A few eyebrows were raised on both sides of the divide when Capitol Records decided to sign indomitable indie heroes, The Decemberists. With nothing obviously commercial about their sound, musings varied from wonder to fear that The Decemberists were about to become just another pop-indie band. Most fears, however, were allayed when talk of The Crane Wife, an old Japanese folktale that had stuck with Colin Meloy for years began to circulate. As it is, it comes with all the major label production values without sacrificing the sounds on which The Decemberists have built their back catalog. Eclectic as always, The Crane Wife wavers from traditional folk, to over-the-top pop within seconds. Complete with haunting duets, sing-along ballads, and dabs and touches of scores of playing styles and influences, it is more cohesive than previous efforts, while exploring the same array of sounds and directions. Opening with "The Crane Wife Part 3" (parts one and two ubiquitously come later), the balladic nature of the album is set immediately. Carrying sounds of The Replacements, it quickly dives into "The Island", a twelve-minute, three-part epic canzonet and the neo-folk influenced "Yankee Bayonet (I Will Be Home Then)." Not to be restricted, the … Read more
There is a startling disparity between the Rx Bandits' 1997 debut Those Damn Bandits and ââ¬Â¦And the Battle Begun if … Read more
Fuck yeah. I live for records like this. The tunes are fast, snotty as hell, impassioned, and stick in your … Read more
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Spring Hill is the latest solo record from Tim Barry and, to be up front, I took the last couple records off after the first few were starting to sound a bit “samey.” But it only takes a few notes on Spring Hill to see that Barry has righted that ship and really developed into a solo performer. The first records were heartfelt and have a lot of classics, but they tended to blur together over time. Here, most songs rely on acoustic guitar, but we get banjo, violin, harmonica, and even electric guitar at times, all adding mood and texture to roots-inspired folk music. The production fits it perfectly: it’s clean, minimal, and basic -- sometimes leaning lo-fi, but without any interfering grit or static. Barry, like the traditional … Read more
Isis has easily become a standard for the "post-" jet setter. Their latest album, In the Absence of Truth is a good example why this is happening. If not for the band, then the Red Sparowes' (with whom Isis shares a member), Cult of Luna's, and the host of imitators and admirers would have no one to look to for … Read more
In the mid to late nineties, there was an overwhelming flood of new bands practicing the musical style known as emo. At that point, the three-letter term covered a much wider range of rock groups. Bands that would now be neatly separated into sub-categories like shoegaze, math-rock, or post-punk were openly embraced by all that considered themselves emo fans. Ironically … Read more
After the now-legendary, myth-making years in the basement with a guy named Tobin and the other Mitch Mitchell working shamelessly towards what would become Bee Thousand (while still teaching middle school Social Studies, no less) and Spin's review naming same "Record of the Year," some say it's all been downhill for Pollard and his raving gangs of rockers. And how … Read more
I think this is the type of hardcore that the kids with camo shorts and black running shoes are calling "amazingcore." There is a new crop of expressively distraught hardcore bands that place their hearts on their sleeve much like emotional hardcore bands did so unapologetically in the 90's. These "amazingcore" bands not only reap the benefits ripping their hearts … Read more
Intronaut is a four piece from California made up of members of Uphill Battle, Impaled, Exhumed, and Anubis Rising, although they sound nothing like I remember these other bands. Intronaut sounds more like a technical metal band with jazz-like flourishes. Void is their first full-length after the wittily monikered EP, Null. "A Monolithic Vulgarity" leads off Void like a jazz … Read more
"Yes, yes, yes. Guess who's on third? Lupe still like Lupin the Third." Little did we know that our introduction to Lupe Fiasco on Kanye West's "Touch the Sky" was merely a taste of what this Chicago native had to offer. While not a complete unknown, Lupe's previous appearances had mostly fallen under the radar. After numerous Internet leaks and … Read more
Spending much of the time since 2002's ENDtroducing with his producing hat on, DJ Shadow has finally returned to our stereos with The Outsider. A return that sees him take a massive shift in style. Crass rapping styles, questionable lyrical content, and some gunshots filtering through the background adds just too much of a touch of Tim Westwood that is … Read more
Pound for Pound hail from Springfield, Illinois, not to be confused with the hometown of The Simpsons, as the true location of that fictional town has never been pinpointed. However, if Pound for Pound were to hail from that specific Springfield, I think the band would be best represented by the likes of Nelson, Kearney, Dolph, and Jimbo. Okay, I'm … Read more
In its recent history, Converge is responsible for two of the most unique and cathartic albums in the history of extreme music, Jane Doe and You Fail Me. Of course, you can't deny Converge's long, rich heritage going back to the early '90s. Unlike very few bands in their genre, Converge have not only survived, but thrived and strengthened. Jane … Read more
After rock and roll's pop ascension in the postwar era, the recording industry adopted the practice of "front-loading" albums, situating the strongest songs at the beginning. This serves several purposes: it sells the album to skeptical listeners (such as radio programmers, distributors and consumers), and it enables bands who don't have enough material to compete in the LP realm to … Read more
Do you remember being just a small child, rifling your dirty paws through the cereal box trying to fish out the prize at the bottom of the box? No? Okay let's flash forward about ten years; what about when you were sitting at the dinner table thinking how you were going to get those same dirty paws down your boy/girlfriend's … Read more
Mediocrity is not a hard thing to come by in the metalcore genre. In fact, since every metalcore band has decided to rip off Prayer for Cleansing and Heaven Shall Burn, metalcore has become a little too stagnant in this As All That Killswitch Remains Dying "scene." She Killed Poetry would easily fall off the radar for me, for this … Read more
December 14, 1999: Poison the Well's Opposite of December was re-released and marked the end of metallic hardcore as everyone before it. Before "Nerdy" made all the mixtapes there was a quite of few metallic edged hardcore bands like Cleveland's apocalyptic Integrity, San Diego's depressive Unbroken, and Vegan Militants Earth Crisis whom all played palmed muted e-chord chugga chugga until … Read more
We're in the middle of a pop punk renaissance. New recruits are signing up left and right and firing off catchy odes to the evergreen vagaries of romance, teenage or any age. But this is a post-Lifetime era, so for the most part today's young turks eschew the Ramonesianism of a Screeching Weasel or a Queers in favor of the … Read more
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