Look out now because Nadja's release schedule is kicking into high gear with the release of Belle Bêtes via the fine folks of Beta-Lactam Ring in a limited edition of five hundred vinyl LPs, and I am pretty sure that some of their more rabid collectors are both begging for more and crying at the amount of material that the duo produces (trust me, I simultaneously wince and smile euphorically when I hear of a new or upcoming release by the group). Belle Bêtes is an intriguing release for Nadja because it gathers four songs from member Aidan Baker's solo work and re-imagines them as Nadja tracks with the participation of his partner in Nadja, Leah Buckeroff. From the triumphant fuzz out sounds of "Sand Like Skin" to the swirling atmosphere of "Beautiful Beast" (whose vocal part at just about a minute to go in the song is one of the more impressive vocal performances by Nadja yet) to the almost pop song resemblance of "Green & Cold" to the chill out moments and slow burn of "Wound Culture," Belle Bêtes is an excellent reminder of how subtle dynamic use can be superbly effective. The vocals arrangements that find their … Read more
Never wasting a moment, the Bay Area's Skin Like Iron has brought forth yet another new recording with this seven-track … Read more
Even though Rules is the second full-length from Erlend Øye, I still have a hard time disassociating his airy voice … Read more
The Number Twelve Looks Like You have always been a very unorthodox band to say the least. They've been trying … Read more
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While eventually churning out some less than desirable material late in their career, there is no arguing the impact early Discharge made in both the punk and metal scenes—going so far as to create their own sub-genre in the process. D-beat, as it is aptly titled, signifies thick, lumbering guitars matched with an intensely repetitive drum beat, and shouted vocals, usually void of any proper range—it all makes for an acutely ripping yet mind-numbing affair. D-beat is both the blight and the boon of extreme music. There are countless contemporary groups—often called “Dis bands” because they use the “Dis” prefix in their name—that do little for the genre other than offer obtuse Discharge imitations. But occasionally a band comes along, tendering a much-needed dose of adrenaline and spirit in all … Read more
Only Thieves pay homage to the Boss with their cover to Greeting from Levy Park, T.L.H., but the tribute doesn't stop at the artwork. From the get go of "Hammered for the Holidays" there's a clear striving toward outspoken, plainclothes guitarman at the center. However, there's a more of a band feel to it, and more Gaslight Anthem than Springsteen. … Read more
Even though he took up the same moniker, all-caps not withstanding, it's unlikely anyone is going to mistake the artist formerly toting metal fingers for the legendary crust band. One decade after the landing of Operation Doomsday, Danielle Dumile re-emerges with a modified alter-ego, and perhaps a bruised original ego. The reinvention of MF Doom to DOOM comes after a … Read more
Wow, just seriously wow, even though Black Moth Super Rainbow has been on my list to check out for a while now, I am glad that their latest album, Eating Us is my first exposure to the group because it is a breath of fresh air at just the right time. When trying to describe the band to people (as … Read more
As a long-time Iron and Wine fan, I was intrigued by the announcement of this double-disc release that spans the spectrum of Sam Beam's musical career. What most call a rarities and b-sides album, I see more of an insight into the progression of Beam's collaborative sound, compiling many of his strongest tracks that never made it onto his full-length … Read more
By a stroke of luck, my Last.fm did something good for once and recommended me this band called Church of Misery. I usually don't pay close attention to these recommendations as they are usually a bit off (seriously, stop recommending me stuff like Bon Jovi), but the name sounded dope and they apparently fell somewhere into that doom metal category. … Read more
Every so often you hear a record and it instantaneously floors you. All Teeth's debut full-length I Am Losing is one of those records. The thirteen songs that make up this album are filled with such passion, aggression, and emotion - it is as though anger, frustration, resentment, and bitterness actually fuel the songs. The lyrics and music perfectly match … Read more
A great deal of hyperbole flies around regarding re-issues, which in it of themselves can be very tricky propositions, particularly ones that may or may not be integral to have a re-issue. Gore no longer exists as a unit, but the three piece's legacy resonates today in heavy (be it metal, be it some other genre) music and serves as … Read more
The first thing that's going to strike you about The Paper Chase is that they're a quirky indie band. What you get in the first song is what you're going to get in the next nine: John Congleton's wavering voice and keyboard-driven epics. The band relies predominantly on synthesizer instead of big guitars to make their statement. When it comes … Read more
A first record for a band taking their first steps is both exciting as well as potentially harrowing when putting one's work out for others to hear. Monolith make that leap with their debut album, Eclipse, and to be completely honest, I admire the fact that this Pennsylvania four-piece put the record out themselves. Monolith is one of those "post-rock" … Read more
This may be going out on a limb here, but Dinosaur Jr.'s reunion album in 2007, Beyond was one of the best albums of said year, if not one of the best reunion albums ever. Bands reuniting is always seen as a lame cash-in attempt by artists going bankrupt, but with Beyond it felt more like Dinosaur Jr. were making … Read more
California's most intriguing current hardcore outfit, Sabertooth Zombie, returns with their latest full-length effort. Since they've last released Midnight Venom in 2006, the group has released a dual-EP 10" and a 7" EP as well as re-recording and re-compiling a few recordings for CD releases. Needless to say, Sabertooth Zombie has kept themselves busy. And You Fathers are Dead in … Read more
Ah, summer in full swing. For those of you attempting to battle high temperatures, I empathize as I sit in my apartment with my blinds closed and fight off the forecast 105-degree heat. But I try not to be bitter despite my preference for cold weather, and keep in mind the more exciting facets of summertime. One of these is … Read more
Now on their third album, Shook Ones already have a pretty solid reputation. After the melodic hardcore masterpiece that was Facetious Folly Feat, I thought it would be difficult to make another record that was as fast and energetic as that one. Well, what does the band do instead? How about make one of the catchiest records of 2009 while … Read more
Chicago natives Oceans offer up nine tracks with sixty minutes worth of music on their debut effort. The five-piece maintain a post-rock inspired craft throughout the bulk of the full-length but also find ways of incorporating mid-90's emo and post-hardcore sounds into their songs. Nothing Collapses begins with "Lit Up Under Streetlights" and you get eight minutes of light-footed post-rock … Read more
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