Fearlessly naming their new record Death for Life is an instant indication that Death By Stereo aren't about to back down despite the lawsuits and legal issues surrounding the band after a death at one of their shows in 2003. Just in case you didn't pick up on the name, the record begins with some gang vocals chanting the words, before quickly kicking into a completely metal riff that would make even the most timid of music fans want to grow their hair out and headbang. It's not all about meathead riffs though, as opening track "Binge/Purge" progresses. The familiar vocals of Efrem Schulz are there, although with a slightly more screamed edge that's present on this record much more than others. Also notable is the guitar solo, sounding more like Guns n' Roses than anything else. Despite the slight departure it still sounds like classic Death By Stereo, "I Give My Life" reminds the listener quickly that the band seems to have made the jump to metalcore almost completely now. It's not a new thing; they've been making the transition over their past few records, but this track features some mosh-style screaming before the chorus that's almost nu-metal in … Read more
In the year of 2002, Bucket Full Of Teeth released three 7"s on Youth Attack! Records titled I, II and … Read more
The members of Playing Enemy certainly have an impressive resume of musical ventures in which they have been previously involved: … Read more
I was really excited when I put this CD on. For years there have been rumors of a Goonies sequel … Read more
There's not really that many instances I can think of where I could use the words; "hardcore", "thrash metal" and … Read more
Hot Hot Heat has managed to weave in and out of the limelight in the last few years. Often compared … Read more
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Rocky Votolato has been a busy man of late. He released last year's Makers to wide acclaim and only just recently re-issued A Brief History with his long time collaborators at Second Nature recordings. This brings us to his latest musical foray. The Brag and Cuss is Votolato's sixth album since he began releasing his solo material in 1999, and it is arguably his most polished effort to date. The record delves more into the country/ alt-country sound that he has been slowly exploring on his records; and, if his live show is any indication, it looks as though he will continue this trajectory. Starting off slow and sure, "Lily White" shows off the harmonica styling and slide guitar that peek at the listener on Votolato's albums. The Hammond B-3 … Read more
A few days after Horses in the Sky was released, *coughtwomonthsagocough*, I sat down and tried to review it. After one listen my review was nearly done. I'd given the album a score of 5.0, dismissing it as "the most frustrating album of the year." I now realize that my review, while being both wildly hilarious and jarringly insightful, was … Read more
Whenever I am having a discussion of music with friends, which happens more often then I'd like to admit, for music is my sole sense of being, the topic of why there aren't more "sludge-metal bands incorporating vocals into their songs always seems to come up. I've always had an answer - I won't divulge it here for fear of … Read more
There are lots of ways that one can view the genre of metal and any of its countless sub-genres - a soundtrack to your miserable life, a vicarious escape from the mundane, the optimum means of combating (or embracing) anger - all are possibilities, but not many will admit to regarding it as a valid art form, just as capable … Read more
Lack of sleep, Influenza A virus and a spike through your chest, among other things, cause people to get sick. When you get sick usually taking medicine is the cure. Lately I've been getting sick of "amazing-core". It's essentially hardcore pop: vague lyrics that every hardcore kid and hot topic consumers can connect to paved atop over-the-top polished "HXC jamz." … Read more
Punk is a relative concept. In 1982, shaving your head into a mohawk and wearing studded jewelry was a symbol of rebellion. It was the aesthetic of a youth movement fueled by frustration with the status quo. It was a visual statement against suburbanite jocks listening to Bad Company and Styx. Today, the mohawk is a passing fad in hair … Read more
Let me begin with a disclaimer. I don't mean to rant, but in general, I hate political bands. I can't stand political bands. I can't stand them because, generally, when they aren't misinformed fools popularizing redundant attitudes, they are sententious idiots that are just as misguided as victims of their malignant invectives. Generally. Somewhere then, in what is a combative … Read more
"When someone comes up to you and asks which Led Zeppelin album they should buy, you should say 'Physical Graffiti'. And in 20 years, when your kid comes up to you and asks which Foo Fighters album he or she should buy, I want you to say 'In Your Honor'." - Dave Grohl, 2005 Strong words, Mr. Grohl. Particularly since … Read more
"Hey, these dudes are seriously pissed." That's probably the initial thought that comes to mind when listening to These Days debut full-length. Yes indeed, the music is highly volatile and the lyrics are quite hostile at points. But don't write this Norcal hardcore outfit off as just another bro-band acting tough, for These Days are more than meets the eyes' … Read more
These Days took the time to build a following, and then just after they released their debut full-length, they decided to take a break. This self-titled release is These Days' newest, and their best. These Days is all brand new material, except for one song, "Never Ending," which is re-recorded from their demo. Among the brand new songs is possibly … Read more
Music elitists say that excellent music has not come out since the 70's; that the past thirty odd some years have been regurgitated, diluted crap. Some might admit that there have been some good bands in the past couple of years, but none of those bands are groundbreaking or memorable. And in the end, those bands are just extremely influenced … Read more
I can't possibly make this a lengthy review. I can't! I've tried to think of creative ways to give my opinion on this piece of melodic, tough-guy hardcore, "in the vein of Comeback Kid, Hatebreed, and Terror." But I keeping finding myself back at that very phrase which sits mid-page on the band's bio that Organized Crime sent out. "...in … Read more
I've never really been a fan of "best of..." collections. Too much of the time, they are released mid-career without justification or necessity, or to fill an unusually long gap between albums. Even more often, they are used as cynical marketing ploys, or worse, in order to milk the cash cow of any given artist whom lacks longevity. At times, … Read more
The Frames are five Dubliners, with a handful of releases already. They use a variety of instruments, ranging from piano to horns and strings, effects, concepts and atmospheric layers shaping their music around human emotion often similar to that of Radiohead and Coldplay. The Frames is: Glen Hansard (Vocals/Guitar), Colm MacConlomaire (Violin/Keyboard/Vocals), Joseph Doyle (Bass/Vocals), Robert Bochnik (Guitar), and Johnny … Read more
An open letter to Hollow Ground and Organized Crime Records I'm not a detective or a mind-reader. I am neither Columbo, Criswell, nor Veronica-fucking-Mars. I'm just a guy who gets a meager paycheck working with kids that likes to review albums in his spare time. Don't make me search all over the internet for information on your band. Did you … Read more
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