"To speak of money and music in the same sentence is a fucking travesty. I'd rather keep losing money, rather keep scraping by than be a part of a scene constantly talks about sales, guarantees, and marketing prowess... Because this is how simple it should be; music is inside you, boiling, and it needs to get out because it's your way to express yourself and communicate with others...it's spiritual survival." These words, written by Marianne from Cease Upon the Capitol, sum up the basic ideals of the punk scene to me: to play music with emotion and passion, and to do so with a DIY ethic, without the support of a major label and their money. To try and make the world a better place, socially and politically, and to live life outside of the confines of mainstream society. If my summation of punk is correct, then Ghost Mice are punk as fuck, or as their logo suggests, "Punk as folk." Ghost Mice consists of two members, Hannah and Chris. Both sing, and they play violin and acoustic guitar, respectively. The band was formed when Chris and Hannah, who were members of Operation. Cliff Clavin, decided to play acoustic music … Read more
Before the release of Twelve Small Steps, One Giant Disappointment, frontman Joey Cape willingly admitted that the record does not … Read more
In this day and age of "indie" bands selling to kids and having number ones left, right, and center, one … Read more
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Chances are, most listeners have would heard everything on Derek Grant’s 2015 solo album Breakdown before - it seems to imitate everything from the driving road music of Jackson Browne to the ballads of Guns ‘n’ Roses while frequently capturing an alt-country vibe that might be unexpected coming from a musician undoubtedly best known for drumming in punk group Alkaline Trio. Truth be told, this record may not be what fans of Grant’s more established project would want – it’s about as far from the world of punk as possible - yet it’s hard to honestly dislike this sleepy little album. Grant seems quite capable of carving a niche for himself as an indie songwriter and musician, and this debut effort goes a long way in establishing his credibility as … Read more
I don't think I've ever heard an album come from this far out in left field and still come together flawlessly. The general consensus seems to be that you can either have a totally bizarre album or a catchy, cohesive album, but you can't have both. But Pittsburgh, PA's Microwaves is living proof that they don't have to be mutually … Read more
Nearly a decade ago Bad Religion's Greg Graffin released his first solo effort, the miscellaneous American Lesion (miscellaneous because you can only find it online), and it was a definite departure for the punk rock icon. He slowed it down quite a bit and explored a different side of his musical roots, as well as lyrical themes not present in … Read more
How to Survive In/In the Woods isn't the easiest CD to review, because to put it bluntly, it's not the easiest CD to listen to. How to Survive In/In the Woods is thirteen tracks of experimental, lo-fi, noisy folk music distorted and amplified beyond comprehension. The result is both beautiful and frightening, calming and disturbing, and ultimately one of the … Read more
Reviewing albums isn't an especially technical task. Anyone can do it. But, when you are piecing together your thoughts for an album review, there is a lot to be concerned about. Mainly, will the words put down on paper (or in this case, a computer screen) be an adequate representation of the music contained on the album? More times than … Read more
There are few artists from the last few years that I have enjoyed more than John Erik Kaada. Woefully under-informed was I of his band Cloroform that had apparently been rocking the shit out of Norway and other more fortunate countries than ours for years. It was not until the release of his first solo album, Thank You for Giving … Read more
Remember the days when you and your buddies would get together in your mom's basement to play Dungeons & Dragons? You'd clear the table of Radical Software magazines, set your game up and to make everything perfect you'd put on some King Crimson, Yes, or Goblin records. Don't remember those days? Well that is because you are a twenty-something year … Read more
Is every member of mewithoutYou of the Christian faith? Beats me. I know that the lyrics portray the group as a Christian band, but said term manifests nothing of the actual music. So what does Christian music sound like? Jesus harmoniously praying to his Father? Dead Poetic? Christmas carols? Fuck, man. I don't know. mewithoutYou's music has always attracted me … Read more
2006 has seen the release of plenty of outstanding records from melodic hardcore bands, and as the year is coming to a close you might think the best of the best have already graced us with their presence. If so, then think again. Shook Ones' Facetious Folly Feat has defied all expectations and lands at the top of the heap … Read more
Up and at Them are four kids playing hardcore music. No frills, no fashion, no hideous lyrics about suicide or emotions. Just straight-up hardcore; it recalls Sick of it All and Comeback Kid and is delivered with a distinct lack of irony that is strongly welcome in a music world where "irony" is so often used to excuse poor musicianship … Read more
What are your criteria for a good album, a good record, a good song even? For me, the criteria are many; but there is one that really separates the great records from the good records and that is the ability of a piece of music to elicit a significant emotional response. That tiny requirement means a world of difference. It … Read more
I'm not going to lie to you. This review isn't going to be unbiased. It isn't going to be impartial. It isn't going to be neutral in any way, shape, or form in the way that all good reviews are supposed to be. I'm a big Tom Waits fan; so much so that in 1999, I spent over a thousand … Read more
During the late 90's there occurred a revival of the youth crew sound that had dominated the hardcore scene during the mid-80's up through the early 90's. Today, we are witnessing what I consider to be a revival of the mid-90's metallic hardcore scene. A significant number of bands are stating influence from the likes of Earth Crisis, Integrity, Undertow, … Read more
Though I can't speak for my colleagues, I find it isn't unusual for an album to be given a great review or a poor review, only to find that a few months or a year down the road, my thoughts have changed about said album, and I find myself wishing I had reviewed it differently. So when I gave the … Read more
When bands attempt to emulate the punk rock sounds of the late seventies, there are a couple elevators to enter. The first elevator travels in the direction of older bands at a trajectory so similar to them, it's scary. Scary good. If the newer band had released their songs in the past, they would be remembered alongside bands like The … Read more
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