ohio. What started out as a 5-song EP, developed into a 10 song LP. The band re-recorded some of the material from their back catalog and added some new … Read more
Straight out of Boise’s unforgiving hardcore pipeline, the band Witness Chamber returns with Bronze Gates, their most suffocating and sharpened release yet. Seven tracks with zero breathing room. If you’ve followed the band since 2021’s Paradise Awaits EP or the 2023’s True Delusion, you already know they’ve never been subtle. However, this time the punishment feels sacramental. It’s straight edge … Read more
There's a song on Watch It Die called "Dancing With Anxiety," a title that wraps up Home Front's style quite well. Because I like to beat metaphors to a pulp, maybe also consider "Between The Waves" as another title that captures how they straddle the punk and new wave worlds. Home Front plays street punk with a lot of synth … Read more
Formed in the mid-2000s, PitchBlack have always been one of Danish metal’s most overlooked heavy hitters. A band is sitting between old-school melodeath grit and European thrash aggression, building a reputation on intensity instead of trends. They debuted with Designed to Dislike in 2007, followed it with The Devilty in 2011 (which landed them spots at Copenhell and Download UK), … Read more
If you haven’t hopped on the SPEED train when they broke through, now is the time. The band formed in Sydney and blew past “local band” status the second the world caught up to what Australia already knew. BIPOC-fronted, community-driven, and fueled by the belief that hardcore is supposed to mean something. They went from DIY shows to global festivals … Read more
One of the most distinct voices of the current generation, Anna von Hausswolff's sound is wide and far-reaching. From dark ambient atmospherics and organ music fixation, to noise rock momentum and neo-classical arrangements, her music always balances a primordial ritualism and contemporary applications. It is an ongoing process, one that Anna has been refining over the years. In 2018, the … Read more
"When I've had enough of modern life, I go back to my analog ways." It's a simple quote, yet it captures so much about Radioactivity. It's been 10 years since the band released Silent Kill, and this time around the Jeff Burke-led group shows clear growth and change, while still capturing the same vibe as the previous two records. In … Read more
I went to a birthday party for my wife and six or seven other friends and acquaintances last night. I guess people liked having sex in January in the late 70s-early 80s? In Canada at least, that’s how we keep warm in the winter! Anyway, I was foraging at the smorgasbord with a couple former co-workers talking about my recent … Read more
Often Wrong is an emo/grunge/screamo hybrid born out of the DIY scene. It was built through the kind of friendships that start in basements, not boardrooms. The band formed in 2024 and quickly started carving out their own lane. They are blending fragile, journal-entry emo with blown-out guitars and throat-shredding catharsis. They’re signed to Far From Home Records, a label … Read more
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