The Number Twelve Looks Like You have always been that band that would come close to winning me over, but never impressed me enough for me to listen to their albums more than three or four times. With their previous release, Nuclear. Sad. Nuclear, there were songs I thought were innovative and worth making a fuss over and then there were the songs that I didn't care for altogether. Because of that, I honestly predicted that I would hate Mongrel, The Number Twelve Looks Like You's latest offering. Surprisingly, I found myself more impressed with this release than anything else they've done thus far. Mongrel starts off with the opener "Imagine Nation Express", a diverse catastrophe of chaos, jazz, and the signature clean parts, which happen to be extremely catchy on this CD. The next memorable track is "Jay Walking Backwards" which begins with beautiful ambience that I didn't expect from this band. They really introduce a lot of new sounds on this record and the diversity and technicality keeps this whole album, for the most part, pretty fresh. Another example is the percussion solo in "Sleeping with the Fishes, See?" which is followed by great clean singing, one of … Read more
I read an interview with Dan Yemin (Lifetime, Kid Dynamite, Paint it Black) where he noted that despite his appreciation … Read more
Explaining the particulars between different types of heavy music is a hard task. For most people, even the most educated … Read more
A Swarm of the Sun delivers with The King of Everything a dark, brooding EP that sounds as if the … Read more
When writing reviews, the job of the reviewer is to judge the album on its own merits. Only then and … Read more
I can remember being seven years old and staring bleakly at the television screen while Magic Johnson announced to the … Read more
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Graf Orlock has never been a band to waste time. Much like any of their other releases there's never a meandering part or ambient build up. Instead it is and always has been no nonsense grind with a touch of hardcore and a tongue puncturing their collective cheeks. Their music remains dead serious but is leavened with a liberal use of movie samples to further explain points contained within the greater context. Needless to say you know if you like them or not already (assuming you've heard them before). Otherwise the band seem to retain their place as one of the more interesting grind based bands that exist by sticking to their script. Opener "Couple Seeking Comfort" starts, (like most of their songs) with a sample, and blast away into … Read more
Along with "Who would win in a fight between The Incredible Hulk and Hulk Hogan?" and "How do they get cranes on top of half built skyscrapers?" there is only one other question that seems impossible to answer: "Is there anything that would make The Mail on Sunday worth buying?" And so, humble reader, I have decided to take it … Read more
Am I the only one who doesn't hear the comparisons to The Jesus Lizard that Black Elk has received from a handful of reviewers? I'm not saying that makes it a bad album, but besides a few isolated pieces of songs here and there, saying that this sounds like The Jesus Lizard is kind of a stretch. What I do … Read more
It was in 1994 at age thirteen that I first skipped a day of school and popped Rancid's Let's Go into my stereo. Now thirteen years later, the album still holds up as a classic. Say what you will about their jump to a major label and the last two Rancid records; the fact remains that kids years from now … Read more
Listening to Melt Banana carries a list of requirements: Deal with the vocals. Deal with annoying noises. If you can't handle the speed and the fury, don't even bother. If you can embrace these qualities fully, you can totally understand why Melt Banana is such an important figure in noise rock. They slush together punk and noise rock elements and … Read more
These reunions need to stop. Gorilla Biscuits? Cool. Bold? Okay. Bad Brains? No. Honestly, what was Beastie Boy Adam Yauch thinking when he was producing this pile of garbage known as Build a Nation? Truth be told, I'm relatively new to the Bad Brains catalog. Having listened to them for only a year or so, I'll admit they are a … Read more
Seeing Damnation A.D. for the first time in years at New Year's reunion in Syracuse a couple of years back awoke something in me that I had not realized had been sleeping. Watching this five piece shake the building with their tortured, bottom heavy power was and is a great experience. If you doubt this, go see them and watch … Read more
Zeit·geist n. German. The spirit of the time; the taste and outlook characteristic of a period or generation. The Smashing Pumpkins' comeback album threatens to set itself up as a Serious Rock Statement about present-day societal ills, in the same vein as Jack White's totally hoary commentary about illegal immigration on the recent White Stripes single "Icky Thump." As a … Read more
In all likelihood you're fully aware of the Smashing Pumpkins history and 90's legacy; if you somehow don't, I recommend Wikipedia. But in short, this is the first album in seven years from Billy Corgan and Jimmy Chamberlin under the Smashing Pumpkins moniker. Both were in Zwan, and both performed on the other's respective solo disc. But since 2000, neither … Read more
Mellon Collie and the Infinite Sadness changed the way I listened to music. Siamese Dream continues to do so. Machina is one of the best records I've ever heard. The news of the Smashing Pumpkins' abrupt return, more than half a decade later, was a big deal - a huge one in fact - and of course it brought with … Read more
Someone beats on sheet metal. A phone rings? White noise and feedback. Sounds from a long lost sci-fi B movie I think. Someone recorded the sounds from an alien spaceship's motherboard. A saxophone goes completely fucking berserk. An eerie, unrelenting din pervades everything. This is what I hear as I sit down to review Nonhorse's compact disc. Enter Haraam, Circle … Read more
Odious Mortem's website describes their sound as employing "technical, dark, and experimental aspects of the death metal genre." When I think death metal I think Nile, Suffocation, maybe even Slayer. Odious Mortem are what Slayer might sound like if you replaced Kerry King with a jet engine. Vaguely reminiscent of early Fear Factory and Dillinger Escape Plan, for the most … Read more
Internal Affairs is a band that embodies what hardcore should truly be about. The music is fast, energetic, and pissed off. The lyrics are honest to the point of being blunt - hardcore used to be about speaking your mind, somewhere along the way most bands forgot this. And finally, the band puts on one heck of a performance, inviting … Read more
Since about the year 2000, Tim Armstrong, Lars Frederickson and pretty much that has anything to do with Rancid has pretty much been a horrible venture, looking your way The Viking, Transplants and the last Rancid album. Prior to listening to this album the only conation I had about The Aggrolites was that they were Tim Armstrong's backing band for … Read more
Over the past decade or so "toughguy" hardcore has gotten more obnoxious by the second, but one of the bands that spawned this shitstorm, Madball, always had at least one thing going for them. This special ingredient was the combination of the pure catchiness of their riffs and their surprisingly tight sense of rhythm. Even though I am enough of … Read more
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