With a prolific band like Bellingham, Washington’s Death Cab for Cutie, (Codes and Keys being their seventh studio album release), it’s impossible for fans not to speculate how their newest album is going to sound. “Maybe it’ll sound like Transcendentalism with some Postal Service influence!” “Maybe it’ll be like Narrow Stairs... but better!” “What The Open Door EP started, Codes and Keys will finish! Yeah! I’ve got that Ben Gibbard all figured out.” Anyway, I am no exception to this and also wondered how Death Cab for Cutie would come back after my personal favorite album of theirs, Narrow Stairs. I thought Narrow Stairs, while at a glance might not seem very different, was pretty experimental for them. Most of their songs were fast-paced with surprisingly dark scenarios (and if I’m pointing out how dark the lyrics were and I’m talking about Death Cab, then you know they had to be pretty messed up,) which was an interesting combination. It’s very hard to make “She holds a smile like someone would hold a crying child" catchy but they most certainly did. Drums and bass were also more present on that album, i.e. “I Will Posses Your Heart,” which had a … Read more
Pygmylush have certainly put their time in their scene their ex members list is extensive and well documented. Knowledge of … Read more
The Reptilian come with little to no notice. The Michigan band has been around for almost 4 years now with … Read more
Alex Turner has a captivating way of churning seemingly simple rock tunes into lyrically fueled fits of manic moods, lost … Read more
Man, what a nice looking record. The sleeve includes an actual photograph for the cover, with a dozen or so … Read more
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A few eyebrows were raised on both sides of the divide when Capitol Records decided to sign indomitable indie heroes, The Decemberists. With nothing obviously commercial about their sound, musings varied from wonder to fear that The Decemberists were about to become just another pop-indie band. Most fears, however, were allayed when talk of The Crane Wife, an old Japanese folktale that had stuck with Colin Meloy for years began to circulate. As it is, it comes with all the major label production values without sacrificing the sounds on which The Decemberists have built their back catalog. Eclectic as always, The Crane Wife wavers from traditional folk, to over-the-top pop within seconds. Complete with haunting duets, sing-along ballads, and dabs and touches of scores of playing styles and influences, it … Read more
Withdrawal is possibly carrying metallic hardcore standards for all of Canada. As it becomes harder to note a truly interesting band of this style in general let alone from their corner of the world. The band managed to turn heads a couple years ago with their last EP Unknown Misery even managing to get rave reviews from this site. In … Read more
Back in the pre-internet era I came across a blurb in some metal magazine I read in my adolescent years—I’m guessing it was Rip. In that blurb it mentioned a “real punk” band called the Dwarves, who had just been kicked off the trendy Sub Pop for feigning the death of one of their members. I was intrigued, and I … Read more
You’d certainly be forgiven if, like me, you initially assumed Cülo were a Hispanic punk band. I was told they hail from Chicago, IL—a place known for having one the most heavily Latino-populated hardcore scenes in the country—and, well, their name is, after all, a Spanish word. Upon hearing their first 7”, Nuke Abuse, I quickly realized that all the … Read more
The D.I.Y. ethic has long been a tremendous ideal that has always appealed to my often times ridiculous sensibilities, but what can I say besides that there is just something to a band putting their blood sweat and tears into a project from the first inkling of inspiration to breaking open that box of records from the record plant; the … Read more
Xibalba translates to "Place Of Fear" meaning a place where the evil go when they die in Mayan culture. There is no more fitting name for what Xibalba, the band, do musically. Over the past few years the band has managed to build a relentlessly heavy sound giving nods to Max Cavalera era Sepultura and Disembodied. These influences are readily … Read more
A year after their dissolution, post-metal powerhouse Isis is preparing to digitally re-release its entire live discography on a fortnightly basis throughout the summer of 2011. The set of five albums unfortunately does not contain any new material, but for those of you who skipped acquiring them while the band was still active, some of these albums may satiate your … Read more
We haven’t heard a new album from Samiam in 5 years. However, in 2010, they did release a rarities collection of outtakes, radio performances, and live recordings. Even some covers recorded in Billie Joe Armstrong’s basement made it onto this compilation. Orphan works pulls from 6 years of material during the band's Clumsy and You Are Freaking Me Out eras, … Read more
Intimate little records and intimate settings will stick with people for a while if they are struck in such a way where the performance just hits them the right way when and where they need it to mark the moment as memorable; quiet whispers and frantic yelps may spark the memory later or some ghost sound that speaks the necessary … Read more
This is another band that while maintaining some bleak footing in the black metal scene exists as a noise group. That is not to say there aren't obvious trademarks of black metal within the structures, however loosely built they are. This band plays on the darkness that many black metal bands try to play up and orchestrate. Rather than just … Read more
What more can be said about Dylan Carlson and his outfit, Earth (and long time drummer Adrienne Davies), that probably has not been said many times over ad nauseum? Personally, Earth has become a touchstone and jumping off point for a ton of incredible music (Carlson and company certainly broadened my musical horizons and palette) while at the same time … Read more
It’s been almost a year since As the Ox Plows popped up on the interwebs. Back then it boasted itself as a free digital version of the soon-to-be-released LP. Well, that time has finally come, with Razorcake Records, It’s Alive, and Dirt Cult stepping up to deliver the San Diegans’ second full-length. The four-piece band shares members with Tiltwheel and … Read more
Namedropping in reviews is an easy thing to do, and I’m not averse to it myself. The obvious ones for High Tension Wires come via the members’ pedigree (Riverboat Gamblers, Marked Men, The Reds, Bad Sports). I usually try to limit it to that—the other projects that members have worked in, and how it compares with said artists’ output. Still, … Read more
A year after their dissolution, post-metal powerhouse Isis is preparing to digitally re-release its entire live discography on a fortnightly basis throughout the summer of 2011. The set of five albums unfortunately does not contain any new material, but for those of you who skipped acquiring them while the band was still active, some of these albums may satiate your … Read more
The Hussy have been banging away in clubs, bars, and basements since 2008. In that time, they’ve pumped out 3 vinyl singles and a split cassette. Still, with their Slow Fizz debut, the question remains about how their hyped-up, dirty garage rock will come across on a longer format. Cement Tomb Mind Control should alleviate any worries that the short-attention … Read more
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