Ohio's Homewrecker have only been a band for a relatively short time, but in that time they have bridged the gap between clevo-style hardcore, powerviolence, and straight-up grind. Within their brief recorded history the band has managed to do this pretty well. Their A389 debut proves to be a different challenge as, now, many more are familiar with their general sound. Worms and Dirt begins with distorted guitar noise leading to a dirty-sounding riff and vocal sample. This gives the listener the last chance to relax for the next 22 minutes. The distortion builds into a stomping drum pattern until, finally, the vocalist belts out a harrowing, throaty scream. The song offers a good idea of what you as a listener are in for. The band sound dirty and scummy overall. The throaty screams lead the band through the next few tracks allowing for momentary bits of lead guitars and dive bombs. Even at their slowest, the band carries an immense sense of power as the screams are sometimes bolstered by reverb. This allows the rage to feel more palpable as though the singer is screaming up at the listener from the bottom of a dark well. Homewrecker’s sound never … Read more
Depending on your perspective, The Gaslight Anthem are either a Bruce Springsteen cover band or one of the more exciting … Read more
Young Guv, aka Ben Cook, has been keeping himself busy. Besides his full-time gig with the mammoth hardcore band Fucked … Read more
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What Radiohead have done with the release of In Rainbows will be talked about for years to come. At best, and only time will tell, it will be looked at as changing the industry as we know it, giving the consumer more power than ever before. At worst, it will be known as a failed experiment, but still remembered with reverence as one of the ballsiest moves in the history of music. I did pay money for this album. There was no promo copy received. I merely went to the site, entered in $0.00 as my payment and after a two-minute download, the album was on my computer waiting to be heard. By paying nothing, I meant no disrespect to the band or what they're trying to accomplish. My actions … Read more
The Riverboat Gamblers are an established band. So much so that it surprised me to see that The Wolf You Feed is just their fifth full-length, following last year’s Smash/Grab EP. With that history, they’ve jumped styles and labels, going unfettered rock to slick anthems, and successfully straddling the lines between punk, hard rock, and garage. The Wolf You Feed … Read more
TesseracT made quite a splash in the djent scene with their debut last year, the aptly titled One. Though the album itself wasn't particularly impressive, it still struck a chord with a lot of listeners and garnered the band quite a following. It's no surprise they've rushed to produce something to follow it up, and that follow up is 2012's … Read more
Jeph Jacques may be primarily a cartoonist, but he's somehow managed to turn that profession into an outlet for his musical passions as well, crafting a virtual band from his own fictional characters and recording real music for them. The result is his one-man post-metal project, the flippantly named Deathmøle, which has turned out a steady stream of albums since … Read more
This is the third review of this that I am writing and the first two were these rather objective and staid ruminations on the music that The Seer contains, but both of those were completely false and void of any possible feeling, making the words empty and worthless to anyone who would read either one in anyway; I threw them … Read more
Approaching Swans, and in particular attempting to “review” a Swans record is much like approaching a rock face you know is almost unscaleable. There is a way up and over, but it seems so very far away that at the beginning you spend at least an hour staring at a blank page willing something to happen – and other people … Read more
The big complaint since Aesop Rock’s breakthrough, Labor Days, seems to be that he hasn’t had the memorable singles. At this point, it should be clear that Aesop Rock writes albums, not hits. Skelethon is his sixth release, and first with powerhouse label Rhymesayers Entertainment. While None Shall Pass (2007) had its moments, I’ve long felt Aesop Rock’s best work … Read more
In the early eighties when the Boston post-punk band Mission of Burma announced their decision to stop playing and recording due to guitarist Roger Millers tinnitus issues it seemed like the end of an era. The band enjoyed notoriety, not on the charts, but among music lovers/fans in general who were in love with the pure ferocity, quirky melodies, and … Read more
Following a name change from the audibly slick 10-4 Eleanor and absurd legal debacles with John Elway of the Denver Broncos comes the follow-up EP from the Colorado 4-piece’s Red Scare debut. Hence My Optimism shows little progression from Elway’s previous efforts but proves there’s little merit in fixing what isn’t broken. Packing enough energy and rambunctious attitude to rival … Read more
From Doylestown, PA, Balance and Composure has created a lot of buzz in the past few years for their melodic and emotional contributions to the ever-changing underground scene. They’ve released two EPs, a split with Tiger’s Jaw, and a full-length called Separation, all on No Sleep Records. Again teaming up with No Sleep, we have an acoustic 7-inch in which … Read more
Chock Full of Misery as a title sets a bleak tone for a group best labeled as pop-punk. Yet, New Bruises don’t let the downer subject matter override their energetic and singalong anthems. In song titles past and present, the group has namedropped both Kurt Vonnegut and Johnny Cash—and both are apt examples for New Bruises common tone of frustration, … Read more
Emirati band Absolace certainly know their stuff. After releasing their debut Resolve[d] in 2010, they easily paved their way for a followup. That album just so happens to be 2012's Fractals. How does their new album hold up? Unfortunately, not as well as you'd hope.The main issues stem from vocalist Nadim Jamal--it just doesn't sound like he's trying that hard … Read more
Releasing new material for the first time since 2009, Italian avant-garde/progressive/jazz/black metal group Ephel Duath cast aside their woes and channel their frustrations into On Death and Cosmos. Having been incredibly prolific before the sudden enforced hiatus after 2009s Through My Dog’s Eyes, Ephel Duath return with a refreshed group of musicians, a three track EP and a new outlook. … Read more
I’ve been hearing about the new wave of pop-punk for a while—how bands like Menzingers and Teenage Bottlerocket are reshaping the genre, building off predecessors like The Ramones, Screeching Weasel, The Queers, etc. while bringing something new to the table. It’s personally taken me a while to get around to checking them out myself, but with the release of Freak … Read more
Terror is a band that needs no introduction. Hardcore legends in their current age, Terror hails from Los Angeles, California and has brought a more metallic sounding hardcore into the foreground of the scene. This is a live CD/DVD of a show in 2003 at the Showcase Theater in Corona, California and the entire thing is interconnected with interview clips … Read more
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