Amidst heavy guitars, ritualistic drums and enthralling melodies, Lycus raise their head howling. The band from California brings their debut album, Tempest, their first release since their Demo MXII, and they succeed in crafting funeral doom of the highest quality. The slow pace of the songs is enriched with Lycus’s stunning melodies, mournful leads, deep growls as well as howling screams, the use of violin and clean chants. All of these give Tempest the edge it needs to become a towering example of extreme heavy music.The sound of the band brings back memories of the excellent Asunder, especially due to the use of the solemn guitar leads, but you soon understand that Lycus are a different kind of beast. The bleak atmosphere is immediately brought forth from the first notes of the opening track, “Coma Burn.” The ambiance is set and there is no escaping this album anymore. The deep growls echo inside your mind, making your sanity shudder while the sorrowful leads and splendid violin start to affect the emotional side of the psyche. The clean parts, for instance the one found within the second half of “Engravings,” act like sanctuaries from Lycus’s desolate musical settings. But after a … Read more
As far as downright ass-dirty stoner metal goes, Ice Dragon are amongst the best. Their latest EP, The Soul's Midnight, … Read more
The transition from performing acoustic covers in your bedroom on YouTube to recording original songs in a recording studio and … Read more
For how active a band Night Birds is, they still only have one studio full-length to their name. Instead of … Read more
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A Million Microphones is undoubtedly one of the biggest surprises of the year. Supersystem, minus the drummer, was formerly known as El Guapo. Despite releasing records on Dischord, El Guapo never managed to make an impression on me. So when they changed their name to Supersystem and signed to Touch And Go, I remained vaguely indifferent. "Not the Concept", the track that opens A Million Microphones, intercepts the floundering genre of dance-punk and systematically removes the shroud of embarrassing ostentation. But this gesture merely serves as a gracious introduction. By track two, Supersystem only remotely resembles a dance-punk band. It soon becomes blatantly obvious that fitting any convenient description will never satisfy them. However, the album never seems to blindly wander into unfriendly territory. Supersystem has a knack for taking … Read more
The short-form progressive album seems to be a dying art. Bands who venture into the genre are few and far between; more infrequent still are those who can do it well. There's just something about progressive music that compels bands to push themselves longer and longer, and while that's not unwelcome, there's something to be said for fitting all of … Read more
Since the release of their debut album, Mortuary in Darkness which came out in 2005, Coffins started building a cult aura around them. This was further developed with the release of their next two full-length albums, The Other Side of Blasphemy (2006) and Buried Death (2008), while on the same time their split releases, with great acts such as Otesanek, … Read more
Between being the vocalist for heavy metal band Edguy and the creative force for the rock opera project Avantasia, Tobias Sammet is a really busy guy. And though I've never really been able to follow the overarching structure to Avantasia's operas, apparently the last two releases (The Wicked Symphony and The Angel of Babylon, released simultaneously in 2010) wrapped up … Read more
You'd think a band named after Sir Walter Scott's most famous work would tend towards the contemplative (or, at least, the historically literate). But judging by German band Ivanhoe's latest album, that characterization falls several yards beyond the mark. The truth is, there's very little intellectual merit, or even any redeeming value, to be found in Systematrix.The largest issue with … Read more
It might come as a surprise that in the year 2013 Krokus—yes, that Krokus—have released a new album. And what might be even more surprising, at least to someone not in the know—such as myself—is that said album isn’t just some sort of reunion effort but rather the latest in a long string of releases, dating back to the year … Read more
Richard Thomson may be the vocalist for Xerath, but if you're expecting that same innovative blend of progressive metal, film music, and tech death in his new side project, you'll be sorely disappointed with The Custodian. Actually, if you were expecting any innovation at all, your expectations will be set too high for their debut, Necessary Wasted Time.The Custodian play … Read more
Wanting to hear more of Black Shape Of Nexus following their split with Kodiak a couple of years back led me to the intense Negative Black, and while I am not well versed with all of the work from B.SON (an acronym of sorts for the band), this album feels like a somewhat departure at least from what has come … Read more
Calling your band “hellish noise” sets the bar pretty high to start with. Fortunately Infera Bruo live up to that title in every aspect. The band from Boston, featuring members of other great acts such as Trap Them, Manias and more, follows up their 2011 self-titled debut album; with their sophomore release Desolate Unknown. The band’s black metal vision is … Read more
Led by multi-instrumentalist Erik Wunder (also of Cobalt,) Man’s Gin are releasing the follow up to their debut album (Smiling Dogs,) entitled Rebellion Hymns. If you believe that the band is similar sounding to Cobalt, you are gravely mistaken. Accompanied by an arrange of great musicians such as Bruce Lamont (Yakuza,) Jarboe, John Lamacchia (Candiria) and Phil McSorley (Cobalt), Man’s … Read more
To understand why Scale the Summit's newest release The Migration is so fascinating, you first need a bit of background:Scale the Summit's first couple of releases (Monument, Carving Desert Canyons) codified the same formula the band works by today; they play a brand of instrumental progressive metal that, through epic melodies and huge construction, is intended to invoke a sense … Read more
Portugal. The Man thrives in a music scene often reluctant of drastic change in a band's sound. Meanwhile, the Alaskan natives have spent the last seven years transcending and switching gears entirely with each new release, and pulling it off well. Having originally dabbled in experimental prog, Portugal went on to create a loud, bluesy rocker (2007's Church Mouth), an … Read more
A while back, I asked a friend of mine to introduce me to some new music. I was feeling burnt out on my usual prog fare, and I desperately needed to listen to something different. She suggested I give an artist named Dessa a try, and a little while later, I was listening to her debut album A Badly Broken … Read more
I'll admit, I'm a bit of a purist; though I didn't think it was a bad release, Black Gives Way to Blue always seemed to pale in comparison to Alice in Chains's earlier works. On some level, that's not entirely fair--without Staley, they are an entirely different band, and not necessarily even trying to recapture who they were before. But … Read more
Talk about false advertising. As far as I can tell, the self-described "PsychoProgDoom" band Lesbian is based out of Seattle, not the Aegean island. Putting geographic misrepresentation aside, their latest album Forestelevision is truly a monster to behold.If you couldn't gather from their self description, Lesbian are a notoriously difficult band to pigeonhole. They have the psychedelic guitars straight out … Read more
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