Being a favorite of my friends and I during our Friday/Saturday night pre-pub dance parties, I had a certain set of expectations for what the new Bloc Party would sound like. While 2005's Silent Alarm carried a handful of mellower tracks, making up the bulk of the filler on the album, it was pushed to popularity by its killer single "Banquet" and some similarly catchy up tempo tracks; managing to resonate with the hipster snobs and OC crowd alike. Though the originality of the group was questionable, as taking a look at Sub Pop or any other indie rock label would pull up a handful of contemporaries, it was evident that Bloc Party had a good formula worked out: effects happy guitar hooks and pop sensibility charmingly British. Suffice to say, myself, like many others, were looking forward to more of the same. This is where the boy's newest disc, A Weekend in the City, fails to deliver. The CD's opener, "Song for Clay Disappear," begins with a quiet vocal melody accompanied by single chords before breaking into the discs best riff. This kind of familiarity was enough to remind me why I listened to the band in the first … Read more
Why has no one heard of Stabbed by Words? A better question might be why is no one really talking … Read more
I once heard an interview with Justin Pearson (Holy Molar, The Locust, Some Girls) in which he said that a … Read more
Wait in Vain was a band that featured ex-members of Trial and Champion who released a four-song demo back in … Read more
Most people can't handle the devastating beauty that Skullflower has been known for since its inception in 1987. This latest … Read more
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In what might be an early contender for "Most Improved Band of the Year," Nothington brings us their second studio album, Roads, Bridges & Ruins. Now, when we last left the band they released their debut record, All In. While it was a fun listen, it didn't carry much lasting value and I wore it out after a few spins, so I was expecting more of the same on their sophomore record, only to have my expectations blown away on Roads, Bridges & Ruins. This record really captures Nothington maturing and progressing both as songwriters and musicians. All In was a record that revolved around rough vocals and fast punk riffs with very raw production, and while that all makes for a solid record, it doesn't make for a completely … Read more
I'm not going to lie to you, kids. I have an affinity for most things from Down Under. I had family who lived there for fifteen years that I had the pleasure of visiting many moons ago. I've been on the Sydney Harbour Cruise, record shopping in Melbourne, held a wombat in Ballarat, and found my way back to a … Read more
The wave of hardcore bands coming from the hotbed that is the Bay Area is endless; Murder Practice is the latest export from the constantly thriving scene to hit your stereo. Their self-titled debut is a ten-song soundtrack of aggressive hardcore mixed with the fury of punk and the ferociousness of metal. And while a lot of bands claim to … Read more
I appreciate humor in music. Being a literary nerd, there's nothing more satisfying than catching a good pun or play on words in the midst of a steady rock beat. Unfortunately, little in today's music scene really delivers. Metalcore (a slowly dying dinosaur), and whatever you call it that Three One G puts out (art school grind-punk?) goes for the … Read more
Supergroups are a curious entity, as they often appear to be incredible in the idea stage, but the expectations often exceed the execution. Fortunately, the classic phrase "too many chefs in the kitchen" does not apply to Only Crime - whose talents have been involved with acts such as Bane, Converge, Descendents, Good Riddance, and Gwar - because they are … Read more
A couple of weeks ago, I received a promo package in the mail from the beloved head of staff at Scene Point Blank. The description for this recently released album on Rome Plow Records mentioned Seattle, Washington's late Botch. Needless to say, I jumped at the opportunity to listen to a free, Botch-influenced album, and review it. The Assailant is … Read more
As I mentioned in the Gaza review I wrote, I was eagerly anticipating Architect's first release All is not Lost. While Black Market Activities had generally put out stuff outside of my niche, I knew who they were, and their recent releases have really catapulted them to the forefront of my attention. What grabs my attention about these releases is … Read more
First off, I have to say, "wow." This is really on Saddle Creek? That is totally unexpected. Being unfamiliar with what Ladyfinger (ne) is capable of musically, I am totally surprised. Heavy Hands is the debut album from these guys. It is a more than interesting offering by the description that I have been given for them. Most people have … Read more
The_Network poises itself to be one of the weirdest albums of 2007 despite the fact that it was released on the twenty-third day of the year. While they were lead to write the songs on This is Your Pig's Portrait after attending a Bloodlet show, I don't think all but the most trained and knowing ears would pick Bloodlet as … Read more
I've never had panic sex, and I don't really want to. It's not really a term that can have many happy endings. There are really only three things I can associate with panic sex: an unwanted pregnancy, an STD, or a dead hooker. Not what I want the outcome of any sexual encounter to be. But now a more positive … Read more
Call it a sickness. Call it sheer stupidity. I have to admit that I have a soft spot I my heart for The Esoteric; I have ever since I saw them open for Coalesce a few years back. I remember remarking to my brother and friends that they reminded me of Coalesce (this was also the tour that Cory White … Read more
I don't know exactly when it happened - it was probably in the 90's- but you don't need to be from New York anymore to sound like a NYHC band. You could be from such sun-drenched locales like Florida and California. You could even talk about the tough streets in Tokyo, Japan or Umea, Sweden. You don't need to be … Read more
Baltimore based Pulling Teeth released an extremely impressive demo and all expectations of what a proper release would be are exceeded on this recording. Vicious Skin is eleven tracks of fast-paced hardcore and crossover goodness served up over the course of fourteen short tumultuous minutes. On Vicious Skin, Pulling Teeth draw heavily from two schools of thought, paying homage to … Read more
All right doggies, saddle up. It's time to slip off those slip-on vans and lace up a pair of shit kickers; the terrain gets a lil' rough up ahead. That's right, y'all better trade in those half inch gauged earrings for a ten gallon hat because we're about to take a bucking ride through the romantic Midwest with Dustin "Dusty" … Read more
Noise is a funny term. Not "ha ha" funny, but highly prone to linguistic slippage: its connotations cover everything from the stylized squawk of Lightning Bolt to the Pacific Rim blasts of Incapacitants or Masonna. The mutant term "noisecore" has been beaten virtually beyond recognition, referring to everything from the nitroglycerin airbursts of World and Final Exit to the unrelated … Read more
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