It's been a short lifetime since the last Arrivals record, Volatile Molotov, but in many ways the new Payload picks up exactly where the last one left off. It straddles the mid-tempo punk spectrum while drawing influence from seemingly all realms of the rock 'n' roll cannon. I'd state that mod, power-pop, Brit Invasion, and even R&B are some of the primary influences that inspire the unique melodies that define The Arrivals' guitar-driven sound. In many ways Payload is a tale of two different records and themes: a broken, dystopian social scene that's somehow merged with an album about brotherhood, family and love. It's about awful things and beautiful things -- both existing side-by-side, neither in sync nor in juxtaposition. If there is a phrase for the 2020s so far it's "two things can be true," on display here. "When It's Gone" is a classic intro Arrivals track that lets you know the band hasn't shifted their style after all these years, but I view the second ("Drill Baby Drill") and third ("Just Like My Brother") songs as establishing the album's true tone. Those songs feature different songwriters and singers, which further reflects the merged tones of the album and … Read more
Gary Young wasn’t just a drummer; he was a beautiful, unpredictable glitch poking a hole in the sky where other … Read more
Mrs. Magician is back! For those unfamiliar, Mrs. Magician is a garage punk band based in San Diego, CA. They … Read more
Sometimes I like to come into a record as a blank slate. Amy Beth And Thee Creeps sent me a … Read more
There’s a certain kind of melodic punk record that doesn’t try to prove anything. There’s no scene positioning, no trend … Read more
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Everyone's favourite thrash metal duo turned acoustic, Rodrigo y Gabriela stand out amongst their peers not only for their heavily metal-influenced Latin pieces, but also for their impeccable proficiency and astounding musicianship. Their latest album, Area 52, pairs the fiery duo alongside the ensemble C.U.B.A., the first time they've recorded their work with such full instrumentation.Let me tell you, the difference is noticeable. And I'm not just talking about the uncharacteristically louder and fuller sound, though that is undeniably a factor. All of the songs are significantly rewritten from their original versions, featuring extended passages and solos in addition to the heavy embellishment from C.U.B.A. What's more, the arrangements significantly augment the original pieces while nonetheless staying true to their original form. They're exciting and stand well on their own, … Read more
I was really into the last Vial record, a quick burst of peppy and pointed brat punk. The early singles off Hellhound lean way more grunge, so I was curious how the band had developed in the past couple of years. And while my very first impressions of "Infected" and "Scorpio Moon" had me thinking of L7 and Nirvana, by … Read more
Deathcore has spent the last decade mutating into increasingly technical, polished, and theatrical territory. Some bands chase symphonic grandeur. Others lean into hyper-technical brutality. The Indianapolis wrecking crew named Mauled take a different approach on When Your Eyes Are Shut. They drag the genre back toward the raw chaos of its early years. This six track EP feels deliberately rooted … Read more
The Lost Studio Sessions 1978 finally sets the record straight. This is the raw, ugly power the band’s debut never touched. For years, the DMZ legacy has been misunderstood because of that Sire LP. Look, it was the first record of theirs I ever heard and I still love it—but Flo & Eddie’s production smoothed over everything that made them … Read more
Mods & Gods, the 2026 release from the Mal Thursday Quintet, is a full-throttle blast of Farfisa-driven energy and playful garage primitives. Mal Thursday has spent decades scraping the rust (which never sleeps) off the genre’s fuzz-soaked hemoglobin—nods to Sky Saxon, Roky Erickson, and Brian Jones are baked in. And yes, Mal has gotten around. Born in the thick of … Read more
Tigers Jaw was formed in 2005 in Scranton, PA by high school friends. After a brief hiatus in 2013, the band is once again carefully crafting and delivering a sound that is equal parts upbeat angst and mellow moodiness. The current lineup, consisting of Ben Walsh (guitar, vocals), Brianna Collins (keys, vocals), Mark Lebiecki (guitar), Colin Gorman (bass), and Teddy … Read more
N.E. Vains’ Running Down Pylons delivers that kind of glorious, basement-level destruction. You know, back in the ’70s when every basement had those flimsy swinging room-dividing doors, and your skinny 130-pound frame suddenly ripped them clean off the hinges in a fit of imagined superhuman strength? The day you went from sand-kicked weakling to full Charles Atlas mail-order muscle miracle? … Read more
There’s no way to talk about Peace In Place without acknowledging the shadow it steps out from. Poison the Well isn’t just another reunited band dusting off an old name. They’re literally architects of the genre. The Opposite of December… A Season of Separation didn’t just help define metalcore, it rewired how heaviness and vulnerability could coexist. And honestly, is … Read more
Sometimes when you think of a town you think of a certain sound. Philadelphia is not one of those cities for me, as the bands I know from the area vary a lot in style. Yes, there is the Dan Yemin tree (Lifetime / Kid Dynamite / Paint It Black) but there are also poppy bands and emo bands and … Read more
If rock ’n’ roll ever had a smoky, beer-soaked, throbbing heartbeat, it lives in Top Jimmy & The Rhythm Pigs’ Pigus Drunkus Maximus. Recorded in 1981 but not released until 1987 on Restless Records, the album always felt like a document out of time — lightning caught like fireflies in clumsy hands, then bottled too long. This newly remastered reissue, … Read more
There’s a particular tension that makes alternative rock compelling. I love the emotional push and pull between softness and eruption. On No Requiem, Massachusetts outfit Dream Fatigue thrive in that space, crafting a seven song EP that balances dreamlike melody with bursts of distortion and emotional urgency. Born from the creative partnership between drummer Matt Wood and vocalist Jonali McFadden, … Read more
I'm not sure what's happening to me in middle age. I used to find samples clever and a nice change-of-pace technique on albums. But lately I feel like they interrupt instead of compliment what I'm hearing. This Isn't What I Ordered starts off really strong with fast, melodic and personalized punk over the first few songs. Then the sound clips … Read more
Spillings is a minimalist reconfiguration undertaken by two artists whose careers have been about genre deconstruction. The paths of Mathieu Ball and Liam Andrews have been running on parallel tracks, but both have been aiming for a similar endpoint. That is to strip down the heavy, experimental rock form, while at the same time retaining its destabilizing core. With Big … Read more
There’s a reason five doesn’t feel like just another EP title. This isn’t a casual release or a stopgap between bigger moves but a line in the sand. On their latest five song statement, Bombay’s Pacifist sound fully aware of the lineage they’re working within, and just as aware of how much effort it takes to keep those ideals alive … Read more
Pure Intentions is a hard hitting punk band first emerging in the Chicago scene in 2020. Since its formation by Joe Asshole and Tommy Volume, they have since added Judson Jones in 2024 to become its current standing trio. During that time, these guys have spread their gritty sound by touring the United States while gaining a strong following along … Read more
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