Some bands aim for controlled chaos. Sealer sound like they’re actively trying to lose control and then figuring out how to weaponize that moment right before everything collapses. Their self-titled debut lands somewhere between hardcore, noise rock, and something far less stable, pulling from each without settling into any one comfortably. From the opening seconds of “Seeing/Peeling,” Sealer makes their intentions clear. It’s immediate, abrasive, and disorienting in a way that feels purposeful rather than random. Guitars slash and scrape, rhythms pivot without warning, and the vocals operate less as a guide and more as another unstable element in the mix. There’s a strong lineage here that you can hear. Echoes of Botch, Unsane, Converge, and, if you’re as old as me, a band that would’ve fit great on the Hydra Head Records roster back in the day. What sets the record apart is its willingness to disrupt itself. Just as a track locks into a groove, it fractures. Just as the noise peaks, it pulls back into something unexpectedly restrained. The band clearly understands tension and not just in the loud/quiet dynamic sense, but in how long they can push an idea before breaking it apart entirely. “Seeing/Peeling” is … Read more
There’s a fine line between being a quirky emo band with scene references and something that actually sticks. On Keyframe, … Read more
There is a specific kind of sultry, salty sweat that only happens in a room with low ceilings and a … Read more
It's been a short lifetime since the last Arrivals record, Volatile Molotov, but in many ways the new Payload picks … Read more
Gary Young wasn’t just a drummer; he was a beautiful, unpredictable glitch poking a hole in the sky where other … Read more
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When I first jump started this baby I was expecting another generic "emo" band. But as the first song winded down, I realized that it wasn't so! The vocals at times remind me of Get Up Kids, but not as high. The music itself is poppy, but still has the rock, and is similar to The Casket Lottery at times. If this was an LP, and there were 5 more songs like this, it probably wouldn't be so great, but for just a 18 minute thinger, it's good. Read more
Mrs. Magician is back! For those unfamiliar, Mrs. Magician is a garage punk band based in San Diego, CA. They formed in 2010 and between then and 2016, they managed to release 6 singles, 2 albums and 1 B-sides collection. Both of their full lengths were released on Swami Records, the label helmed by legendary San Diego guitar slasher/voice crasher, … Read more
Sometimes I like to come into a record as a blank slate. Amy Beth And Thee Creeps sent me a short email with their latest EP, Shitheel. It's a 4-song garage-punk ripper that's easily under 10 minutes. I just checked: it's five and a half minutes. With no bio, the music speaks for itself and this is rhythmic, pulsing garage … Read more
There’s a certain kind of melodic punk record that doesn’t try to prove anything. There’s no scene positioning, no trend chasing, no desperate grab for relevance. 6 Years Overnight, the debut EP from Binghamton, NY trio Jet Black Maps, lives comfortably in that space. It’s the sound of three musicians who have already done the work, already played the shows, … Read more
I was really into the last Vial record, a quick burst of peppy and pointed brat punk. The early singles off Hellhound lean way more grunge, so I was curious how the band had developed in the past couple of years. And while my very first impressions of "Infected" and "Scorpio Moon" had me thinking of L7 and Nirvana, by … Read more
Deathcore has spent the last decade mutating into increasingly technical, polished, and theatrical territory. Some bands chase symphonic grandeur. Others lean into hyper-technical brutality. The Indianapolis wrecking crew named Mauled take a different approach on When Your Eyes Are Shut. They drag the genre back toward the raw chaos of its early years. This six track EP feels deliberately rooted … Read more
The Lost Studio Sessions 1978 finally sets the record straight. This is the raw, ugly power the band’s debut never touched. For years, the DMZ legacy has been misunderstood because of that Sire LP. Look, it was the first record of theirs I ever heard and I still love it—but Flo & Eddie’s production smoothed over everything that made them … Read more
Mods & Gods, the 2026 release from the Mal Thursday Quintet, is a full-throttle blast of Farfisa-driven energy and playful garage primitives. Mal Thursday has spent decades scraping the rust (which never sleeps) off the genre’s fuzz-soaked hemoglobin—nods to Sky Saxon, Roky Erickson, and Brian Jones are baked in. And yes, Mal has gotten around. Born in the thick of … Read more
Tigers Jaw was formed in 2005 in Scranton, PA by high school friends. After a brief hiatus in 2013, the band is once again carefully crafting and delivering a sound that is equal parts upbeat angst and mellow moodiness. The current lineup, consisting of Ben Walsh (guitar, vocals), Brianna Collins (keys, vocals), Mark Lebiecki (guitar), Colin Gorman (bass), and Teddy … Read more
N.E. Vains’ Running Down Pylons delivers that kind of glorious, basement-level destruction. You know, back in the ’70s when every basement had those flimsy swinging room-dividing doors, and your skinny 130-pound frame suddenly ripped them clean off the hinges in a fit of imagined superhuman strength? The day you went from sand-kicked weakling to full Charles Atlas mail-order muscle miracle? … Read more
There’s no way to talk about Peace In Place without acknowledging the shadow it steps out from. Poison the Well isn’t just another reunited band dusting off an old name. They’re literally architects of the genre. The Opposite of December… A Season of Separation didn’t just help define metalcore, it rewired how heaviness and vulnerability could coexist. And honestly, is … Read more
Sometimes when you think of a town you think of a certain sound. Philadelphia is not one of those cities for me, as the bands I know from the area vary a lot in style. Yes, there is the Dan Yemin tree (Lifetime / Kid Dynamite / Paint It Black) but there are also poppy bands and emo bands and … Read more
If rock ’n’ roll ever had a smoky, beer-soaked, throbbing heartbeat, it lives in Top Jimmy & The Rhythm Pigs’ Pigus Drunkus Maximus. Recorded in 1981 but not released until 1987 on Restless Records, the album always felt like a document out of time — lightning caught like fireflies in clumsy hands, then bottled too long. This newly remastered reissue, … Read more
There’s a particular tension that makes alternative rock compelling. I love the emotional push and pull between softness and eruption. On No Requiem, Massachusetts outfit Dream Fatigue thrive in that space, crafting a seven song EP that balances dreamlike melody with bursts of distortion and emotional urgency. Born from the creative partnership between drummer Matt Wood and vocalist Jonali McFadden, … Read more
I'm not sure what's happening to me in middle age. I used to find samples clever and a nice change-of-pace technique on albums. But lately I feel like they interrupt instead of compliment what I'm hearing. This Isn't What I Ordered starts off really strong with fast, melodic and personalized punk over the first few songs. Then the sound clips … Read more
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