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The Bug Club

Every Single Muscle
Sub Pop (2026)

  I got kind of obsessed with reviewing this record after I heard the first single “Watching The Omnibus” which they released digitally earlier this year. I could probably just write a whole thing about how hard it was to get an advance download of it for review, but I try to keep my reviews positive so I will steer clear … Read more

The Cascadian Divide

To the Sky
Independent (2026)

The Cascadian Divide is a Washington state based melodic skate punk band that formed during the infamous COVID lockdown. Although it started as an experiment, it soon became a passion project for the band members. The band has seen its share of line up changes over the years, but the commitment to maintaining the sound and integrity of the band … Read more

Jungle Rot

Cruel Face Of War
Unique Leader (2026)

Twelve albums and more than three decades into their career, Jungle Rot remains one of death metal's most reliable institutions. While countless bands have spent years chasing technical excess, progressive experimentation, or whatever trend happens to be dominating the underground now, the Kenosha veterans have remained committed to a simpler mission. Writing memorable riffs, locking into crushing grooves, and leaving … Read more

Overcalc

Fruits of the Decision Tree
Sleeping Giant Glossolalia (2024)

Some instrumental records create atmosphere while others create movement. Fruits of the Decision Tree feels like it creates an entire environment. It’s unstable, mechanical, strangely beautiful, and constantly in motion. The solo project of Nick Skrobisz (Multicult, The Wayward), Overcalc exists somewhere between electronic experimentation, prog-level guitar precision, ambient drift, and full on sci-fi hallucination. Trying to pin it cleanly … Read more

Fangus

Emerald Dream
From The Urn Records (2026)

The needle drops, and there’s no introductory sweaty handshake. Fangus doesn’t care for niceties; they’re ready to get down to brass-knuckle business. With their debut full-length, Emerald Dream, the Montreal quintet has exhumed a sound that feels less like a tribute to the early '70s and more like a master tape found rotting in a damp basement behind a stack … Read more

Drakulas

Midnight City
Dirtnap, Wild Honey Records (2026)

I’m assuming Midnight City is the “fictionalized New York-esque metropolis” where the band/gang members of Drakulas survive(d in the mid to late 70's;). It’s also the third album by this Austin TX based, concept driven supergroup. Not really sure if I’m supposed to out these dudes but their secret identities include members of Riberboat Gamblers, Rise Against, High Tension Wires … Read more

Lethal Limits

Elevate EP
GhettoBlaster Productions (2025)

As far as I can gather Jeff Corso has been playing in bands in the Bay Area for the past 20 years but seems like exclusively hardcore until now. Full disclosure: I’m only reviewing this because Aesop from Hickey plays drums. That said, I generally only review stuff I like, so go figure. This doesn’t sound like Hickey but since … Read more

Dealbreaker

New Sides
Late Again Records, Toll Free Records (2026)

Dealbreaker popped onto my radar as part of a package tour with Pro Wrestling, who cold called me with a Penske File namedrop. This story is a bit of a Canadian roundabout, but their methodology worked: I listened to their music and dug it enough to review it. And I'm mentioning it because, at times, Dealbreaker reminds me of The … Read more

The Library Is On Fire

Degeneration Elegies
The Abyss, Ltd. (2026)

There’s a certain kind of band that never quite fits the moment they arrive in. Sometimes too jagged for one scene, too melodic for another. The Library Is On Fire were one of those bands in the early 2000s, hovering somewhere between indie-punk urgency and power-pop instinct without fully settling into either. On Degeneration Elegies, their first full-length in over … Read more

Nicole Alexis

Mirrors & Smoke
Independent (2026)

There’s a fine line between stripped down music and so stripped back that is sounds empty. On Mirrors and Smoke, Nicole Alexis lands comfortably on the right side of that line, delivering a debut EP that leans into simplicity without losing its emotional weight. Built around acoustic arrangements and minimal production, the EP feels intentionally close. It feels like these … Read more

The Remote Controls

Too Tough
Fail Harmonic Records, Mom’s Basement Records (2025)

There’s a certain kind of punk band that doesn’t overthink things. No reinvention, no genre-bending manifesto, just fast songs, big hooks, and enough attitude to carry it all. Indianapolis’ The Remote Controls lean hard into that tradition on Too Tough, a record that feels less like a statement and more like a well-earned victory lap. Built on a steady diet … Read more

Sahan Jayasuriya

Don’t Say Please: The Oral History of Die Kreuzen
Feral House (2026)

For those of us who spent the mid-to-late 1980s navigating basement community halls, churches, and loveable, armpit-smelling dive bars, the name Die Kreuzen was a permanent fixture on the punk rock radar. They were the sound of the Midwest underground --too fast for the goths to do their spooky Bela Lugosi "shoo the bats away" interpretive dance, too technical for … Read more

Sewer Urchin

Global Urination
Independent (2025)

There’s a fine line between crossover thrash that feels dangerous and crossover thrash that just feels like a party. Global Urination doesn’t bother choosing because it does both loudly and without apology. St. Louis’ Sewer Urchin have been grinding since 2019, and on their latest full length they double down on everything that makes the genre work. They give us … Read more

Ingested

Denigration
Metal Blade (2026)

For a band that built its name on sheer brutality, Ingested have spent the last several years refining what that brutality actually means. With their newest release, Denigration, the band finds that continuing evolution. They’re still punishing, still precise, but noticeably more controlled and deliberate in how it all lands. From the outset, the record makes its intentions clear. “Dragged … Read more

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