We've finally come to the last of Dave Hause's EP series. The final EP comes from Side One Dummy and features covers of Flogging Molly's "Whistles the Wind" and Audra Mae's song, "The River." I'm sad to say, this was probably the most boring of the 5 EPs, but the covers save it. The acoustic version of "Resolutions" present on this EP doesn't quite hold up to the album version. "Melanin" retains its electric guitar with Hause by himself giving less of an emotional performance than the album's recording.For the covers, I was happy to see Hause didn't go with a Chuck Ragan cover. That would have been an easy way out. Audra Mae was unexpected. Hause adds a vibrato to his guitar and a harder vocal performance to counter the fragile tone of the original. Adding a harmonica to Flogging Molly's "Whistles the Wind" was a nice touch. This was another cover in this series that Hause made his own and could be considered better than the original. It was a nice way to bring the series to a close. Good work Dave Hause! Read more
Year Of No Light’s emotive instrumental approach is one that embraces the deeper, heavier side of post/sludge/atmospheric music and the … Read more
After a successful gig at Fest 12 last month the Massachusetts based power trio The Young Leaves will hit the … Read more
Imagine my pleasant surprise when the reissue of the long out of print vinyl version of the Saturday Looks Good … Read more
Choose a year to view reviews of albums released in that year.
756 reviews
45 reviews
25 reviews
300 reviews
5057 reviews
19 reviews
So. The big question. A return to form? Quick answer yes. Less quick answer yes, but. A lot has been touted about the latest album from Skiba, Andriano, and Grant and some of it is even true. It's a definite move away from the ill-advised adult rock of 2008's Agony & Irony, but it falls far from being a primal reinvention of the alt-punk cool of Maybe I'll Catch Fire. Everyone who has moaned about their output since that popped onto shelves is going to be disappointed. Instead it hops readily back into the energized but morbid pop-punk of their mainstream breakout period. Several of the tracks on offer here could be wedged firmly into From Here to Infirmary and eyelids would not be batted. As the first release from … Read more
A void was left in the world for those that enjoyed the jangly indie pop of Saturday Looks Good To Me when the group disbanded sometime following a tour in 2008 leaving us all wondering if we would ever hear the fun and sweet music that only Fred Thomas and company had been providing since they started playing their unique … Read more
I still remember the first time I saw Universe217 playing live in Athens, back in 2008. They were the supporting act for Scott Kelly of Neurosis and I found myself thinking that this band definitely is on the right path in terms of what they are doing with their music. Considering they had just released their debut self-titled album at … Read more
Splits are a dilemma at times, as they inevitably will either inform you of a new band or have a couple of songs that are clearly overshadowed by their counterpart. I am happy to report that is not the case for this split. With two of the Northwest hardcore scenes' heaviest, this record is a rager from start to finish. … Read more
It's always cool when bands from opposite sides of the world do a split together. It worked great for Thursday and Envy. Here, we have UNFUN from Canada and Despite Everything from Greece. Both have a different brand of dirty punk-rock. In the case of this split though, the Canadians lost. UNFUN's songs have great material to dance and sing-a-long … Read more
Aaron & the Sea have come a long way from writing dinosaur-themed ballads. The Minneapolis band formed in 2008 when roommates Aaron Rice and Alex Brown started making music together, and later completed their line-up with the arrival of drummer Peter Leggett. Over a year after releasing their debut album Creature Creature the trio are back with their Cloak & … Read more
The onesheet drops the term “subversive pop.” While the term may apply lyrically, musically The Julie Ruin is more ‘80s pop in sound. Keyboards lead the melodies and punchy vocals with earworm melodies are at the core, accentuated by a range of percussion accompaniments and funky, danceable bass lines.The Julie Ruin is a continuation of Kathleen Hanna’s 1998 self-titled Julie … Read more
It has been about four years since the release of What We All Come to Need, what was in my opinion the only weak moment in Pelican’s career. The Ataraxia/Taraxis EP, released in 2012, gave a first idea of the shape of things to come and now Forever Becoming has finally landed.Pelican was never a band that would stay in … Read more
Watain have been around for a long, long time but it’s only really recently that the band have broken out of the confines of the underground and became a black metal band that graces magazine front covers and headlines tours across the world. The Swedes have been a heady presence on the scene back home and with 2010s Lawless Darkness, … Read more
Watain has been on the cusp of something huge for the last couple years. With a handful of great records and a live show that could manage to get a mention from even the most jaded of writers. The band stowed away with an intent to write something that would be true to them but also capitalize on their successes. … Read more
Throughout their relatively short tenure, Sutekh Hexen has produced several thought provoking releases that intrigue from both a sonic and an aesthetic perspective; and Become is no different than that description as well as it seemingly marks a turning point for the (at times) shadowy outfit as it is purportedly the first recording to not feature one of the founding … Read more
Ihsahn is one of the most immediately recognisable artists that Norway has produced and his work in legends Emperor and now as a solo act has seen him move from the early stages of black metal to a much more progressive sound. Ihsahn’s solo efforts have always been extremely interesting and with Das Seelenbrechen he has created a textured landscape … Read more
Aeronaut’s Coronal Mass is one hell of recording, but just saying that does not a hint of justice to the overall quality of this release because I would be damned if I did not say that the packaging for this cassette tape is disgustingly awesome, and in truth, what ultimately makes the release is the music that takes up the … Read more
What dream like states can you imagine, and how exactly might you reach such a trance? Do you use illicit and not so illicit substances, or are you maybe touched a bit having brushed wings with delirium one too many times? Regardless of how you might enter a waking dream world, what do you enjoy to use as the soundtrack?Ever … Read more
Pressure is a party. The three-piece band Kitten Forever trade off vocals constantly throughout, and even swap instruments while they’re at it. It starts off with a 43 second intro track of vocal switcheroos and handclaps before shifting into the muddy “Cry Baby” that sets the stage well for their alternating tones of distorted punk and happy-clap sing-song. While the … Read more
Looking for the SPB logo? You can download it in a range of styles and colours here:
Click anywhere outside this dialog to close it, or press escape.