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Our latest album reviews, featuring the records we've most enjoyed (or not) over the past few weeks.

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Browse our album reviews according to score: Highest (9.5/10 or more) or Lowest (2/10 or less)

Plastic Cross

Grayscale Rainbows
Don Giovanni (2012)

Hub City Hardcore may not be on par with Greek mythology in terms of their incestuous relations, but with the debut of Plastic Cross, the New Brunswick, NJ brings yet another band of familiar faces playing a wholly new sound. The band is comprised of familiar Hub City Hardcore faces, with ex-members of The Scarlet Letter, Doc Hopper, Down in Flames, The Measure [SA] , and a bunch more.Grayscale Rainbows is the band’s debut, on Don Giovanni Records, and brings a raging 1980s-schooled, circle pit hardcore that the band dubs “social science fiction.” The songs are short, loud, and fast, with charged, spitting lyrics, driving guitars, and a few scattered breakdowns to catch their breath. Meanwhile, the lyrics take a socio-political tone. The sci-fi angle comes tastefully, with the band utilizing varied effects and atmospheric tones in their songs but the sci-fi is no shtick. It’s done subtly and, more or less, in the background beyond the primary guitar/drum/bass/vocal forefront, giving an extra spacey tone but without overwhelming the listener with synthetic effects. What really drives this record is the shredding energy from guitarist Fid and the pounding of drummer Pete Hilton (since replaced by Chris Pierce). The rest adds … Read more

The Keystone Kids

Things Get Shaky
Deep Elm (2012)

Half of The Keystone Kids is half of Slingshot Dakota, while the other half is Ryan O'Donnell of Yo Man … Read more

Senmuth

Hagwalah
Independent (2012)

Russian rocker Senmuth is known for his very overt fetish for all things Near Eastern. All you have to do … Read more

Big Black Delta

IFUCKINGLOVEYOU
Master Of Bates (2012)

Jonathan Bates, aka Big Black Delta, made me entirely rethink what pop music could be last year with the release … Read more

Rehashed

Code Black
Power It Up (2011)

Rehashed out of Saskatoon are working at carrying the crossover torch into the next decade. While there are a few … Read more

Two Gallants

The Bloom And The Blight
ATO (2012)

2012 sees Two Gallants coming back from a 5-year hiatus with their new release The Bloom and the Blight. How … Read more

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One from the archives

Seven Sisters Of Sleep/Children Of God

Split
A389 (2011)

Dear lord is this ever one of the heaviest split records in quite a while, and I am sure that I don’t have to explain how that is saying something; but both bands on this could wreck your speakers on their own anytime so having them both on one slab of wax is a completely different kind of punishment altogether, even down to the cover art. I am very familiar Seven Sisters Of Sleep and their misanthropic pummeling, but Children of God is a band with which I have had no prior experience. Children of God somehow mix grind and hardcore with sludge in a way that works while being catchy as hell at points; I mean it is easy to explain how they mix these seemingly disparate genres and … Read more

More album reviews

Homewrecker

Worms & Dirt
A389 (2012)

Ohio's Homewrecker have only been a band for a relatively short time, but in that time they have bridged the gap between clevo-style hardcore, powerviolence, and straight-up grind. Within their brief recorded history the band has managed to do this pretty well. Their A389 debut proves to be a different challenge as, now, many more are familiar with their general … Read more

Nü Sensae

Sundowning
Suicide Squeeze (2012)

Whether it is rap music, hardcore or pop punk, it seems the ‘90s are forcing their way back into our unsuspecting eardrums thanks to a handful of well-versed history-appreciating up ‘n’ comers. And with that sentiment arrives Sundowning, the second album by Vancouver, BC’s Nü Sensae, a band leading the small charge of current alt-core revivalists. Now a three piece—with … Read more

Katatonia

Dead End Kings
Peaceville (2012)

Sweden’s Katatonia have been a constant presence in the realm of blackened doom/death metal since the bands inception way back in the very early 90s, and whilst a modicum of that era is still present in the group’s sound of today, Katatonia are now a fully fledged depressive rock entity. Whilst this depressive tendency ebbs and flows throughout much of … Read more

The Gaslight Anthem

Handwritten
Mercury (2012)

Depending on your perspective, The Gaslight Anthem are either a Bruce Springsteen cover band or one of the more exciting mainstream bands still producing music. On their fourth album, the New Jersey punks have found themselves in a curious position: whilst they have continued to grow in popularity, the critical acclaim that moved them into the public’s general awareness, has … Read more

T.O.M.B.

UAG
Crucial Blast (2012)

T.O.M.B. or Total Occultic Mechanical Blasphemy has managed to up the stakes of what can qualify as black noise for over 10 years. The group sounds like distorted occultist activities that are taking place within a tomb. So now that we know how truly appropriate their name is one may question how well this record carries said reputation. The record … Read more

Young Guv & the Scuzz

A Love Too Strong
Southpaw (2012)

Young Guv, aka Ben Cook, has been keeping himself busy. Besides his full-time gig with the mammoth hardcore band Fucked Up, he’s released 11 singles and 2 previous EPs as Young Guv. Along comes EP#2 in the form of Young Guv & The Scuzz’s A Love Too Strong. This time along, he’s entered a proper studio and gathered a backing … Read more

The Riverboat Gamblers

The Wolf You Feed
Volcom (2012)

The Riverboat Gamblers are an established band. So much so that it surprised me to see that The Wolf You Feed is just their fifth full-length, following last year’s Smash/Grab EP. With that history, they’ve jumped styles and labels, going unfettered rock to slick anthems, and successfully straddling the lines between punk, hard rock, and garage. The Wolf You Feed … Read more

Tesseract

Perspective
Century Media (2012)

TesseracT made quite a splash in the djent scene with their debut last year, the aptly titled One. Though the album itself wasn't particularly impressive, it still struck a chord with a lot of listeners and garnered the band quite a following. It's no surprise they've rushed to produce something to follow it up, and that follow up is 2012's … Read more

Deathmøle

Meade's Army
Independent (2012)

Jeph Jacques may be primarily a cartoonist, but he's somehow managed to turn that profession into an outlet for his musical passions as well, crafting a virtual band from his own fictional characters and recording real music for them. The result is his one-man post-metal project, the flippantly named Deathmøle, which has turned out a steady stream of albums since … Read more

Swans

The Seer
Young God (2012)

This is the third review of this that I am writing and the first two were these rather objective and staid ruminations on the music that The Seer contains, but both of those were completely false and void of any possible feeling, making the words empty and worthless to anyone who would read either one in anyway; I threw them … Read more

Swans

The Seer
Young God (2012)

Approaching Swans, and in particular attempting to “review” a Swans record is much like approaching a rock face you know is almost unscaleable. There is a way up and over, but it seems so very far away that at the beginning you spend at least an hour staring at a blank page willing something to happen – and other people … Read more

Aesop Rock

Skelethon
Rhymesayers (2012)

The big complaint since Aesop Rock’s breakthrough, Labor Days, seems to be that he hasn’t had the memorable singles. At this point, it should be clear that Aesop Rock writes albums, not hits. Skelethon is his sixth release, and first with powerhouse label Rhymesayers Entertainment. While None Shall Pass (2007) had its moments, I’ve long felt Aesop Rock’s best work … Read more

Mission Of Burma

Unsound
Fire (2012)

In the early eighties when the Boston post-punk band Mission of Burma announced their decision to stop playing and recording due to guitarist Roger Millers tinnitus issues it seemed like the end of an era. The band enjoyed notoriety, not on the charts, but among music lovers/fans in general who were in love with the pure ferocity, quirky melodies, and … Read more

Elway

Hence My Optimism
Red Scare Industries (2012)

Following a name change from the audibly slick 10-4 Eleanor and absurd legal debacles with John Elway of the Denver Broncos comes the follow-up EP from the Colorado 4-piece’s Red Scare debut. Hence My Optimism shows little progression from Elway’s previous efforts but proves there’s little merit in fixing what isn’t broken. Packing enough energy and rambunctious attitude to rival … Read more

Reviews by score
Browse our album reviews according to score: Highest (9.5/10 or more) or Lowest (2/10 or less)