Stoke Signals are an emo-punk hybrid. The band bears most of the marks of the midtempo, singalong gruff-vocal punk I enjoy. But with some song structure and lyrical patterns of the far more popular emo-rock style that took off some 20 years ago. And: live by emo, die by emo. It’s a genre that puts the lyrics front and center and first impressions matter. The introductory lyrics from Stoke Signals on their first album are, “I might get hit by a bus tomorrow…and none of that matters if you don’t get sad when I’m turned into roadkill.” That’s pretty dramatic, but the band does tone it down after that. Sure, there are a few moments where I’m pulled out of the zone by the lyrics, but the record is mostly forward-driving, singalong style punk. “Take the Wheel,” “Hook Line and Sinking,” and “Holy Fangs” are the songs that stand out the most to me. “Holy Fangs” is a song about the band’s formation, in a sense, as they sprung from the ashes of Promise Me This and Holy Fangs. It’s upbeat and earworm and while the song has personal meaning for the band, the language is universal with a refrain … Read more
They say love is a universal language. But this eponymous EP by Norway’s Assistert Sjølmord is downright angry, so maybe … Read more
There is no doubt that Menace Ruine is a pioneering force in the extreme music space. The Quebec-based duo of … Read more
I’ve covered a lot of bands in the Scrunchies family tree in the past, so Colossal is pretty much what … Read more
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It's taken more than a year, but finally, Inara George's All Rise opus has been given a UK release. Readily available on import at no extra cost, the necessity for it is questionable. But with a new album on the way, featuring songs co-written by Idlewild's Rod Jones, and a performance with the very same coming up in London, the publicity factor must be paramount. Conjectured music industry politics aside, All Rise is worth every bit of the exposure it will be given. Ringing true with touches of everything, from easy-listening folk numbers and country-tinged ballads to upbeat pop songs; it is a complete album in a genre of incomplete albums. In a world over-populated with indie songstresses, all never doing much different to everyone else, Inara George is an, … Read more
This is the third album from MakeWar and they have their sound pinned down. I mean that, in the best way possible, A Paradoxical Theory Of Change is exactly what you want from the band. I also note it because, as it’s my third time review them, I’m trying not to repeat myself. This album introduces a new drummer, Alejandro … Read more
Shehehe, from Athens, GA, deliver a powerful sound that’s part rip-roarin’ rock ‘n’ roll, and equal part Ramones. It’s as classic as it gets in a way, while still feeling like a unique band that’s doing their own thing. Throw in a dose of DIY grit, and you’ve got their general sound. It’s punk rock from the heart, where you … Read more
This full-length record might fit on a 7”. It’s short and fast, but still definitely a full record with 10 fully-formed tracks of stomping punk rock just over 15 minutes overall. I’ve written about the band before and this record continues their trajectory. I remember a little more barking and aggression last time, but that isn’t to say this record … Read more
Volume 22 of DCxPC Live, a live album vinyl record label for punk, hardcore, ska and metal bands, features Sticky Steve, Borrowed Sparks, Jacob Danielsen-Moore and Dougie Flesh and the Slashers. This iteration leans heavy into folk punk and psychobilly sensibilities. Think Laura Jane Grace if she was obsessed with Spirit Halloween and B-horror movies. The vinyl itself didn’t seem … Read more
Some artists slow down as they get older. Who knows if that’s because of day jobs or family or something about the new creative process. It’s all case by case and speculation, and that’s not why I’m here talking about John Reis’s latest project anyway, other than to give a lengthy intro to Swami & The Bed Of Nails, which … Read more
A pioneer of the extreme ambient scene, Jouni Ollila's work with Mz.412 has been instrumental in tying the dark ambient scene with a black metal perspective. In effect, Ollila has influenced an array of artists from the brutal, dungeon chaos of Abruptum to the horrifying, noise dreams of Gnaw Their Tongues. While Ollila continues to produce dark visions through Mz.412, … Read more
One of the rare instances of a band getting more raucous with time (and success), Mannequin Pussy’s third studio album I Got Heaven sets the mood with heavy drums and cutting vocals. While the sound doesn’t swing in as hard, or as messy, as previous albums, the band hits their stride with lyrics equal parts scalding and snotty. Album opener … Read more
It comes with the territory. The harshness of noise, the unbearable coldness of industrial music, and the vastness of dark ambient naturally combine with the most visceral and dark themes. Uboa’s 2019 opus, The Origin of My Depression, weaponized these sonic arsenals to weave a story of the personal struggle of artist Xandra Metcalfe with transitioning and dealing with mental … Read more
This is apparently the fourth LP from FVRMN, previously known as “Fever Moon” and presumably pronounced as such. It’s not exactly a solo project, as there is a full band on Back To The Whip, but it’s definitely the brainchild of Jay Holmes (formerly of The Ladderback and also a recognized visual artist who has done design work for the … Read more
“I’m a real band!” When you write about an artist a billion times, sometimes your head goes to strange places -- leading to references that probably only make sense inside your own head. With Par For The Curse, the third album from the Todd Congelliere founded project, Clown Sounds has evolved from solo origins to a collaborative effort. The results … Read more
There are a lot of ways to find new music, from word of mouth to opening acts to algorithms. For the better part of the last 20 years, The Fest has been a way I’ve discovered new artists. One the biggest surprises for me at FEST 21 was The Dreaded Laramie. With a name that makes with think Wyoming and … Read more
Post Scriptvum’s works are defined by their hypnagogic quality, and ability to construct a harsh dreamscape and lead the listener through. Take the start of their newest record, Eisstoß, as an example. “Frazil” unfolds slowly, the beeping sound mimicking a faraway radar trying to slowly cartograph the unknown space. This anchoring quality is vital in any noise and power electronics … Read more
No Future are unleashing their debut record, following many short-fused, chaotic EPs and demos. The hardcore punk band from down under subscribes to the genre’s noisier, most extravagant, and brutal sub-division. Mirror’s energy is outright belligerent, capable of inflicting maximum damage with its minimalistic tendencies. The electrifying effect of “Silent Morality” is explosive, with a hi-hat sound capable of literal … Read more
You should never judge a band by their name alone, but it’s impossible to ignore it too. Carly Cosgrove is an emo-style band that chose a band name that sounds like a person’s name -- it seems to be a long-running tradition in the genre. I point that out because Carly Cosgrove the band has a lot of traditional elements, … Read more
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