Rob Gordon's first lines uttered in High Fidelity are What came first, the music or the misery? People worry about kids playing with guns, or watching violent videos, that some sort of culture of violence will take them over. Nobody worries about kids listening to thousands, literally thousands of songs about heartbreak, rejection, pain, misery and loss. Did I listen to pop music because I was miserable? Or was I miserable because I listened to pop music? Aw poor Rob thinking his life is a mess because he runs a cool record store and got to bang Catherine Zeta Jones and Lisa Bonet while being sappy over top five lists of Marvin Gaye songs. Imagine if our lovelorn anti-hero listened to hardcore/punk instead of radio pop songs. Rob wouldn't be making mixtapes and screaming outside chick's windows during a downpour. No he'd be as miserable as the rest of us thirty-something mooks listening to bands with members that are at least a decade younger than ourselves. And I never gave it to a Cosby kid either. Miss Jones...on the other hand, well I don't like to kiss and tell. Gee, Rob, that Cosby Sweater isn't going to score any points … Read more
Throughout their eight-year tenure as a band, The Mars Volta has never been timid about doing whatever they please. The … Read more
Christian hardcore isn't exactly my thing but I was willing to give The Red Baron's debut album, My First Love, … Read more
Everyone Everywhere is a relatively new group from Philadelphia that loves to wear their influences plainly on their sleeve. Sounding … Read more
The third record finds this Canadian five-piece returning to the smooth atmospheric rock of their debut. But with more songwriting … Read more
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We're All Broken's name may sound familiar to you because they've opened for a lot of big names like Thursday, Minus the Bear, and The Gaslight Anthem over the years. This five-piece have just undergone a bit of a change in style with their new EP, Blacktop Cry. Their former post-hardcore stylings have been abandoned in favor of a more straight-forward rock approach. The band's take on rock n' roll is showcased with huge choruses, vocalist/guitarist Joe Wilson's soulful singing voice, and overall anthemic sound. It's an instant hook at first, but it only lasts for so long. The most appealing quality of this band is Wilson's singing. His heartfelt, soulful voice is what really drew me into this band at first. It's hard not to really enjoy his smooth … Read more
On this outing Robyn Hitchcock is backed by Scott McCaughey (Young Fresh Fellows) on bass and vocals, Peter Buck (some big band from Athens?) on guitar and Bill Rieflin (Ministry) on drums. A lush recording with a lot of texture makes this record a lot to take in. But once you enter, you may never want to leave. "Saturday Groovers" … Read more
Outclassed's This Might Be Coincidence is a five-song escape from tranquility. Their satisfyingly raucous punk is filled with energy and misshapen tempos. Song titles like "Kick God in the Face, Hail Satan" and "Fuck Mark" are almost impossible to hate. Their label Forcefield Records is also home to City of Ships, Triac, and Cannabis Corpse. The one-sided LP release of … Read more
imadethismistake play catchy folk-infused punk. It's a simple concoction, but it works well for the band. It's Okay is an eleven song LP with awesome artwork done by EMY (aka Bughead). Kylewilliam Campol's vocals match the music nicely, and the music is never too overbearing or haughty. It's evident that imadethismistake have found their niche. It's Okay is a pleasant … Read more
Who Calls So Loud features ex-members of Funeral Diner and Portraits of Past, but that's not the only reason you should listen to their self-titled release. Their label, Protagonist Music, is well known for its incredible acts such as In First Person, Pyramids, Osceola, and Suis La Lune. The band plays emotional hardcore that breathes with quieter ambient sections. Heed … Read more
Stella Dawes sent us a promo of Contrasts with a press sheet on which they wrote too much about themselves. In all honestly, it turned me off to their album before I even listened to the twelve songs. They say their influences are "Poison the Well, Underoath" and "'screamo' bands." Thankfully, the music isn't exactly what I anticipated. The vocals … Read more
Limited to a number of 250, A Death Cinematic's most recent release features two discs and impeccable packaging. Comparisons can easily be made to certain output by A Silver Mt. Zion or Godspeed You! Black Emperor, but A Death Cinematic's sound is someplace else. It is distant, eerie, and always brooding. The long song titles such as "Their Blood Crawls … Read more
Magic Bullet reissued Lymbyc Systym's first release, but with two bonus remixed tracks. The five original songs sound as good as ever. Lymbyc Systym's brand of ethereal electronic noodling has grown since Carved by Glaciers, becoming even more cohesive and brilliantly layered. However, to be able to revisit the band's earliest material is a treat. It's good to learn about … Read more
"Haunted by Rivers" begins Drain the Sky's first release on Level Plane Records. Use of repetition, low vocal pitches, and no percussion make the song oppressive. However, the rest of Haunted by Rivers does not follow in the same fashion. "Sightless" increases tempo and dabbles in hardcore punk. I really like the juxtaposition between the first two tracks. Everything about … Read more
Chapter III: World Reclamation is a bizarre release. The Thucydidean Theory combine punk and trance arrangements that are heavily bass-driven. This four song release features female vocals that mingle with vocal-like synth sounds. "Please Stop Calling My Office and Yelling 'Cunt' at Whoever Answers the Telephone" is the most upbeat track on World Reclamation. Although the band's hybridized ideas are … Read more
Eksi Ekso is a group of six musicians from Boston. Their debut, I am Your Bastard Wings, highlights a musical prowess that dances between free-form and orchestrated. The breadth of instruments - viola, oboe, violin, flugelhorn, trumpet, bass, guitar, keys, drums - adds to Eksi Ekso's complex sound. Easy comparisons might be Ghastly City Sleep and Godspeed You! Black Emperor, … Read more
Three songs, forty minutes. Akai Yami was my first introduction to Japan's Birushanah. The band uses two metal percussionists as well as a drummer, a fretless bassist and guitarist. "Jyodo" is a calm and intriguing opener that features traditional Japanese percussion. However, this doesn't last long, and the twenty-minute track, "Akai Yami," begins. Vocals vary greatly during this song. Long-held … Read more
Light Yourself on Fire combine hardcore and death metal on Intimacy, their second release. Ex-Reversal of Man vocalist Matt Coplon gives us notes on his lyrics, which draw from writers such as Jean-Paul Sartre, Albert Camus, and Kierkegaard. It's always a bonus to get insight into the thoughts behind an album. The six song long release lasts only seventeen minutes, … Read more
It doesn't look like a man. It doesn't talk like a man. But does it fuck like a man? Does it? Does it fuck like a man? It doesn't smell like a man. It doesn't taste like a man. But does it fuck like a man? Does it? Does it fuck like a man? Wise words there from album highlight … Read more
People make it a point to search far and wide for new music. I'm not against this by any means; I've found many quality bands from the other continents besides mine. But oftentimes there is little to no effort needed when searching as there is quality music being produced right under ones nose. A perfect example of this is Minute … Read more
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