Although the Indie-Emo genre has been getting over-saturated with new artists lately, there are a few that wear the title suitably; By Surprise are one of them. They take the sound and mend it into something that’s a little more adventurous, anthemic, and sometimes even quirky. By Surprise’s debut full-length, Mountain Smashers, gives us a bird’s eye view of a band with lots of potential. The band introduces the album with the flickering riff-ridden opener, “Books by Thoreau.” The resounding guitar work stays consistent as it’s backed by a chorale that appropriately sounds as if they’re singing from the peak of a mountain. Then, like a one-two punch, we’re taken into “Realometer.” The gang-vocals follow through from the last track, and it’s quickly becoming one of my favorite traits in By Surprise’s songs. However, the main highlight would be the bridge where Pat Gartland and Rob Wilcox blend their guitar harmonies beautifully. Unlike the last two tracks, “Mostly Harmless” is much more driven by the rhythm section while Gartland takes the vocal lead—though he doesn’t do the best job. While it starts out a bit defeating with lyrics like “I’ll never be like the people who inspire me,” they close … Read more
Seabuckthorn is the one-man solo acoustic project of UK guitarist Andy Cartwright. He's listed as similar to artists like Grails, … Read more
After 10 years since their last release, Grey Area returns with 2 new songs. They’ve brought along Go Rydell—the melodic-hardcore … Read more
Much has been said about this project - spanning a vast ocean, two continents and many genres in between - … Read more
This two person project that spans continents has gotten a bit more attention in the past year or so. Having … Read more
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Any band that names themselves after a Sugar song automatically wins major points with me. And it doesn't hurt the band's cause when you hear names like Dag Nasty and 7 Seconds batted around in reviews either. Explode and Make up features the singer of 88 Fingers Louie as well as members from The Bomb and The Suicide Machines. And yes, they play old school melodic hardcore in the vein of bands mentioned above. I even hear bits of 411 and even the all mighty Lifetime. There's plenty of fast catchy hardcore with a couple of "whoahs" and hooks that will leave you humming these six songs in bank lines. If know me, you know I eat this stuff up like a box of Mike and Ike's. Read more
Taking Back Sunday were once the face of the new alternative underground movement often labeled as “emo” but over the last few years they seemed to have lost their footing. After losing pivotal member in Fred Mascherino and releasing the uninspired New Again, an album that met a negative critical reception, many fans including myself gave up on the band … Read more
Jesuit is the kind of band that your older brother (I would say sister, but women should hate this band now just like they did back then… for more information get a physical copy of this and read the ridiculously humorous liner notes) shows you when he catches you listening to some terrible pop or even the latest trend of … Read more
When The Riverboat Gamblers released their last full length, Underneath the Owl, many fans were put off by the cleaner production and poppier approach. Their newest EP, Smash/Grab, was a return to the raw sound and more aggressive song writing, but offers something different by blending in a bit of Garage-Rock.The first of the 4-song EP is arguably the weakest … Read more
Before your red flag goes up, we are not talking about the "crab-core" group, Attack Attack. Don't worry; I was wary of the same thing. No, Attica! Attica! is the complete opposite. It's the moniker undertaken by De La Hoya and Marathon vocalist, Aaron Scott, for his solo folk-punk project. In September of 2009, he released his second full length, … Read more
Few bands have the creative power, material, and time to put out an album annually since its inception. Portugal. The Man do just this, having released their sixth full length album since their 2006 debut, Waiter: “You Vultures!” For such little time between each release, lack of evolvement is of no concern. P.TM have gradually developed from early rockers with … Read more
My money is on the simple fact that it will take you longer to read this than it will to actually listen to Orphan, the latest album from the estimable grind group Gridlink (their pedigree alone is enough to warrant paying attention to the music this outfit is creating now) and that is not a knock on the album at … Read more
Thievery Corporation has always been a bit of a musical Janus: one face obscured in the revolutionary stylings of Subcommandante Marcos, the other the visage of one of the most commercially successful acts in their scene. Their lyrics and album art all call for an end to the economic slavery of the international monetary system. Yet, they’ll still cash a … Read more
Chalk up another one for the misleading band name file—Something Fierce makes me think violent and brutal, which definitely isn’t what this Houston group is after. The walking bassline and jangly guitars of the opening track on Don’t Be So Cruel establish a mood of calculated cool that relies on bounce and rhythm instead of aggression. To borrow from the … Read more
The Duo of Herra Terra seemed to come out of nowhere when their signing was announced by The Mylene Sheath. Seemingly no prior releases could be found and just the usual myspace was available to see online. What was noted early on is that Herra Terra were going to be the odd band out on the label. Known generally for … Read more
Gifts From Enola should be fairly recognizable to anyone into the post rock scene at this point. The Virginia based band have been putting out music and logging road time for the better part of 6 years at this point. The band have worked hard to progress their dynamics-laden post rock sound. So it comes as little surprise that after … Read more
Hands That Pluck is uncompromising. The final album under the Caïna name for (one man) band leader Andy Curtis-Brignell is intense. Vocally, musically, and lyrically. This is an album dealing with the subject of finality - even more so because it will be the last Caïna release - with ideas of religion and will making numerous appearances."Profane Inheritors" gives you … Read more
Admittedly, I was knocked off my seat when I first heard Iroha (their split with Fragment, Bittersweet was an engaging listen) and immediately began awaiting the release of their first LP; but herein lies the problem, there was waiting and waiting and more waiting until I literally forgot about this record coming out at all (which certainly is a shame). … Read more
This album begins with a short acoustic introduction. With tense melodic vocals leading to background screaming. this song lasts for under a minute and does little to really prepare one for the rest of the record. This California band tends to traffic in semi melodic hardcore blasts. This belies their name for certain as most would attribute the band name … Read more
Dream Theater is beginning to stagnate. Queensrÿche has jumped the shark. Nobody even knows what Devin Townsend is on anymore. In fact, it would certainly seem that Symphony X is one of the gracious few progressive metal acts that's actually been getting better as of late. While The Divine Wings of Tragedy or V: The New Mythology Suite will always … Read more
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