If you don't know Ween at this point, it's difficult to sum them up in a few words. Eclectic, genre hopping, and parody come to mind, but they don't adequately explain the band and their dedicated cult following. The duo of Gene and Dean formed Ween in 1984. La Cucaracha is the band's tenth full-length studio release, in addition to several EPs and live recordings. They've jumped ship from small indie to major label, and seem to have found a home again in the indie world this decade. They have had a rotating cast of musicians filling the backing band. Over the group's past few releases, they have delved into more serious musicianship, while creating artistic parodies of varying genres. La Cucaracha follows 2003's prog-psyphedelic Quebec. The trademark silliness of their early days may have greatly diminished, but a tongue-in-cheek tone remains despite the more mature approach. The record kicks off with the Tijuana-style instrumental "Fiesta." The album, however, quickly hops genres, focusing largely on 1960s-1970s styles of party music, from Herb Alpert to the discotheque. It may be their most stylistically diverse record since Chocolate and Cheese with an overall character of dirty swinger parties and weird drugs. The … Read more
It's been no secret that for quite some time now, Mike Patton has wanted to broaden his ever-widening horizons into … Read more
It's all about the riffs for these English lads: big, thick, rumbling and sometimes peculiar riffs. I have to say … Read more
Title Fight is the latest pop-punk/melodic hardcore outfit to emerge from the school of Saves the Day/Lifetime. The three songs … Read more
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It's a rare thing when the title of a band's record suits that record perfectly, but Every Time I Die has managed to do this. Once you peel off the slip case to reveal the liners littered with photos of two girls kissing, you very may well be saying "Hot damn!" Picking up where Last Night in Town left off without missing a beat, Every Time I Die's sophomore record showcases more of the mathy hardcore being showcased by this band and countless others across the globe. Unlike their peers, Every Time I Die are blessed with two things: a vocalist who can actually carry a tune, and a good sense of humor to coincide with the brutality of their music. When a hardcore singer starts screaming a line like … Read more
I've lived in Cleveland for most of my life and I've come to know the city as quite the haven for metal. I guess there is just something about this city that breeds the urge to grab a guitar and tear it up. Insurrect is easily the best-kept secret of Cleveland's metal scene. But, while other bands have garnered much … Read more
Kiss Dreams Goodbye is the newest offering from Alone, a melodic hardcore band hailing for Italy. This release is the band's follow-up to a split and features five brand new songs. Alone have a fairly unique sound as they're deeply rooted in the melodic hardcore, but they've also got a little bit of an indie/emo thing going as well. "Viva … Read more
Tempo No Tempo fit into that niche of bands that take equal influence from the worlds of indie rock and new wave. Musically speaking the two styles aren't that distinct from each other, so they go together rather well. Repetition is the band's second EP since forming in 2004. On Repetition the band mixes together the angular guitar melodies of … Read more
The Sword is probably the first band to ever see their career catapulted thanks to a video game. Sure, lots of bands have had their songs featured as part of the soundtrack to a game, but none were an integral part of the game as "Freya" was to Guitar Hero II. This isn't to discredit The Sword as they are … Read more
Choosing a band name is a tricky thing. If you choose one that sounds lame, people will write you off before they've even heard you. In this case, if you choose a name that's very close to a band that's already existed, then the listener has to wonder a few things. The listener wonders if Sunny Day Sets Fire just … Read more
Even with the recent explosion of big opus, post-genre fluff, and also considering the success of groups like Radiohead, The Mars Volta, Tool, and to an extent, Dredg, experimental albums will forever maintain a cult following. Most typical trend-trotters "just don't get it," and even some of the more cerebral minds are quick to call the style a pompous exercise … Read more
A friend asked me the other day if it would be possible to write a record review vein of a musical genre. I mean we all get sick of the formulaic quality these things often take, don't we? For me this means constantly trying new things out. My biggest setback isn't in telling a reader whether I think some thing … Read more
Tribute albums have never really sat well with me. With each song, I usually hear every band featured saying, "Hey, we can do this song better than the original artist." But it's very rare that a cover will be nearly as good or enjoyable to listen to as the original. I think sometimes you should just leave a great album … Read more
Every once in awhile I use the Internet's greatest invention, Youtube, to get a feel for a band by either watching live performances or perhaps a music video if one is provided. Fort Wayne's Saints Never Surrender had a low budget video in which they show the band eating at Taco Bell, someone two-stepping everywhere, and some live footage where … Read more
Ah, the long awaited return - at least among Discordance Axis fans - of Jon Chang the vocalist of the regrettably extinct grind outfit Discordance Axis. Hayaino Daisuki is one of two new groups (Gridlink being the other) for which Chang is providing vocals and words. And if these lyrics are anything like the sci-fi reference filled nerd out that … Read more
Eat Shit is just over five minutes of some of the most angry music I have heard in a long time. Although I didn't expect myself to say this for a long long time, this demo is so angry that it is refreshing. Arsonist is a genuinely pissed off band with something to say, along the lines of classics like … Read more
Wolves & Thieves play melodic rock n' roll-inspired hardcore seeping with East Bay flavor. In the same way The Suicide File and Hour of the Wolf play music definitively rooted in hardcore punk, albeit with a heavy rock n' roll influence, Wolves & Thieves unquestionably sound like a hardcore punk band. They simply refuse to be fettered with the frustrating … Read more
The Black Hollies feature three-fifths of Jersey City's Rye Coalition, but don't expect Casting Shadows, the trippy-covered Ernest Jenning release to match Rye Coalition's dirty rock. The Black Hollies play a blend of psychedelic and 60's garage-pop, complete with flowery imagery, sweet harmonies, and fuzzy guitar interludes. The album shifts between fuzzed out psychedelic and group harmony pop, with the … Read more
Right off the bat, Capsule's Blue - their first full length and first record for Robotic Empire - is visually stunning in a way that immediately draws one's attention to it, No, it is not all bright colors, but Blue is blessed with a much more subtle example of artwork which effectively utilizes negative space on the cover in the … Read more
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