I don't think there has ever been an album that I've liked that I have hated so much about. Case in point; not even fifteen seconds into Crime in Stereo's debut album for Bridge Nine Records there's a damn wah-wah pedal part. I hate wah-wah pedal parts. Does anyone out there like wah-wah pedal parts that isn't sitting in front of their dilapidated trailer next to some scraggly ruffian and saying, "Hey man is that Freedom Rock?" Okay, maybe a lot of you out in Scene Point Blank's loyal readership land don't remember those awful Freedom Rock 60's rock compilation commercials that impregnated the late night cable air like a prom date gone awry. So I'll put it in simpler terms, wah-wah pedals equal dirty smelly hippie rock. I'm not a fan of dirty smelly hippie rock. Actually come to think of it I'm not a fan of anything rank, filthy or anything having to do with the counterculture of the late 60's and the 70's. Seriously, Crime in Stereo, a wah-wah pedal? Next up is the Incubus inspired "Third Atlantic." You heard me, Incubus. The beginning of "Third Atlantic" sounds a lot like that "Pardon me while I burn … Read more
Defiance, Ohio are somewhat of a punk rock abnormality, having released a slew of records in a short amount of … Read more
So what are we to think of this "pure, unholy black metal from Israel"? Well for starters, taking into consideration … Read more
Allow me to get this little factoid out of the way first, I have been listening to Nathan Ellis projects … Read more
Modest Mouse's We Were Dead Before the Ship Even Sank have proven to be a difficult album for the staff … Read more
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The Raging Nathans owe a lot of their sound to the ‘90s punk scene. One thing they don’t take after, though, is that need to put out an album of 15+ tracks. Still Spitting Blood comes just one year after Waste My Heart and it’s only 10-songs and 20-minutes in length. The quantity is probably there, but the band is spreading it out. And while the band is influenced by the ‘90s, what separates them is that they’ve moved on. They pull a lot of familiar elements, especially the guitar tones, but it feels contemporary. It’s not an homage or copycat the way many ‘90s bands copied the Ramones who came before them (so I guess I’m saying this is not EpiFatCore, I guess??). The record starts nicely, but it … Read more
On his seventh album it sounds like Ghostface is handing over the reins to the less noted, giving more of his name and less of his talent, allowing the up and comers to ride on his success. The overall presentation of the album seems rushed and halfhearted; perhaps he assumes that people will purchase the album solely on the premise … Read more
Over the course of the last year Jim Eno, drummer of Spoon and certified electrical engineer, has produced some of 2007's best albums while working with his boys in Spoon to bring us Ga Ga Ga Ga Ga. Before even getting to the musical element of the record's equation, any enthusiast is quick to note the amazing quality to the … Read more
There is a parenthetical addition to this album's title that states "This Might Take More Than You Can Brave." Ironically, this statement has turned out to describe all too well my experience with reviewing it. Before I say anything more, I have to level with you guys (not just the readers, but the band as well if they ever happen … Read more
Animosity has proven that metal can truly reign supreme again in the Bay Area. Following the initial burst of thrash metal that drew the attention of every person with long hair and a will to bang their head, the metal scene of San Francisco and its surrounding areas fell off and almost completely dissipated. Granted, in its absence we were … Read more
The term "pop-punk" has been really batted around in 2007. It has been used describe every band from Set Your Goals (wrong) to The Ergs (right) and now we have Broadway Calls, an Oregon outfit who straddles the line of pop-punk but strays closer to the power pop side of the equation. When I listen to their self-titled album for … Read more
Lets paint a picture. After weeks of midterms and presentations in combination with 'seasonal' weather, I couldn't decide if I was more exhausted or cold. I was half asleep riding shotgun back to my parents house when I first slid Ravens and Chimes into the CD deck of my best friend's over sized SUV. About a week previously both of … Read more
I was lucky enough to see Zs live on tour with The Locust, and I must first mention how badly my ears hurt during their set. I felt for a moment that I might fall apart right where I was standing. But upon the conclusion of their set I realized that this was more than just something that made my … Read more
Attempting to mix hardcore, d-beat, and riff heavy rock, Sweet Cobra does each with authority but sound unfocused when fusing them all at once. Credit is due though for attempting to splice genres, making a hybrid of crushing music. At times Forever sounds like a From Ashes Rises record, worthy of the crust title but still accessible enough to appeal … Read more
Romans is the latest band to be sprung forth from Vermont's underground music scene - the last two that I recall are My Revenge! and Drowningman. So, these four gentlemen from Burlington are in fairly good company in that regard. On their debut release, All Those Wrists, the band unleashes a mixture of caustic, gritty, and noisy mathcore, streamlined post-hardcore, … Read more
One-man black metal projects certainly have become overabundant in the past couple of years. I'm not exactly sure what brought on their increased presence in music, but nevertheless, their popularity has grown exponentially in recent years. Xasthur, which is the project of Malefic, has been releasing material under this moniker since 1995. Defective Epitaph is his sixth full-length release and … Read more
After the release of their debut full-length last year, Intronaut return with an EP containing three new songs and some added bells and whistles. The Challenger kicks off with the title-track and the members of Intronaut pick up where they previously left off with a fairly straight-forward display of metal, oftentimes reminiscent of High on Fire. "Whittler of Fortune" sees … Read more
Don't Mess with Texas is my first exposure to any artist from the country of Croatia. Despite reading through their one-sheet, I was a little skeptical of what I might hear - some crazy gypsy folk perhaps? Nevertheless, Los Dias de Junio made its way into my CD player and I was rewarded for my lack of abandoning hope. Los … Read more
The Flatliners hail from Toronto, Canada and The Great Awake is their second full-length. By the Fat Wreck Chords connection, you can certainly expect this, in the most general of descriptions, to be punk music. And sure enough, The Flatliners offer up twelve punk anthems to cause a ruckus to on this album. However, The Flatliners aren't your run-of-the-mill punk … Read more
This split 7" features two up-and-comers from the hardcore punk scene of Richmond, VA: The Catalyst and Brainworms. Brianworms is up first with two cuts. "Winnie Cooper" takes to the less caustic sound we heard on the band's previous release. The song is a lot more indie rock than hardcore or punk; at times it reminds me of The (International) … Read more
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