As a zine built on the foundation of loving AFI, it would clearly be remiss not to talk about their new record. We try to pretend that Decemberunderground and Crash Love never happened - the first rule of AFI fandom is.... - but it would be silly to think that AFI made it to Burials without having to go through those two terrible albums. OK, I'll give them this, the songs they played live sounded great, but listening to the albums is a lesson in torture. Praise the Dark Lord then, that AFI have regrouped, re-energised and reclaimed their love of the dark.When news started coming through that AFI were releasing new material there was, understandably, a nervous excitement about it all. Would it be good? Would it be awful? What would it sound like? Thankfully, the quartet didn't let us down and Burials is, by far and way, their most solid and cohesive output in years. They introduce huge rock moments without it sounding trite (Crash Love), they weave electronic elements into the mix without it sounding like cast-offs from Blaqk Audio (Decemberunderground) and they reveal their affinity for all things despair-filled in a modern and engaging manner.Sing the … Read more
Heading over to their Last.fm account, the light hearted description ‘Australian for Deafheaven’ doesn’t exactly seem to serve as an … Read more
The press blurb that accompanies Texas-based indie folk duo Papermoons' sophomore album No Love claims that "the idea that you … Read more
Sometimes calling something the “[insert record label]” sound is meant in a derisive way. Before the clichés came home, however, … Read more
Tape Deck Heart is a transition album for Frank Turner. Not only for his music career, but it seems like … Read more
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The tight and bright 2014 Icarus EP marks the debut of the indie pop quartet that originally recorded as Plumerai under their new name of DRLNG. Despite the group’s billing in some press materials as a shoegaze-inspired project, I noticed much more inspiration coming from the world of cheerful French pop music of the ‘60s, particularly in the almost birdlike vocal melodies heard in these tracks. Focusing on singer Eliza Brown’s soothing soprano, the album’s somewhat mysterious and very European-sounding title track surges forward on the back of a bouncy bassline before the EP settles in on the more relaxed pairing of “My Gypsy” and “Playground Punk.” Both of these tracks come across as playful love songs built around gentle guitar melodies and cooing, high-pitched vocals. Final track “Seattle” is … Read more
Bangers are a punk band from Cornwall, but they don’t play to expectations in their second full-length Crazy Fucking Dreams. Instead, the record starts with the mid-to-slow tempo “A Curious Mix,” with speak-sing vocals and a trumpet. Singer Roo Pescod’s voice remains confrontational and direct, and that’s the most “punk rock” thing about “A Curious Mix.” From there, of course, … Read more
Coleman Hell is a three-piece Canadian band from Northern Ontario. It consists of vocalist Coleman Hell along with Rob “La+ch” Benvegnu and Michah “Dustbuster” Dowbak. Along with being a band, it is a project that experiments with sound and also consists of their “behind-the-scenes” engineer Brendon “Stretch” McDonald, whom all together help to create, produce and perfect the beats and … Read more
It turns out that in the time I decided to write about this record (approx one million months ago*) and actually writing about this record, that Seagraves have chosen to call time on the band. Which is a massive shame because Weight of the World is really great and I feel terrible about being so tardy with this review. Sorry … Read more
Gogol Bordello, on their earlier releases, were one of those rare bands that everybody agreed was a must-see live band that and was able to capture a reasonable facsimile of that imperative on record. Later releases, in particular the band's 2010 release Trans-Continental Hustler, were not as successful capturing that live energy in the studio.Pura Vida Conspiracy is a step … Read more
Crusty hardcore is making a sort of renaissance as of late. With more and more bands playing the basics and still more adding the style to their more broad repertoire it can make it harder and harder to pick a truly great example of the genre as opposed to a band that merely does it well.2 years ago Vancouvers' Baptists … Read more
The history of A.M.S.G. (or Ad Majorem Satanae Gloriam, or For The Greater Glory Of Satan) is one that is filled with darkness and the actions of vocalist/guitarist Angelfukk Witchhammer are dubious to say the least (Mr. Witchhammer has spent some time in prison and wrote this album during a period of incarcaration) and yet the duo have found ways … Read more
What do you do with a record that you just cannot place, and how do you express what you think about such an album when words escape you? This is the dilemma before me as I listen to Apocryphal Stories from Utarm for about the tenth time because I just am at a loss as to what is actually going … Read more
With an impressive line up including Scott Kelly of Neurosis, Bruce Lamont of Yakuza, Sanford Parker of Minsk and Buried At Sea, and Mike IX Williams of EyeHateGod, the debut album of Corrections House is met with some high expectations. And thankfully the four musicians are able to deliver. It is quite intriguing to hear what these guys can bring … Read more
Ottawa-native Joel Martin is back with his twelfth album entitled The Tipping Point. For someone who has spent the majority of his career experimenting with sound and innovative ways and techniques to strike his audience, it’s safe to say he has succeeded in showcasing his creativity and talent with this interesting collection of songs which best represent him as an … Read more
If you haven’t heard of The Slow Death by now, you probably aren’t as depressed as the majority of us. Luckily their new album No Heaven hits the spot for the more cynical listener. Which, lets face it, punk rock has never been about sugar coating the bullshit that comes with life. If it wasn’t the album cover with a … Read more
If there's anyone who can make the mundane interesting, it'd have to be progressive rockers The Tangent. As evidence, I cite their newest album, Le Sacre du Travail (The Rite of Work), which is a five-movement, hour-long piece of music encapsulating the variety of emotions in the typical Westerner's work day.And it certainly succeeds at that project--bland concepts and trivial … Read more
On Happy B-Day Mike, the latest self-release from math rockin’ boys What’s Fluffy, the Bloomfield, NJ quartet fires out six sonic anecdotes of hypnotic guitar lines, swaying time signatures, sparkling saxophonic blows, and never-ending feelings.The EP, running at just over 18 minutes, opens up with “I Really Hate Cats”. The track isn’t something PETA should be worried about: it’s meant … Read more
It’s easy to read a posthumous reissue as a mining of a band’s demos and outtakes. Nirvana saw the deluxe treatment of Nevermind a few years back and now, celebrating 20 years since its release, they get the same treatment on In Utero. For a band that only released three proper full-lengths, yet received accolades beyond what I care to … Read more
Some anniversary reissues are like tapas. Small, manageable servings of exactly what you want and you wind up leaving utterly satisfied. Others are like going to Country Buffet. More food than you could ever need or want and you end up gorging on shit you never asked for in the first place and when you finish you ask yourself "Why … Read more
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