A hip hop album hasn't sparked this much controversy in years. The title led to many rappers taking great offense. Specifically, southern artists like D4L and Young Jeezy got heated over the title, questioning whom Nas was to make such a declaration. The publicity generated, along with the loyalty of Nas fans, helped Hip Hop is Dead debut at #1 on the Billboard charts. Shortly, the hype was justified. The album starts out with the convincing "Money Over Bullshit," where Nas reminds his adversaries that he's "afraid not of one of you cowards but of my own strength." The Queensbridge native makes it known that he's still a force in the hip hop world. The first four tracks are all solid, until Nas sputters a bit on the mediocre title track. It's not a horrible song, it just recycles the same sample used on Streets Disciple's "Thief's Theme." "Who Killed It," an absurd track in which Nas attempts to replicate the voice of a 1930's detective, follows this up. It's a good concept, but suffers from awful execution. The remainder of the album rounds off nicely. Highlights include the long awaited union with former foe Jay-Z in "Black Republicans." The … Read more
It has to be considered near unforgivable to include the words "They're certainly not the first to write songsââ¬Â¦ and … Read more
In the punk scene alone, the collected amount of shit that has been talked about Fall Out Boy could probably … Read more
I feel like right now is an interesting juncture in "hardcore." With its popularity and accessibility, there are a lot … Read more
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WARNING: As the writer of this review I feel that there is something you should know prior to reading this, as reviews are biased by whoever is writing the review. All that I have heard previous to this album was random songs from the radio, not that I listen to the radio. So now is my chance to hear a New Found Glory album and give it my full undivided attention instead of just hearing a song in the car on the way to an important business meeting or on the stereo while getting in touch with myself. To be honest, I wanted to like Catalyst, the more music I find that I like the more good music I have to listen to. When the first track started with a … Read more
It's quite amazing how widespread hardcore music has become these days. Despites its relatively young age compared to other genres, it has become a worldwide entity; no longer is the music confined to New York City and Los Angeles, or the United States for that matter. Everyday new acts ready to scream their lungs out hit the stage from more … Read more
Being a favorite of my friends and I during our Friday/Saturday night pre-pub dance parties, I had a certain set of expectations for what the new Bloc Party would sound like. While 2005's Silent Alarm carried a handful of mellower tracks, making up the bulk of the filler on the album, it was pushed to popularity by its killer single … Read more
The Chinese Zodiac dictates that the dog will come through for me every time. The dog, I'm told, is reliable, empathetic, and intelligent. The dog is the kind of friend everybody can use. For a few years now, Fucked Up has played the dog for me. I resisted at first, after somebody led me to believe they traded in the … Read more
Why has no one heard of Stabbed by Words? A better question might be why is no one really talking about them? Seriously, when a band features members and ex-members of Unbroken, The Hope Conspiracy and The Suicide File, how can a band like this slip under the collective radar of the hardcore herd? One reason for their relative obscurity … Read more
I once heard an interview with Justin Pearson (Holy Molar, The Locust, Some Girls) in which he said that a fan of his said the music he made was "smart" and that was the most sincere compliment he ever received. He went on to say that he'd rather play smart music then play popular music. For the last three weeks … Read more
Wait in Vain was a band that featured ex-members of Trial and Champion who released a four-song demo back in 2005. A substantial buzz grew over this band and the band planned to release a full-length in 2006 with State of Mind Recordings. Sadly Wait in Vain ran into a problem that plagues many bands; they couldn't secure a drummer. … Read more
Most people can't handle the devastating beauty that Skullflower has been known for since its inception in 1987. This latest offering, Tribulation, shows Skullflower in mind blowing form, and I mean that in the most literal sense. This record is loud and thick with ambient noise, feedback, and fuzzed out droning that weighs heavy on the listener's mind and soul. … Read more
I'm not going to lie to you, kids. I have an affinity for most things from Down Under. I had family who lived there for fifteen years that I had the pleasure of visiting many moons ago. I've been on the Sydney Harbour Cruise, record shopping in Melbourne, held a wombat in Ballarat, and found my way back to a … Read more
The wave of hardcore bands coming from the hotbed that is the Bay Area is endless; Murder Practice is the latest export from the constantly thriving scene to hit your stereo. Their self-titled debut is a ten-song soundtrack of aggressive hardcore mixed with the fury of punk and the ferociousness of metal. And while a lot of bands claim to … Read more
I appreciate humor in music. Being a literary nerd, there's nothing more satisfying than catching a good pun or play on words in the midst of a steady rock beat. Unfortunately, little in today's music scene really delivers. Metalcore (a slowly dying dinosaur), and whatever you call it that Three One G puts out (art school grind-punk?) goes for the … Read more
Supergroups are a curious entity, as they often appear to be incredible in the idea stage, but the expectations often exceed the execution. Fortunately, the classic phrase "too many chefs in the kitchen" does not apply to Only Crime - whose talents have been involved with acts such as Bane, Converge, Descendents, Good Riddance, and Gwar - because they are … Read more
A couple of weeks ago, I received a promo package in the mail from the beloved head of staff at Scene Point Blank. The description for this recently released album on Rome Plow Records mentioned Seattle, Washington's late Botch. Needless to say, I jumped at the opportunity to listen to a free, Botch-influenced album, and review it. The Assailant is … Read more
As I mentioned in the Gaza review I wrote, I was eagerly anticipating Architect's first release All is not Lost. While Black Market Activities had generally put out stuff outside of my niche, I knew who they were, and their recent releases have really catapulted them to the forefront of my attention. What grabs my attention about these releases is … Read more
First off, I have to say, "wow." This is really on Saddle Creek? That is totally unexpected. Being unfamiliar with what Ladyfinger (ne) is capable of musically, I am totally surprised. Heavy Hands is the debut album from these guys. It is a more than interesting offering by the description that I have been given for them. Most people have … Read more
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