Despite having parted way more than twelve years ago, Oasis and the way they have diligently and borderline religiously channelled their Beatles worship continues to be one of the most influential British bands of all time. No matter if you were into what was labelled “Cool Britannia” in the 1990s or do not dig them, chances are that you do like at least one of the myriad of bands that have been inspired by them. As the title suggests, Supersonic – a reference to their first and immensely successful single release - chronicles the heydays, i.e. up to 1996, of a band whose off stage antics was almost on par with their musical output as far as notoriety, drama and hilarity was concerned. Given the aforementioned, it should not be further wondrous that an oral history comprised of interviews with the never not entertaining arch enemies Noel and Liam Gallagher is far more than an attempt at an autobiography. Rather, it is a vivid and lively portrayal of what made Oasis more than merely another British popular band, i.e. it conveys their swagger, attitude, humour, all of which is fused and amplified through the context of the hedonistic laddishness they … Read more
I’m always on the prowl for dreamy music, especially metal. It’s harder to find things that fit that descriptor in … Read more
Dennis: When browsing through new releases in my overflowing inbox I decided to go for Slow Crush. It is released … Read more
When it comes to what is referred to as “post-punk” and repetitive-driven guitar sounds accompanied by tense, circular bass lines … Read more
Sincere Engineer, fronted by Deanna Belos, runs the emotional gamut with angry highs and desperate lows – often both within … Read more
Nova Era is a sweet journey through the olden Balkan ethos that permeates this region, of which I also happen … Read more
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Back in the early and mid-2000s, there was a subset of seminal hardcore bands that brought a particular brand of bouncy, youth crew-forward hardcore that was unpretentious but self-aware. I’m thinking specifically of the short-lived groups that were scrappy and unsharpened, that often only played a handful of shows before disbanding and fading into scene lore. The latest offering from Chicago’s Buggin brought me right back to the early Lockin Out days, driving me to bust out a perfect example of this niche, Crunch Time’s 2005 seven-inch The Realness. It seems we have a resurgence of this style on our hands, or I’m just too far removed and it never went away.Buggin builds on those mid-2000s foundations and expands on the template, recalling the Beastie Boys touch of RZL DZL’s … Read more
There’s nothing like a good vocal driven ensemble am I right? Well, I don’t know about you but I find myself impressed to the highest degrees by such bands. It has to do at least partly with the steep mastery curve of the human voice as a musical instrument as well as its phenomenally unique tonal characteristics at an individual … Read more
The story of Sofa is interwoven with the rise of the Montreal experimental music scene. In the mid ‘90s Sofa made their first steps, staying within the underground and self-releasing a number of records. Their creative output found them moving all over the weird rock scene. From alternative and indie beginnings to post-hardcore and lo-fi implementations, Sofa has been cultivating … Read more
Partial Traces play pop-inspired keyboard rock – but not at all the kind you imagine when you hear those words. In pop songs, the keyboard generally brings melodrama or atmosphere. In Partial Traces, those two ideas meet in the middle. It’s emotional and serious, but instead of dramatic, it’s tonal. It feels real and authentic, which largely comes from the … Read more
I don’t know anything about Bricheros beyond what’s in the press sheet. Which has quite a bit of info, really, but in the spirit of due diligence, let’s just say I want a little more. The band plays Panic Button Records-style Ramones-core with a strong dose of Screeching Weasel. In fact, they cover both of those bands on side B. … Read more
Today we’re looking at one lovely record - it’s Branches Vol. 2 by Brooklyn based Japanese violinist and composer Tomoko Omura. Tomoko’s works span a fairly vast territory, encompassing areas from jazz, modal jazz, post-bop, Japanese folk, gypsy music, and fusion with varying musicians. Branches Vol. 2 is the physical and spiritual successor of Branches Vol. 1. I actually never … Read more
The hook on ONETWOTHREE is the band is comprised of three bassists. Which, actually, means there are a ton of hooks on this, their debut record. And now that I’ve hooked you with unnecessary wordplay, I’ll get on with things. But, really, it was the unique arrangement that first intrigued me. The lineup consists of Klaudia Schifferle (Kleenex/LiLiPuT), Madlaina Peer … Read more
If I tell you some band members from bands like Disfear, Dollhouse, Year Of The Goat, Tortyr and The Dontcares started a new band together, what kind of music would you expect to come out? Now, I don’t know every band from that list, but considering the bands I do know I would probably just frown a bit, because they … Read more
I never really thought in any measure that I’d be writing at any point in time a review of a Deafheaven record, yet here we are. Even now I remember the absolute furor that bundled virally around their 2013 release, Sunbather. I didn’t really understand then, nor do I understand now why was it so huge. Personally, I couldn’t then … Read more
Let’s call it like is it is. Punk rock has been too much of a boys’ club for far too long. And, since the style is rooted in blunt communication, what better way to call attention than putting the scene on alert on the first song of a band’s first EP? Neon Belly starts with a mission statement in “The … Read more
The Work was one of the most anticipated metal records of the year. Let me start this review by curbing your enthusiasm and letting you know that this album is a bitter disappointment. It took me about sixteen listens (it was a fucking chore) to also find out that it’s ultimately not a legitimately bad album, but it isn’t legitimately … Read more
Where do you even start with an album like this? It’s been a while since it’s been released, so I definitely had time to immerse myself into it properly as well as getting the leverage of seeing how it aged, even if over a short period of time in terms of timespan when talking about albums. Rïcïnn’s latest record, Nereïd … Read more
I can’t believe this is the first time Not On Tour is reviewed on this site. Not On Tour is a skate punk band from Tel Aviv, Israel. This band is insanely melodic and catchy. Not On Tour is one of those bands that master a certain art: they seem to effortlessly combine speed with catchy melodies. The band nailed … Read more
It’s nice when artists get back to their roots. There’s a time and place for growth and exploration. But there’s also a time and place to let the rage loose, and that’s what’s happening with Band of Bastards on their debut twelve-song slab of blistering hardcore. That’s probably not what you think about when you heard band names like ...And … Read more
While I like new Descendents, their older stuff always had an intangible bite to it. The new stuff feels more sarcastic while their earlier material was pissed off underneath that playful disposition. And that’s what you get on 9th & Walnut which is billed as the band’s eighth studio album, though the timeline is more complicated than that. All 18 … Read more
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