Chicago natives Oceans offer up nine tracks with sixty minutes worth of music on their debut effort. The five-piece maintain a post-rock inspired craft throughout the bulk of the full-length but also find ways of incorporating mid-90's emo and post-hardcore sounds into their songs. Nothing Collapses begins with "Lit Up Under Streetlights" and you get eight minutes of light-footed post-rock that leans towards the more playful tones as opposed to down-tempo style the genre often sees. The group makes use of the guitar techniques you've come to expect from pros of the genre - Explosions in the Sky, etc. Where the band helps to distinguish themselves is with the faint influences of the mid-90's Midwestern emo scene in their sound. "We are Ruins" follows and it features a slightly more aggressive direction with movements of heavier riffing interspersed with their standard guitar noodling. "Ways with Wolves" boasts some interesting guitar and rhythm interplay that brings to mind Minus the Bear. "Boy Detective" interjects more of this guitar work in its structure as well. This song also features some vocal parts, which is a bit odd for a band of this genre. They caught me a little off guard but worked, … Read more
It's always great to find all of these new breeds of punk bands coming about lately. There have been so … Read more
Hailing from Oregon, this four-piece outfit has brought forth a four-song EP titled No Help. The title of the EP … Read more
Man Overboard is the latest bubble-gum pop-punk band to come around, joining the existing one hundred thousand others. This four-piece … Read more
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What is this? Metal? Sure, but how and what do I classify it? Krakow combines a few eclectic styles to overtake metal and spin it into a unique sound—something that takes time to digest. It has distorted guitars, yes, rough vocals, yes, screaming, yes. When metal stops being so self-conscious hiding in a mask of distortion, dials it back 30 percent, it can show us the new life nursing beneath its bosom. Almost like the distortion is a fiery furnace burning down the organic material inside into a fuzzy black mess, and within the reduced heat a new kind of condescension of sweat and tears nourishes the blackened soil for the greenest plants to greedily take root, and (I suspect) dominate metal. From our point of view—those of 'good taste'—we … Read more
Here we have a decent seven-song slab of 90's hardcore with some newer influences. Outrage sounds like they take the best riffs from the New Age catalog of 1995, speed it up and toss some impassioned vocals on top of it. I can see anyone into Outspoken to Defeater enjoying this band. I found it to be an enjoyable listen … Read more
This new release finds Easton actually fronting a band after many years of mainly playing solo acoustic. Electric guitar leads are abound, and the music is powered by the drumming of Sam Brown. But don't worry kids, the ace songwriting is still in full force. "Broke My Heart" is great pop song, but more heady subjects are also addressed. "7th … Read more
The first solo record from The Church frontman in seven years, Kilbey handles all the instruments here except drums. Thankfully it does not sound like a Paul McCartney record. Tim Powles, drummer from The Church covers the sticks and production duties. But there's still a strong guitar presence on this one. "Outbound" features a flowing bassline, while 'Wolfe" seems to … Read more
Sadly this is not a album by recently reformed Italian thrashers Bulldozer but a disc made by a New York band playing bog-standard punk rock with melodic and shouty sing-along choruses. It's hard to get wet and excited over another punk band that has flashes of rock'n roll and sounds like they came straight from the practice room - especially … Read more
Massachusetts-based Disappearer returns with their long-awaited second release. The Clearing marks the band's first full-length effort, which follows up the band's 2006's self-titled EP release (which is actually the group's 2004 demo reworked). So it has been, in a way, five years since we've gotten fresh material from Disappearer. For the super-fans, I am aware of last year's Steven Brodsky … Read more
We're All Broken's name may sound familiar to you because they've opened for a lot of big names like Thursday, Minus the Bear, and The Gaslight Anthem over the years. This five-piece have just undergone a bit of a change in style with their new EP, Blacktop Cry. Their former post-hardcore stylings have been abandoned in favor of a more … Read more
I've always considered Alexisonfire one of the "better bands" in the whole "post-hardcore" scene or whatever you want to call it. However, their last album, Crisis received a lot of mixed reactions among fans with a lot of them believing that the band had lost their fire and were aiming for a more "commercial appealing" album. While that may be … Read more
Wrnlrd drops a dense black metal album on listeners with this limited LP and digital album, Oneiromantical War - which I believe is the sixth album from the outfit. Now, in my growing education in black metal, this is my introduction to Wrnlrd, and it certainly provides me intrigue as the record mastering is the work of Bob Weston of … Read more
I hate to be that guy, but I got to admit that it's getting more and more difficult to find an impressive hardcore album these days. I'm not talking about that record you listen to several times, really rock out to during the first week, rag on your friends for having never heard of it, and then retire it to … Read more
What a weird mix (sound wise this is really thin sounding without much bottom end) for the opening track to a record because I really was hoping to be immediately crushed by Geisha's Die Verbrechen der Liebe, and instead, "Prelude to Amber Pays the Rent" is a bit of thin riffage being pushed through a thick haze of white noise, … Read more
It takes a lot for me to completely lose faith in some of my favorite bands, and I came pretty close to completely giving up on Anti-Flag after the disaster that was The Bright Lights of America. My faith was then restored a bit after hearing that they left RCA Records and joined the ever growing roster at Side One … Read more
I like to refer to Foundation's self-titled record as campfire punk. It takes basic punk songs (often from the Ann Beretta catalog) and strips them down to the acoustic basics. In the process, Rob Huddleston doesn't run them through the genre-grinder and spit out new alt-country or folk versions of old songs so much as he creates Ann Beretta Unplugged … Read more
Pulling Teeth continues to be an extremely active and productive group - touring the world and releasing three full-lengths and several singles since their inception. Paranoid Delusions | Paradise Illusions marks the band's third full-length effort, though I use that term loosely as the length of this recording is a bit on the short end for a "long player" (though … Read more
The reviewer of the following album would like to invite his readers to participate in the following drinking game: grab a shot glass, grab a bottle of whatever alcoholic beverage you wish to imbibe (for those in AA or under 21 years of age, feel free to use whatever is handy - remember, thumb off the carb) and take a … Read more
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