When I first heard Sonic Youth, I didn't know about their formidable New York hipster cachet: Glenn Branca confederates, initially hated by Village Voice snob Bob Christgau, ex-No New York alumni (at least before Steve Shelley got behind the skins), etc. I had no idea that this was the band that bridged hardcore and the downtown gallery scene - how many punk bands get written up in Artforum? (Don't answer that.) And at the time, I probably couldn't have cared less what a bunch of turtleneck'd gallery patrons thought. And I still don't. Because the fact of the matter is the band's much-heralded early efforts were valuable but ultimately dead end excursions into post-PiL NYC downtown turmoil, like chopping through the bush only to reach a sheer precipice. People have been jerking off over No Wave more and more in the last few years, but in the final analysis it looks like most other attempts to shoehorn the logic of the art gallery into rock and roll: easy to lionize if you're got an agenda, but not very listenable unless you're into self-deception. But even at the beginning, Sonic Youth already had a boatload of great ideas that put them … Read more
With the over saturation of the industry, technology making the ability to record a feasible option for anyone who has … Read more
I'm having real trouble introducing this band. How could I set up a band that's been covered by Isaac Brock … Read more
Surely by now, almost everyone within the underground music community has heard of Napalm Death. If you have not yet … Read more
Back in 2006, a small post-punk quartet from Newmarket, Ontario hit the club scene and blew people away with their … Read more
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In years to come, when the inevitable "I <3 2004" rockumenterary hits television with its small army of washed up never-were celebrities in tow, I can say "I lived through that". I was there putting copies of Franz Ferdinand on the shelves on release day. I danced unabashedly to that catchy Killers single. I shook my fist at many a U2 ipod commercial. More than anything though, I remember the dark cloud that descended over my little record shop in August; The Libertines. What little taste remained in the national consciousness literally packed up and fucked off the day their second album came out, and here I am again, little under sixteen months later and the same thing has happened again with pretty much the exact same album from a … Read more
First things first, where the bloody hell is the Roman numeral? This is Tiger Army IV: Music from Regions Beyond, not just Music from Regions Beyond. I feel a little lost and confused with a Tiger Army album title like this. And only eleven tracks? Who is in charge here? I demand they get back in the studio and give … Read more
It has been a long time since I've heard a pretty singer-songwriter record reminiscent of Bruce Springsteen and Van Morrison's less folk-based records. Behind these legends there lies a giant gap of singer-songwriters varying from reasonably known to cult artists. Jesse Malin's third solo record, Glitter in the Gutter, is a good record for all who like this kind of … Read more
For the most part, the state of music - underground or major label - is stale and nothing more than a regurgitation of what has been previously done. But there are those rare gems, those bands that do something that is just a little bit different, that exist and make you excited about music. It's been quite a while since … Read more
Sometimes a record comes along that just floors me and it's hard to find words to put to paper. I've had a couple of records do this to me lately and Dead Hearts most recent effort, Bitter Verses, is one of them. If I had to choose three words, and three words only, to describe this release, they would be … Read more
The Ergs are self-proclaimed dorks. The great thing is that they are dorks that can write some great hooks. Upstairs/Downstairs is simply The Ergs latest example to demonstrate their ability to write infectious songs about girls and other pop-punk staple subjects. Upstairs/Downstairs delivers where their debut full length, dorkrockcockrod, set the stage for and where last year's EP, Jersey's Best … Read more
The Underground is a Dying Breed is a surprising comeback for Hot Rod Circuit. It appeared that even diehard fans were left disappointed with 2004's Reality's Coming Through. The album's blandness was an especially hard blow considering that their 2002 Vagrant Records debut, Sorry About Tomorrow, was on par with their much-loved Triple Crown Records material. Hot Rod Circuit had … Read more
People around here at Scene Point Blank like to joke and rib me about being the token melodic hardcore guy. It's all in jest and like with most stabs of humor they never stray to far away from the truth. However, there is a dark secret I would like share with everyone. Towards the end of the 90's and into … Read more
About two months ago, I had the pleasure of seeing Altered Beast play a quick, understated, but totally badass set in my friend Paul's basement. Being the swamped college kid that I am, I am just now able to sit down and write a few words about the demo they passed out to everyone in attendance. If I hadn't been … Read more
On The One A.M. Radio's 2004 full-length, A Name Writ in Water, songwriter Hrishikesh Hirway surprised critics and listeners alike with his apprehensive brand of esoterically compact and personal lo-fi composition. Falling somewhere in the dark crevice between electronica and singer/songwriter melancholia, Hirway demonstrated an almost uncanny ability to be both rhetorically personable and musically reserved. The vaguely metropolitan musical … Read more
Init Records is one of the most underappreciated record labels releasing music today. Documenting some of the Midwest's most important punk bands, from The Spirit of Versailles to The Vidablue, the label is consistently on point. I know Steven Init through the great invention of Internet message boards, and the guy is an absolute stand up person. So it still … Read more
Complacency is one of the greatest threats to hardcore's continued vitality. Many bands fail to grasp the importance of taking risks to produce a fresh sound. Even more frustrating are lyricists who allow hardcore to become insular. On their Tramps Like Us demo, Ramparts make certain they are committed to fighting stagnation. What struck me first about Ramparts was how … Read more
Disclaimer: Don't read this review if you are offended by four letter words and genital slang. Thank you. Some bands strive to enlighten their listeners with intelligent, philosophical lyrics. Other groups promote vegetarianism, veganism, or the straight edge lifestyle through their music. Then there's Johnny Vomit: five guys dedicated to getting sloshed and playing music. After looking over their album … Read more
Although Sky Blue Sky is their sixth full-length studio record, it wasn't long ago that I hadn't actually heard of Wilco, and thus their stellar reputation was something I hadn't quite expected. The album's superbly striking artwork told me to expect some frosty post-rock atmospherics, but I was pleasantly underwhelmed by the clear-headed (but not quite sunny) alt-rock that didn't … Read more
A guitarist who died too soon, going by the name of Rust Epique, once said: "Bad art is still art." These words came back to me when listening to CocoRosie, and brought back the memories of when I was a young kid that listened to shitty music, like Crazy Town, which featured Rust Epique. Anyway, as I was listening to … Read more
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