The Wonder Years return with a brand new 7", their follow-up to last year's Get Stoked on it!. The record features four new tracks that are exclusive to this release. The 7" starts off with a building intro before the band gets busy with "Solo & Chewy: Holdin' it Down." Like their previous effort, we are treated to a mixture of pop melodies, pop-punk pogo riffs, and melodic hardcore sing-alongs. Thankfully though, the snyths that were so prevalent on the last recording are much more subdued here. The title-track and "You're not Salinger. Get Over it." are more of the same, though the snyths a tad more obvious on these cuts, but not nearly as ridiculous as the debut. Won't be Pathetic Forever is a vast improvement for The Wonder Years. There is still a lack of cohesiveness in the music that holds the band back. However, if their progression continues at this rate, the next release could be the one that hits big. Read more
It's almost a little sad when drugs influence a lot of what musicians do (The Mars Volta?). It is equally … Read more
I have a huge crush on Kim Deal. There, I said it. Fuck you, don't judge me. You probably rubbed … Read more
Black metal is one of the last bastions of progression and experimentation in the metal community. Fifteen years ago that … Read more
What if Elvis Costello was still churning out upbeat, poppy numbers like his early work? What if you took away … Read more
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Hangman’s Hymnal is a nice addition to the Snappy Little Numbers roster and every bit as archaic as the title suggests. With a Wild West vibe pervading the songs, they manage to evoke mental images of them holding court in a saloon to perform their seasoned murder folk to a bunch of buzzed delinquents as part of a debaucherous hootenanny soiree. In other words, Hangman’s Hymnal LP delivers the audio version of an informal loose party-esque gathering where sinister folk tunes are busted out with gusto. Incorporating an eclectic variety of musical influences and mixing things up with e.g. a cappella and jazzy parts, Hangman’s Hymnal drive their old-timey sound with infectious beats and infuse it with enough dramatic ups and downs to convince one that it must be a … Read more
Whenever I think of Until the End, I think of the time I crammed five finals into a twenty-four-hour period so I could take a road trip down to Gainesville Fest. The kids there went absolutely bat shit for them - head walking and jumping off each other, huge pile-ons, and, of course, devastating mosh. Sure, it sounds like a … Read more
I'll admit - I have a bit of a problem with modern blues. For me, blues, real blues ended in the 1940's with the likes of Robert Johnson and Hudie William "Leadbelly" Ledbetter. When you're a black man in the deep south, you best believe you're gonna have the blues. Nowadays, what the fuck are you bitching for? Boxcar Satan … Read more
With an album title that sounds like the most recent Foo Fighters record, a song called "Fix You" (I thought Coldplay had already professed that particular desire), and a collection of tracks that sound like they want to be Green Day, My Chemical Romance or The Offspring circa 1994, The Offspring have become imitators and glory-day seekers, shapeshifting and morphing … Read more
So the early Amebix releases are finally becoming more widely available (even though they have been on the bootleg circuit for quite a long while) which is excellent because some of the bootlegs of them are pretty nigh unlistenable, and considering that these releases are some of the best material that Amebix offers, finally seeing the light of day can … Read more
Stay Positive, the fourth album finds the Brooklyn by way of Minneapolis The Hold Steady trying to further their scope as musicians and lyricists while also tackling a greater challenge: aging gracefully. While there are stumbling points to the album, the band holds steady. It's these falters though that may cause a rift in the unified scene that vocalist Craig … Read more
John Zorn is well on the way to becoming the most prolific artist in music history. Through recordings from Painkiller, Naked City, Masada, and untold other projects, the man is associated either through composing music for or performing on an average of over ten albums per year. For those unfamiliar, his Masada project was arguably his most well known and … Read more
When I was eleven my mother asked me if the family should remodel our basement, converting it into a living room and bedrooms for both my sister and me. Heading into middle school, a time when children begin to blossom socially, I thought this was a great idea. The freedoms were readily apparent. I began taking interest in the local … Read more
Minimalistic drone/doom is a hit-or-miss kind of genre. When you are relying on only one or two riffs to carry an entire song, the results can be either bone-chilling or yawn-inducing. With their second full-length, Atavist, hailing from Manchester, England, has once again proven it can achieve the former. Atavist's brand of tortured, bowel-loosening doom is not for the faint … Read more
So the inevitable is occurring as Relapse is reissuing this behemoth of an album (although at right around thirty minutes that is a stretch to call it such by today's standards). Recently awarded a spot in the Decibel album hall of fame, 0:12.2: Revolution in Just Listening is a supremely curious album as it is a document of a band … Read more
Tokyo Police Club's A Lesson In Crime put the band in an awkward position. The seven-song EP gained a substantial amount of praise/coverage for it's less than twenty-minute run time, showing a glimpse of energetic indie pop somewhere between a dance party and a rock out that, despite it's length, made it one of the best releases of 2006. In … Read more
Oh, Weezer. Here we are, album six for the band who've spent an entire career trying to figure out who they are. Are they The Pixies-aping geek rockers with a penchant for nerdery and romance? Are they riff-wielding guitar heroes rocking ironic stadiums? Are they misunderstood indie icons? Are they, um, white-boy rap? The band's third self-titled album - referred … Read more
El Chupa Cobras belong to the breed of bands that, aside from having amusing names also have extremely short attention spans and exponentially spastic approach to creating music. This kind of music is never easy to pull of on record. Live, the sheer energy of each member immersing him/herself in the music on stage could be enough to provide for … Read more
I think I've read more hyped up reviews of Verse's third album Aggression than I've actually listened to it. I keep seeing a reoccurring trend in these reviews on how Verse is a breath of fresh air in a rather stagnant scene when it comes to popular hardcore bands. There seems to be an influx of hardcore that would rather … Read more
Connecticut hardcore, no matter how great it is, always seems to get overshadowed by the nearby bustling Massachusetts (particularly Boston) hardcore scene. In fact, oftentimes people just consider them to be one in the same. This is unfortunate because over the years the state of Connecticut has churned out a plethora of stellar bands: Hatebreed, Dead Wrong, Sum of All … Read more
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