It's not much of a secret that Mike Patton is an odd fellow. Incredibly talented and carrying a relatively large fan base but, odd nonetheless. In the years since the demise of Faith No More and Mr. Bungle along with the extended downtime of his other bands (Tomahawk and Fantomas) he has managed to make a name for himself by becoming a composer. In the past few years he has done scores for films (Crank 2: High Voltage) and worked with some of the best known avant-garde composers and musicians (John Zorn among others). All of these things help to make it less odd when you find that this is a soundtrack of sorts that is for both a book and film by Italian writer and PhD holder Paolo Giordano. Less odd but still quite odd in itself.So we are given a record composed by Patton and played by others that is both used in the film at points as well as much that wasn't. The overwhelming emotional trajectory of the film is played upon by Patton to create a constantly moving classical piece. The album begins with string swells and light piano touches helping to set a mood of … Read more
Lil Fame of M.O.P., going by his producer moniker “Fizzy Womack,” has crafted soundscapes for a for the likes of … Read more
Hate me for it, but this release was the one that kind of soured me on Nadja and (in particular) … Read more
When I speak of a “Kiss of Death” sound, I don’t mean it derisively. What I do mean is poppy … Read more
Unless you’ve only just been introduced to Canadian punk music from the past quarter century, you've already come to expect … Read more
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Hungarian musician Csarnogurszky István is quite prolific, helming Black Hill, musicformessier, Realm of Wolves, Stvannyr, and of course Silent Island. His most recent release is The Curse of Coleodeia under Silent Island. As it can be often witnessed with prolific bands and/or musicians, the output may tend to suffer in quality due to the quantity in which it comes about. It’s obviously not a universal rule, as there are plenty of exceptions around, although it does tend to be the case more often than not. The curse of Coleodeia is one release, which I personally feel took a toll from this. It’s not necessarily bad, although it lacks particular personality, or any redeeming ideas which could make it memorable in any way. It’s surely an easy-going and enjoyable ride for … Read more
What better way to start my career at Scene Point Blank and as a published writer than by reviewing one of the most important releases of 2012? Probably any other way, really, but I feel compelled to share my take on Kendrick Lamar’s second studio album Good Kid: M.A.A.D. City because of the impact it has made in the short … Read more
World Narcosis is a relatively new band as this is their debut EP. The band's style relies on a slightly crusty version of grind hearkening back to early Brutal Truth with all the rage and politics intact. That is not to say they are solely raging against the machine as it were but the anger is most certainly palpable and … Read more
Vandalism. You know the feeling you get right before it happens? The moment you grip it in your hand; arm above your head and cocked back? Or the instant just after you shake the can and right before you press down on the tip? How about the feeling you get right after it happens? The moment the brick goes through … Read more
There is definitely an incredibly creeped out vibe coming out of my speakers right now, and I mean that in only the best possible way because the tension building dark ambience of this inspired collaboration is a work of what could be a singular artist as the music is so spot on in its execution and delivery that the idea … Read more
It’s not very often I’ll say a song belongs on the radio and mean that in a good way. With the whispered beginnings to “Garza” on Audacity’s Mellow Cruisers, the song starts with a surf-whisper that builds into an uber-catchy song with rise and fall, singalong choruses and a rhythm section that pulls the listener in and pummels through 3:01 … Read more
It takes approximately 30 seconds to decide whether or not Cheap Girls’ latest album, Giant Orange, is to your liking. The overall, upbeat feel of the album is firmly established within the first few lines of “Gone All Summer,” instantly pulling you into the downtrodden world of bassist/vocalist Ian Graham and co. and not letting up once throughout. Combined with … Read more
Al Jourgensen has managed to create a genre early on in his career and according to most has never quite surpassed the classics of the genre he helped to create. In a sense it would be a hard task for anyone to do such a thing. Imagine a 50 something year old man trying to recreate "Thieves" would that be … Read more
The Germ project has been in some form or another for quite some time yet the first record (Wish) from this Tim Yatras production only saw the light of day this year. It’s surprising then, that an EP should follow Wish quite so quickly, yet here we are with the melancholic yet strangely uplifting sounds of Loss on our hands. … Read more
Sneaking an album out to the public regardless of the mass of information that seems to leak (including albums and other music related info) in this day and age seems completely fitting with regards to the first album in over ten years from Godspeed You! Black Emperor and their well communicated anti-corporatist and sometimes luddite-esque demeanor; but instead of such … Read more
Anaal Nathrakh have always been on the very edge of extremity, teetering on the brink of absolute annihilation and destruction. Their sound is imbued with total hatred for mankind, the world and all life and the two-piece push themselves ever further towards the threshold of utter desolation with Vanitas. How two people can make such harsh and deadly sounds between … Read more
Over a decade in the rap game, Vinnie Paz has been a pillar of the independent scene as the front man of Jedi Mind Tricks and Army of the Pharaohs, as well as one half of the duo, along with Ill Bill, known as Heavy Metal Kings. God of the Serengeti is his second solo outing and the highly anticipated … Read more
Much of the press that Pittsburgh-based hardcore act Code Orange Kids garnered with the release of its debut 7” Cycles late in 2011 was centered on the young age of the members. Almost a year later, the band has gone through three pressings of Cycles, signed to Deathwish, Inc., released a split with another rising band - Full Of Hell … Read more
Is this the same band that released Ask Mark Twain? Well, kind of. Dale & the Careeners is the first Grabass Charlestons full-length since 2005, and their first with singer Will Thomas wielding the axe instead of the kit. Really, after giving this record several listens it seems that talking about the band’s earlier releases will mostly put people on … Read more
Not knowing how much in the majority that I am, the passing of Gared O’Donnell’s previous band (Planes Mistaken For Stars for those that were unaware) was a sad occasion in my household as the burly riffing and impassioned performances by that band both live and on record were a huge hit in my household; so when Hawks & Doves … Read more
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