I like punk rock. A lot. I listen to some punk bands that are far from extraordinary, who play contrived music, but make it fun (both for them and the listener). I am no expert on the scene; I've been involved with punk since I was 8, but I've always got more to learn. That being said, this is one of the most atrocious albums my ears have ever had the displeasure of being subjected to. This ranks up there with shit by The Murderdolls, Mudvayne, and Limp Bizkit. Only this is punk rock! Fast, catchy, angry punk rock! I should like this, yet I find myself inexplicably bored by every aspect of it. The opening song, "On The Other Side," was pretty good. I liked it. I like how The Unseen takes street punk, a static genre, and adds aggressive vocal melodies reminscent of some of the bands out of the Boston scene. (They're from Boston, so that's no big surprise.) The production on the album is unusually good for a Hellcat band, seeing as the label usually specializes in "dirty punk," so I was impressed with that as well. But by the time "Scream Out" gets to the … Read more
This record is so funny I almost shat my pants. Not ha-ha funny, mind you, but "fuck, this is so … Read more
In my experience there are generally three kinds of album. The first, and most commonly encountered, is the one that … Read more
This Is Hell was unavoidable in 2004. Whether it was This Is Hell's demo that quickly sold out, their rabid … Read more
I first heard about this band in the summer of 2003. I was buying a 7" from a band on … Read more
Selling out. Trying something new. Maturing. Call it what you will, but a substantial number of underground artists have become … Read more
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I'll be completely honest with you I am a bit of an amateur when it comes to black and death metal. I am only really familiar with the more well known bands of the genre; Mayhem, Burzum, Darkthrone, Carcass, Entombed and so on. I'm slightly embarrassed to admit to knowing almost nothing about Black Altar or Vulture Lord until choosing this to review but something about this split EP caught my attention and I thought I'd give it a go. The thing for me with black metal is that I find it can sound too samey, the songs blend into one another and the overuse of the double bass drum pedal has a white noise effect on my ears. The main thing I noticed with Deathiah Manifesto is that these … Read more
"Ladies and gentlemen, set yourself on fire!" exclaims novelist Ibi Kaslik on the inside cover of Stars's sophomore album, Set Yourself on Fire. This begins a rather brief but punchy tirade about how we should not laze about while fascist dictators, ahem Bush, are in power. While there are only a handful of political songs, the rest of the album … Read more
On The Blood Brothers' 2004 disc Crimes singers Jordan Blilie and Johnny Whitney scream, "Everybody needs a little devastation," from "Devastator." Well you know what fellas, sometimes everybody needs a little benefaction. Sometimes we need love and flowers and pretty things, like rainbows and holding hands. Singer/songwriter Keren Ann Zeidel, whose recording name is simply Keren Ann, shows us the … Read more
Ever since I accidentally saw them live in 2003, Spitalfield had been on my list of bands to avoid listening to. Their set was brain-implodingly bad - a sloppy mess of contrived pop-punk hooks, soulless songwriting, and the second whiniest vocals I?d ever heard (Rufio being the first.) It didn?t help that the sound quality was weak, or that the … Read more
A 10-song, 40-minute EP? Talk about cocky! After releasing their 80-minute beast of an album, Blueberry Boat, to my (and a handful of other cultists') absolute euphoria in 2004, what would be a perfectly suitable song amount and running time for a full-length LP for virtually any other band in the musical spectrum is a mere EP to the sweeping, … Read more
Generally at the beginning of the year, you'll set your hopes high for a handful of releases and odds are, one of those will be one of your albums of the year. The last two years for me though, has had surprising candidates come out of left field to steal my heart and take home that coveted award. This year … Read more
There was a time long long ago when Victory Records put out quality hardcore releases by bands like Integrity, The Path of Resistance, and Snapcase as opposed to the rubbish that they've been putting out as of late. In fact, the majority of what they release nowadays isn't even hardcore; it's closer to BSB (Backstreet Boys) than BFB (Blood for … Read more
Splits are traditionally a way two bands can get their music recorded/released by combining money. If you read that wrong you might even think bands combine monkeys. Sabertooth Zombie and Jumpstreet each contribute four songs towards proof that the bay area is a force not to be reckoned with. Sabertooth Zombie blasts balls with the first four songs. Sabbertooth Zombie … Read more
I first happened upon this group in June of last year, when the lead singer Chris made a thread on a message board I was frequenting about his band. The samples on the main page were outstanding. They were melodic, tinged with something I thought was reminiscent of eighties New Wave, when it was still the dark brooding poetry of … Read more
Last fall rock lost one of its true visionaries. John Peel was responsible for introducing the UK to acts like Pink Floyd, The Velvet Underground, The Smiths, The Undertones, Nirvana, The White Stripes, Napalm Death, Carcass, Extreme Noise Terror & Joy Division. How's that for diversity? It was an honor for any band to get to play Peel's BBC radio … Read more
By now you've scrolled down and seen that I've given Make Believe a score of 6.0. So you probably think I'm a biased fan who likes this album more than he should. Well, I am. But you should also know that if I were to review Weezer's previous catalogue, it would look something like this: 1) The Blue Album - … Read more
Superfluous. If I could describe the music press' fawning over female Sri-Lankan/British emcee M.I.A. in a single word, that would be it. This excessive praise for a new artist is not unique to her, of course. In 2004, it was Franz Ferdinand. In 2003, it was the Yeah Yeah Yeahs. To be honest, M.I.A.'s Arular does not live up to … Read more
Beginning a band is no easy task, there are many pressures involved with the entire process. Those pressures intensify when you're coming from a previous band that was considered to be fairly popular; it's a double-edged sword. You're pretty much ensured free exposure and publicity based on the fact that the new project gets the "ex-members of..." tagline. But with … Read more
In the late 80's and early 90's, Seattle was the place for any musician to be. A brief yet socially relevant counterculture was spawned, not too dissimilar to punk in the early 80's. The movement, being simply music or something more, had no name but was knighted "grunge" by the media. Much of the music was dirty, aggressive, brooding, and … Read more
CVA was fucking perfect. Naysayers beware: I am willing to defend that position. A hardcore supergroup of sorts (combining members of The Curse, Kid Dynamite, Lifetime, and Good Riddance), Paint It Black released one of the best melodic hardcore albums I've ever heard. I'm a sucker for melody and I'm a sucker for speed. They combined them with such precision … Read more
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