I have long been a fan of the split record format for a few reasons. The simplest one being a matter of attrition—two bands, one record. Sometimes it is seasoned vets paired with upstarts, like Misery and Hellspawn. Other times it’s the covers idea—each band's songs being covers of songs originally performed by the other bands, like the BYO Records split series from the late ‘90s/early ‘00s. And there are those rare occasions when a split record can be the landmark for an entire movement, much the way the Life’s Halt/What Happens Next? pairing, Start Something was the defining moment of the short-lived “Bandanna Thrash” revival at the turn of the century. However, I find more often than not, the split format is best served as a purpose of introduction. Such is the case with this latest 7” from Give Praise Records—Backslider and Nimbus Terrifix. While this is not a first release for either band, it’s probably their largest scale output thus far.Side A features Backslider, a guitar and drums grindcore duo from Philadelphia, PA. The songs are fairly short—clocking in around the minute range—but create the illusion of being lengthier because there are slower, stoner-like drone elements incorporated throughout. … Read more
Do you listen to music that reflects your mood, or do you listen to music to alter just how you … Read more
After a few years of anticipatory mixtapes, the debut album by Radom Axe has finally seen the light of day. … Read more
Separation is not a complicated album nor is it very diverse, yet Balance & Composure have managed to create a … Read more
You may think you know everything there is to know about Cannabis Corpse. Which is two things (maybe three if … Read more
Keith Canisius is a lesser known musician who managed to be born in the USA and move himself out to … Read more
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All I keep hearing these days is that Rock is dead, the ever popular Gene Simmons schooled us with this factoid in an interview he did with Esquire (Esquire WTF??) last month. Well friends let me assure you Mad the Martian, a band we interviewed here on Scene Point Blank recently, are here to save Rock and Roll. The band has a great new release out entitled Blast Off and from start to finish this record is a sonic collection of powerful up tempo old school Rock and Roll gems. The band is made up of brothers Bob and Jack Marsh, on guitars and keyboards respectively rounded out by Anthony J. Resta on drums and other sounds. First off let me say, the record is packed with tunes delivered with … Read more
A389 Records announced earlier this year the signing of Homewrecker. The band play a nasty style of hardcore with nods to powerviolence and straight out heavy hardcore. While this may sound awkward the band work in these influences in a rather seamless manner. Those who have been paying attention to the site have probably heard of The Love Below. Having … Read more
40 Watt Sun were borne from the ashes of English band Warning, a band that ceased to exist after only two full length albums (albums separated by seven years and an extensive hiatus). Their demise was much mourned in doom circles, and then this little gem came along to brighten the day. If slow, down-tempo riffs are the kind of … Read more
Pop structures with gruff vocals? Check.Group singalongs at the chorus?Check.A lyrical focus on being lost in the world while simultaneously abusing alcohol semi-therapeutically?Check.There’s definitely a format at play for Elway, the Colorado band who just issued their debut on Red Scare Industries. Say what you will about the whole “beard punk” sub-subgenre, but I’m a sucker for it and Elway … Read more
Many were intrigued when Tiger Army frontman, Nick 13, first announced he’d be releasing a solo country album. It was a sound that fans were already familiar with from Tiger Army songs like “Outlaw Heart” and “The Long Road.” However, I’m not sure everyone was prepared for the genuine country vibe that Nick 13 managed to execute on this record. … Read more
Mock Orange took me completely by surprise. They only just came to my attention despite having been a band for nearly 2 decades. Although, they didn’t begin to gain some exposure until their third album, Nines and Sixes, in 1998. It’s 2011 now, and they still seem to be Indie’s little secret after the Spring release of Disguised As Ghosts.The … Read more
Heinali and Matt Finney are a meeting of the mind's in a way. Consisting of a spoken word artist (Finney) and a predominantly Ambient composer from the Ukraine (Heinali). The pair have never met and act as an internet only project. This may concern a few as rarely do these sort of projects make their own name, save for a … Read more
Dirge, the self-described 'neurotic post-core' band from France, may have gotten just a bit big for their britches. Ever since Blight and Vision Below a Faded Sun was released in 2000, Dirge have been pushing the limits of how much space they can cram into their music and get away with it. 2004's And the Sky Shall Descend saw this … Read more
A year after their dissolution, post-metal powerhouse Isis is preparing to digitally re-release its entire live discography on a fortnightly basis throughout the summer of 2011. The set of five albums unfortunately does not contain any new material, but for those of you who skipped acquiring them while the band was still active, some of these albums may satiate your … Read more
My Morning Jacket’s latest release titled Circuital, especially because of the first single “Holdin on to Black Metal,” has been called something of a long departure from their previous album, but Jim James and company remain consistent where it counts: in making great, rounded, listenable records. Circuital is chock-full of repetitious, exhaustive lyrics and chord progressions, but it more than … Read more
In a time where the only things that garner a hardcore band’s attention is how heavy they are, it’s hard to find bands with an actual proactive message. Everywhere you turn, the next hype band has little to nothing to say lyrically but are the most talked about based on their music, which is usually beatdown at its most basic … Read more
When music historians look back on the first decade of the 21st century, they'll no doubt highlight the dazzling array of pop musicians daring to innovate. Those producing music which both reinvents and creates, challenging conventions and spinning concepts and long-term constructions around their work. Except, of course, they won't. Pop has been sadly lacking of late, with depressingly little … Read more
There are a lot of names that could be dropped when talking about Amateur Party—in fact, I did so when I reviewed their EP back in 2009. However, the band really stands as a completely different kind of monster than the members’ other work. As such, I’ll delay the biographies until later. Truncheons in the Manor is their first full … Read more
While eventually churning out some less than desirable material late in their career, there is no arguing the impact early Discharge made in both the punk and metal scenes—going so far as to create their own sub-genre in the process. D-beat, as it is aptly titled, signifies thick, lumbering guitars matched with an intensely repetitive drum beat, and shouted vocals, … Read more
Ireland's Altar of Plagues play a style of black metal so atmospheric in nature, that you can't help but be completely taken in by the sounds you're hearing and the thoughts the music conjures in your mind. Mammal is only their second full length offering, and whilst White Tomb was unquestionably fantastic, this new record is on an entirely different … Read more
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