As a disclaimer, I am not in any way an expert on bands whose primary genre tag ends in '-core'. However, I know a fantastic album when I hear it, and the Dillinger Escape Plan's latest album, 2013's One of Us is the Killer, is beyond even that.It's been clear since their 1999 debut Calculating Infinity that the Dillinger Escape Plan have an affinity for the technical, writing music that takes such precision and musicianship that it solidified them in the ranks of the best in avant garde metal almost immediately. However, One of Us is the Killer, while no less intense, is a decidedly less obtuse release, putting much less of their focus on labyrinthine composition for its own sake and instead putting a higher emphasis on the more traditional compostional aspects of their sound.The songs themselves, while frequently sidetracking through mechanical masturbation or algospastic descant, always return to something readily recognizable. The Dillinger Escape Plan have no intention of letting you get off that easily, however. Despite their undeniable catchiness, the construction of their melodic lines is almost anamorphic, requiring an intense amount of concentration to be heard properly. Heck, even the relatively simple title track has random … Read more
"I blow my load over the status quo - here we go".A reading from the book of Homme. It has … Read more
One of the many reasons historians will condemn the early 21st century is the rise of glametalcore. Purveyed by groups … Read more
Emma Louise described the cover art for her debut album Vs Head Vs Heart as expressing "the beauty that can … Read more
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Anyone who's read any of my reviews probably has a pretty good idea of my old-school sensibilities when it comes to music. I've been listening to music for my whole life and it's tough to find anything that sounds fresh these days. So the reasons for my old-school tastes are simple. I'm old. I've heard a lot in my life. It's all been done before. Most of it was done before I even came into this world, so to expect anything wholly original 37 years later is ludicrous. But nostalgia? It has its place, though it is a defeatist mindset. It usually says, "Fuck it. Why try? We can't sound new, so let's just sound old." It's nothing new to embrace a genre for your specific sound - in this … Read more
Seattle is made out to be such a dreary place. Big Eyes released a largely positive-sounding debut in Hard Life and the reviews basically talked about the band’s relocation from Brooklyn to Seattle. Now, with the release of sophomore full-length Almost Famous, the press sheet says things like “a bit of Seattle seeps in,” no doubt referring to some of … Read more
Nick Cave is an uncaring bastard.He doesn't care if you buy his new album Push The Sky Away, nor does he care if you like it. Of course, this is not what makes him a great artist. What makes him a great artist is the uncompromising nature of his work. The man does whatever the hell he wants to, and … Read more
The Man Who Died in His Boat (released February 2013) is a collection of songs by Grouper, a.k.a. Liz Harris, one-woman ambient/noise/folk/dream-pop impresario of Portland, Oregon. Harris has been active since 2005, the year of her first full-length release, and projects since then have included numerous collaborations, EPs, splits, etc. on multiple labels. Her latest work (from Kranky Records) is, … Read more
Feral Kings' self-titled EP comes from a couple of guys that know how to do what they're doing and do it pretty damn well, and it is not necessarily anything new. If you're familiar with the band members’ previous efforts what they do on this record should come as little shock. Containing members of Spitfire and The Takeover (among others), … Read more
Maybe it’s because I caught Off With Their Heads live recently and maybe it’s because on Home, their third official full-length, the theme is something that songwriter Ryan Young has been hinting at all along. Either way, the songs here are familiar and powerful and they continue to deliver in a similar vein as to the rest of their output, … Read more
After enjoying the light, acoustic stylings of Seabuckthorn, I started checking out Bookmaker records for some similarly oriented artists. That's how I found myself stumbling upon the French musician Valentin Féron (aka Henryspenncer, hopefully not as a reference to Eraserhead). And while Féron is of course true to Bookmaker's heavily folk-influenced sound, he brings in so much more, all of … Read more
OK let the namedropping begin: Agalloch, Worm Ouroboros, Hammers of Misfortune, Amber Asylum, YOB, and more. That was probably enough to get your attention, right? So Vhol first came into this world by the twisted ideas of John Cobbett and Aesop Dekker and their aim was to create a band in the vein of the unbelievable Ludicra after they ceased … Read more
It makes sense that this is Paramore’s self-titled album, even though it’s their fourth full-length. Everything you know or have heard about Paramore, put all of those pre-conceived notions in your time capsule for 2009, because that’s not them anymore. This is the two remaining original members’ (Taylor York joined the band after the Farro departure) time to show everyone … Read more
Old school hardcore punk has really found its feet in the last few years. Bands like Creem, Raw Nerve and Violent Reaction have brought innovation to the scene by utilising lesser heard influences ranging from street punk to crust, whilst reducing the songs to their bare bones; short, pissed-off and raw. With its vibrant artwork and blistering intensity (11 tracks … Read more
My Dying Bride is over 20 years old. While most bands that would exist for this amount of time would notably mature in sound and style, it may be hard to convince people of that in regards to MDB. I say this because, stylistically, the band have always trudged through murky, doomy waters. This, in turn, did more to make … Read more
Although Wolves At Bay have recently released a sparkly-fresh record, this review will cover their 2011 full-length debut on Animal Style Records, Only a Mirror. The band seems to have changed names and lineups during the course of their evolution, but here presents as a four-piece post-hardcore outfit, proud to hail from a suburb of New Haven, CT. The paper … Read more
The beauty in acoustic albums usually comes from hearing a song you know and love take on a different resonance when it’s stripped back and unpolished. This is definitely the case for the songs on husband&wife’s Acoustic Recordings. All of the songs were recorded in the band members’ homes, which makes the songs sound quite homely and personal, as though … Read more
Aosoth is another example of how great the current black metal scene in France actually is. With their latest full length, they definitely claim their place next to great bands like Deathspell Omega and Blut Aus Nord. Formed by members of black metal titans Antaeus you get an idea of the quality of the music here.The cold, eerie atmosphere kicks … Read more
Aeon Zen is one of the more recent progressive bands to work its way up to massive critical acclaim. Grounded by sole permanent member Rich Hinks and a reputation for unorthodox compositions, the quintet released their third studio album in four years this January, 2013's Enigma.Right off the bat, there's no denying that their reputation is well earned--literally no two … Read more
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