My only beef is with God. I wake up every day, I curse Him every day, because there is only on person who's responsible for the life I fucking have and that's the bastard who created us. I fucking hate Him. - Glen Benton Oh Glen, you rapscallion, you. You're not fooling anyone with that inverted-cross branded on your forehead. We all know you don't mean it - that it's all a gimmick. Right? Not fucking likely. If there has been anyone in music that's more devoted to promoting his or her beliefs than Glen Benton, please step forward. Not so fast, King Diamond. Make-up washes off. Scars are forever. There have been many incarnations of Deicide over the years. Some of them good; some not so much. The Stench of Redemption falls into the former category and this is achieved with seemingly surprising ease despite the absence of the Hoffman brothers, longtime members who probably left to pursue a happier pastime. Sure, we all know Benton's an asshole, but we don't have to work with him. Thankfully, all his misery and hostility has been condensed into one of the best albums of the year. Gone is the blatant anti-Christian … Read more
There are some things in life that you either love or hate, and one of these are the vocals of … Read more
Emily Haines is a diva. Okay, maybe not in the traditional sense of the word, but if the modern definition … Read more
Hailing from Austin, Texas, Darling New Neighbors play indie rock with tinges of country that strays into universal pop and … Read more
Ask the founding member of Eyes of Ligeia about his band history and you're likely to get this responseââ¬Â¦ In … Read more
No pun intended, but good Lord, how gosh darn posi can one band be? I know straightedge hardcore is supposed … Read more
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A monolithic drone keeps you on guard. You're waiting for whatever is coming, but you don't know that "what" is. The artwork of Trees' Lights Bane hints at something intense, but there's an ambiguity that accompanies it. The album, the Portland quartet's debut, has only two tracks listed, and each of them are over twelve minutes in length. Lights Bane... the bane of light? The song names seem to explain the album's title. Two songs, two representations of the absence of light, the weight of gloom: "Nothing" and "Black." "Nothing" makes you wait for a minute before spontaneous hits of the crash welcome guttural, vicious vocals. For fifteen minutes, you think Trees could either flip the fuck out or end the song at any second. A torrential static follows every … Read more
You are the biggest solo star of your generation and your first album since leaving the boy-band that made you famous was one of the biggest sellers of that year and everyone is clamoring for your next album; so what do you do? If you are Justin Timberlake, you spend four years making a follow-up that's so radically different from … Read more
After lying in bed with scenery consisting of drifting ceilings and absent eyelids, this year can finally end with a night of sleep soaked "z"s. Over three hundred days spent and not many left to live (for 2006) and FINALLY Sabertooth Zombie drops Midnight Venom: eighteen tracks of metallic hardcore that sound like seventy-two hours of no sleep and snakes … Read more
Switchblade is a completely enigmatic group to me. They do not seem to consistently release records with the same labels. I was first introduced to them via their Icarus Inc. - a division of Deathwish Inc- album a couple of years ago. I liked what I heard. These guys are a mostly instrumental behemoth that usually produces long passages of … Read more
"To speak of money and music in the same sentence is a fucking travesty. I'd rather keep losing money, rather keep scraping by than be a part of a scene constantly talks about sales, guarantees, and marketing prowess... Because this is how simple it should be; music is inside you, boiling, and it needs to get out because it's your … Read more
Before the release of Twelve Small Steps, One Giant Disappointment, frontman Joey Cape willingly admitted that the record does not measure up to what it should have been, and not many bands would ever publicly admit something like that, but not many bands have experienced the tragedy that befell Bad Astronaut. The band's co-creator, drummer, and one of Cape's best … Read more
Disclaimer: Whenever a reviewer has no idea how to end a review - a more common occurrence than the reader might think - the reviewer is forced to employ the cheapest of literary tricks: the disengage. By taking the reader out of the narrative flow with an aside that is thought to be clever, but in reality is fooling no … Read more
Everyone into hardcore over the age of twenty-five reeled in shock and horror when they found that the newly reunited Lifetime had signed with Decaydance Records, the label that Pete Wentz of Fall Out Boy owns. No, Lifetime, say it isn't so. Fall Out Boy? The marbled-mouth teen pop-punk mega-stars bassist signs the most revered melodic hardcore band of all … Read more
After the 90's, it seems that any vegan straightedge band seems hell-bent on pigeonholing itself into being a metalcore or melodic death metal band, with good reason, too. Abnegation's foray into death metal, Verses of the Bleeding, sucked and Earth Crisis's attempts to become like Pantera were lukewarm at best. Kingdom tries their hand at stepping outside of the box … Read more
In this day and age of "indie" bands selling to kids and having number ones left, right, and center, one could be forgiven for thinking that pop music in the form we saw for most of the mid 90's and early noughties is a thing of the past. Luckily, with this collection of singles Girls Aloud have reminded us of … Read more
I don't think I've ever heard an album come from this far out in left field and still come together flawlessly. The general consensus seems to be that you can either have a totally bizarre album or a catchy, cohesive album, but you can't have both. But Pittsburgh, PA's Microwaves is living proof that they don't have to be mutually … Read more
Nearly a decade ago Bad Religion's Greg Graffin released his first solo effort, the miscellaneous American Lesion (miscellaneous because you can only find it online), and it was a definite departure for the punk rock icon. He slowed it down quite a bit and explored a different side of his musical roots, as well as lyrical themes not present in … Read more
How to Survive In/In the Woods isn't the easiest CD to review, because to put it bluntly, it's not the easiest CD to listen to. How to Survive In/In the Woods is thirteen tracks of experimental, lo-fi, noisy folk music distorted and amplified beyond comprehension. The result is both beautiful and frightening, calming and disturbing, and ultimately one of the … Read more
Reviewing albums isn't an especially technical task. Anyone can do it. But, when you are piecing together your thoughts for an album review, there is a lot to be concerned about. Mainly, will the words put down on paper (or in this case, a computer screen) be an adequate representation of the music contained on the album? More times than … Read more
There are few artists from the last few years that I have enjoyed more than John Erik Kaada. Woefully under-informed was I of his band Cloroform that had apparently been rocking the shit out of Norway and other more fortunate countries than ours for years. It was not until the release of his first solo album, Thank You for Giving … Read more
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