Phoenix has always been successful at lifting spirits and making people dance. Based out of Versailles, Phoenix has been going at it for almost a decade now, and their fourth full-length, Wolfgang Amadeus Phoenix, came at the perfect time for Summer. And no, it's not a Mozart cover album. Apparently, the somewhat egotistical sounding title was a product of the members' readings on tour. Thankfully, their egos can rest unchallenged with this album. Laden with themes and references to the 19th century, the album is nothing short of energizing. There's no doubt that it's a testament to their trademark upbeat pop sound full of catchy, driving melodies with a pleasant dash of synth. Perhaps I'll get my taste for bad humor out of the way and just say that much like the mythical phoenix, Wolfgang Amadeus Phoenix rises out of the ashes of It's Never Been Like That, born again as a much further rock oriented Phoenix. In retrospect, Phoenix has slowly whittled away their disco and funk-tinged sound in favor of purer rock over synth (compare any song off this album to "If I Ever Feel Better" or "On Fire" on United and you'll get an idea of how … Read more
It's always great to find all of these new breeds of punk bands coming about lately. There have been so … Read more
Hailing from Oregon, this four-piece outfit has brought forth a four-song EP titled No Help. The title of the EP … Read more
Man Overboard is the latest bubble-gum pop-punk band to come around, joining the existing one hundred thousand others. This four-piece … Read more
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Maybe I am blinded by my love for Hydrahead Records, but it seems to me that as of late the label has been churning out spectacular album after spectacular album at a rapid rate. Whether it's the latest release from regular mainstay Harkonen or the debut release from the young phenoms of Mare, Hydrahead definitely has a knack for finding talented acts to please my ears. Mare hail from Toronto and generate music that is the result of equal parts Isis, Godflesh, and Today is the Day. That is to say, they create music with beautiful orchestrations that show off their technical mastery as well as their comprehension of atmospheric doom. "Anisette," the album's opening track, begins in a very subdued tone: the sound of a lone guitar stripped down … Read more
This new release finds Easton actually fronting a band after many years of mainly playing solo acoustic. Electric guitar leads are abound, and the music is powered by the drumming of Sam Brown. But don't worry kids, the ace songwriting is still in full force. "Broke My Heart" is great pop song, but more heady subjects are also addressed. "7th … Read more
The first solo record from The Church frontman in seven years, Kilbey handles all the instruments here except drums. Thankfully it does not sound like a Paul McCartney record. Tim Powles, drummer from The Church covers the sticks and production duties. But there's still a strong guitar presence on this one. "Outbound" features a flowing bassline, while 'Wolfe" seems to … Read more
Sadly this is not a album by recently reformed Italian thrashers Bulldozer but a disc made by a New York band playing bog-standard punk rock with melodic and shouty sing-along choruses. It's hard to get wet and excited over another punk band that has flashes of rock'n roll and sounds like they came straight from the practice room - especially … Read more
Massachusetts-based Disappearer returns with their long-awaited second release. The Clearing marks the band's first full-length effort, which follows up the band's 2006's self-titled EP release (which is actually the group's 2004 demo reworked). So it has been, in a way, five years since we've gotten fresh material from Disappearer. For the super-fans, I am aware of last year's Steven Brodsky … Read more
We're All Broken's name may sound familiar to you because they've opened for a lot of big names like Thursday, Minus the Bear, and The Gaslight Anthem over the years. This five-piece have just undergone a bit of a change in style with their new EP, Blacktop Cry. Their former post-hardcore stylings have been abandoned in favor of a more … Read more
I've always considered Alexisonfire one of the "better bands" in the whole "post-hardcore" scene or whatever you want to call it. However, their last album, Crisis received a lot of mixed reactions among fans with a lot of them believing that the band had lost their fire and were aiming for a more "commercial appealing" album. While that may be … Read more
Wrnlrd drops a dense black metal album on listeners with this limited LP and digital album, Oneiromantical War - which I believe is the sixth album from the outfit. Now, in my growing education in black metal, this is my introduction to Wrnlrd, and it certainly provides me intrigue as the record mastering is the work of Bob Weston of … Read more
I hate to be that guy, but I got to admit that it's getting more and more difficult to find an impressive hardcore album these days. I'm not talking about that record you listen to several times, really rock out to during the first week, rag on your friends for having never heard of it, and then retire it to … Read more
What a weird mix (sound wise this is really thin sounding without much bottom end) for the opening track to a record because I really was hoping to be immediately crushed by Geisha's Die Verbrechen der Liebe, and instead, "Prelude to Amber Pays the Rent" is a bit of thin riffage being pushed through a thick haze of white noise, … Read more
It takes a lot for me to completely lose faith in some of my favorite bands, and I came pretty close to completely giving up on Anti-Flag after the disaster that was The Bright Lights of America. My faith was then restored a bit after hearing that they left RCA Records and joined the ever growing roster at Side One … Read more
I like to refer to Foundation's self-titled record as campfire punk. It takes basic punk songs (often from the Ann Beretta catalog) and strips them down to the acoustic basics. In the process, Rob Huddleston doesn't run them through the genre-grinder and spit out new alt-country or folk versions of old songs so much as he creates Ann Beretta Unplugged … Read more
Pulling Teeth continues to be an extremely active and productive group - touring the world and releasing three full-lengths and several singles since their inception. Paranoid Delusions | Paradise Illusions marks the band's third full-length effort, though I use that term loosely as the length of this recording is a bit on the short end for a "long player" (though … Read more
The reviewer of the following album would like to invite his readers to participate in the following drinking game: grab a shot glass, grab a bottle of whatever alcoholic beverage you wish to imbibe (for those in AA or under 21 years of age, feel free to use whatever is handy - remember, thumb off the carb) and take a … Read more
Yes, a new Coliseum record! Although they are not as prolific as they used to be, Coliseum continues to give listeners new music at least semi regularly. And even though we are still quite a ways away from hearing a new full-length from this touring machine, they still drop this single in an attempt to tide us all over. Although … Read more
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