From what I gather, I’m supposed to love Andy Falkous and his body of work. For a man who talks so much shit, he sure has a lot of admirers. But, whatever…I’m reviewing Polymers Are Forever here, not writing as essay on ego worship. This EP is the latest from his post-Mclusky group, and something of a teaser for an upcoming 2012 release. Personally, I haven’t given the band much of a listen since 2007’s Curses, and this record shows a marked improvement.The first thing that stands out is how the band has grown. The songwriting has deeper textures and more variance, and the synthesizers flesh out the tunes by complementing the guitar instead of sounding gimmicky. Curses felt like a vehicle for Falkous to deliver his witty banter more than a musical experience. Here, the songs jump in styles, from the swinging beat of “With Apologies to Emily Pankhurst” to the drawn out “destroywhitchurch.com,” the band is bringing new styles to the table—something much needed to expand their sound beyond the lyrics. Falkous’ lyrics are known for their directness. They blend anger, insult, and wit to mix humor with sociological observation. What makes them distinct is largely his direct … Read more
The first thing that hits you is how beautiful the album looks. You haven't even begun to listen to it … Read more
Planet Asia has built a long history in underground hip hop. While certainly not the best known to most he … Read more
I will say, right off the bat, the composition ability of Paul Ortiz, a.k.a. Chimp Spanner, is undeniably top-notch, as … Read more
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Horrorpunk's Not Dead: Vol.1 is the first of (hopefully) many compilations created by the team behind Horrorpunk's Not Dead radio podcast. Not only are they fast becoming Europes best horrorpunk radio show but they are proving to be a significant force when it comes to promotion within the community, being the busiest and most proactive promoters of horrorpunk in Europe right now. So much so, creator of Horrorpunk's Not Dead Dan Phillips has started up We Are Horror Records to put out these compilations. Dan says "this compilation (Vol. 1) is the first release through the label. I have interest from bands within the scene and I'm already working at putting together Vol.2 because the dead don't rest!!" Horrorpunk's Not Dead: Vol. 1 is 28 tracks of the horrorpunk communities … Read more
France's Les Discrets have been active for nigh on nine years, yet are only on the cusp of their second full length release. Driving force Fursy Teyssier has had a hand in one of the greatest exports of the majestic French scene, Amesoeurs (unfortunately a band no longer in existence), and once upon a time toured with Alcest as their … Read more
Derek Edward Miller and Alexis Krauss start this record like it's a Van Halen concert. They're tricking you into thinking that maybe after the Skins commercials that had everyone humming "Kids," after the Williamsburg and Pitchfork royalty fame, and after all the music festivals they attended last year, they were going to take things in a different direction - maybe … Read more
When I was asked to write a review for the band Let Me In’s debut album, The Bag and they were categorized as an Italian pop/punk band I was a bit intrigued. One thing that jumps at the listener from the start of the record is that these guys know how to rock. Italy isn’t known for producing pop-punk bands … Read more
Arkansas residents Pallbearer have been a band to watch out for ever since the release of a fantastic three track demo in 2010. Featuring two original compositions ("Devoid of Redemption" and "The Legend" having been re-recorded for this release) and a cover track, this demo served to have many take note of this doom-laden quartet and the hopes for a … Read more
What if you could have all the great hits of the early 90s on one record: Liz Phair, INXS, Archers of Loaf all on one easy-to-manage collection? Okay, so this cover set from Brooklyn’s Shell Shag also includes DIY punk like Underground Railroad to Candyland and AK77, as well as songs from The Descendents, The Wipers, Warsaw, and The Undertones. … Read more
Oh, our beloved Cursive--shall we never hear another Ugly Organ from you? No, we shall not, so stop asking for one. For three albums now, Cursive have been bounded to their undeniable masterpiece, The Ugly Organ, and have been expected to reach that plateau with each subsequent release. I'd be lying if I said I wasn't one of those fans, … Read more
There has been a resurgence over the past few years of Shoegaze style rock. While many of the more known bands of this style tend to mix it with other genres at this point (Alcest mixing black metal or Ringo Deathstar with some electronic music). Needless to say most bands take what is useful to them from the genre and … Read more
Since the rise of Brand New out of the emo scene (around the time Deja Entendu was released) there have been a number of bands trying to make the most of that style. While said style isn't complicated it does require a few things that most bands that copy them can't quite pull off. Settle For Less at times seem … Read more
Hardcore really isn’t my thing. Still, every once and a while I like to break out of my comfort zone with something different. Lasting Impression, hailing from LaCrosse, WI, refer to themselves as “high energy hardcore.” There are a number of scenes or bands that could be name-dropped, but sticking with the basics as they do seems a solid approach. … Read more
Perhaps it's best I start with this: I really, really want to like this album. Chryst's epic monstrosity PhantasmaChronica is usually the kind of stuff I actively seek out. I'm one applaud a band for taking the risk of writing a 50-minute operatic black metal suite. But I keep finding myself coming back to one hitch: the style of an … Read more
Oakland's Ghoul are a mysterious bunch, going by pseudonyms, apparently hailing from Creepsylvania (a quick Google map check tells me this isn't actually a real place), and looking like they just stepped off a 70's horror flick set. Sounds crazy. And it kinda is, but what else would you expect from a band with a Kill-bot and members (supposedly) of … Read more
Without a doubt in my mind, Bless Them That Curse You is one of those releases that without hearing a single note of music, people will immediately become excited by the prospects of just such a pairing (hell, I know I did when both groups of musicians began posting pictures of recording sessions and pictures of pieces of paper outlining … Read more
Connecticut’s Twitch the Ripper is comprised of duo Jon Dobyns and Lonn Bologna. Bodiless is their debut album, which is deeply invested in the Dark Wave genre; emphasising the synth-heavy pop and Industrial elements.The album’s opening track quickly sets the tone for the next 45 minutes that this record lasts; within the first 4 bars strong echoes of Pretty Hate … Read more
They must be putting something in the water in Canada if the staggering amount of great bands to have appeared from the Great White North in recent years is any indication. For those of you that are mentally compiling a list, then prepare to add yet another with the post-rock group My Dad Vs. Yours. Virtually disappearing after their first, … Read more
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