The sticker on the front of this CD's jewel case is going to sell lots of copies of it, I guarantee. It reads "Featuring former members of Botch, Kill Sadie, and Nineironspitfire," and the name of that first band will get people buying in droves. And then, most likely, many of those who buy it will return it because it sounds almost nothing like that first band, but instead has far more in common with the latter two. The people who return this record are fools. These Arms Are Snakes have presented one of the most invigorating EPs to bless my eardrums in years. It's at once interesting, innovative, and extremely enjoyable. The record is full of supremely great moments, starting with the opening track, "Riding the Grape Dragon." It's middle-eastern tinged between-verse guitar lines, along with the haunting intro riff which appears later in the song, fit along perfectly with the frantic vocal styles; the song eventually breaks down into two seperate guitar lines bouncing off each other, then erupts in the last minute. "Run it Through the Dog" hits you from the front with a full band assault and a heavily processed vocal attack that cuts down to … Read more
Choose a year to view reviews of albums released in that year.
749 reviews
42 reviews
25 reviews
300 reviews
4903 reviews
19 reviews
Dinosaur Eyelids may have an bizarre moniker (where did they come up with it?) but their music is far from mysterious. Garage rock may have had its heyday long ago but the influences are still keenly felt through many projects kicking around today, Dinosaur Eyelids being one of them. Stating their main inspirations as Kyuss, Soundgarden, Fu Manchu and a whole host of others, it's clear that for this New Brunswick band the past is still very much alive. Left Turn On Red doesn't stray wildly from the rock path but the songs certainly feel well crafted and filled with passion. "Day Zero" is a crunchy, weighty track that begins on Evan Staats' gravelly voice ringing out in the silence, channelling Chris Cornell - and more his Audioslave project than … Read more
Ten Grand (formerly The Vidablue) are definately an acquired taste. Hearing their stuff before I thought it was just alright. Nothing to go nuts over. After seeing them live, my outlook on them changed drastically. I gave them a second chance and found out I had been kidding myself. This new record is no different. I suppose you could classify … Read more
On previous records, Ester Drang's output had an epic feel to it; it was more drawn-out and atmospheric than that on Infinite Keys. However, the strength and rise-and-fall aesthetic seemed to be more of a focus on density than precise instrumentation. Even as 2001's Goldenwest brought out more focused songwriting effort, the composition on Infinite Keys is leaps and bounds … Read more
The party starts to wind down and everyone is sitting in lawn chairs around the bonfire. There are at least 3 "marijunana cigarettes" being passed around while everyone kinda just kicks back and gets their chill on. Conversation goes back in forth in a mild manner yet there is always one guy dazed out to the music behind him. That … Read more
Every now and then a super heavily hyped record comes along and completely lives up to all of the expectations set by the preliminary buzz. This is neither now nor then. De-Loused in the Comatorium was hyped by some to be the "best album of all time", but alas, it's not even one of the best albums put out this … Read more
I've never heard The Mars Volta call themselves "experimental" or "out there," have you? Where does everyone get this idea? Why would anyone call their music experimental? They DO get spacey at times with their long, drawn-out segments of little or no music in the middle of a song (i.e.: "Cicatriz ESP," "Take the Veil, Cerpin Taxt," etc.), but the … Read more
As one of the few music geeks on the planet who wasn't infatuated with At the Drive-In, I approached this record with very few expectations. I'd heard the Tremulant EP and wasn't too impressed with it, but thought it was nice enough. De-Loused in the Comatorium sounds like a logical extension of that sound, with the same mix of guitars, … Read more
Every Time I Die has always been one of those bands that I thought were absolutely wretched. Surprise, nothing has changed. Songs like "I Been Gone A Long Time", feature some of the most terrible singing I have ever heard. With it's hardcore meets rock and roll feel that feels like Scissorfight at times, only twelve times worse. His vocals … Read more
It's a rare thing when the title of a band's record suits that record perfectly, but Every Time I Die has managed to do this. Once you peel off the slip case to reveal the liners littered with photos of two girls kissing, you very may well be saying "Hot damn!" Picking up where Last Night in Town left off … Read more
Electroclash seems to be a genre that died as soon as it was conceived, but that doesn't mean that all music that lies under that categorization is bad. Case in point, Stylex. A mix of instrumental disco punk and digital dance elements aids to the final product that is a fun dance collection. Although I wouldn't call this completely original, … Read more
One of Toledo, OH's most exciting young bands, Stylex, has graced us with a new EP by the name of False Start. I went to the record release yesterday just to pick this cd up. Well to see them too of course but that is how much I wanted to hear it. After their amazing show, I popped this in … Read more
Imagine being woken up to find yourself being eaten by hundreds of rats and a few flesh eating bacteria. At first you would be very confused by the situation, but after a few seconds of thought and insight, you'd realize how much you love it. Now, imagine a band by the name of The Sawtooth Grin that is that experience, … Read more
The only thing that kept repeating in my head the entire time I listened to this record was "Wow, the Locust certainly do this whole 'chaos' thing a lot better." And that's my opinion of the whole thing, really. It's a big mess of high-pitched (we're talking exceedingly high-pitched) vocals and drums pushed all the way to the front. The … Read more
The Sawtooth Grin are quite the listen. From the first track, you are thrown into a whirlwind of grind, fronted with a singer that has, quite possibly, the most annoying scream in the world. That scream though is like that one guy you meet and you really don't like him at first. Then you go out one night, he gives … Read more
Brandtson has always been a guilty pleasure type band. I have the Letterbox and Dial In Sounds CDs and listen to them from time to time. When I got the promo for this ep, I checked it out almost immediately. This cd was like a videogame that is alright but has so much shit to unlock it just gets tedious. … Read more
Looking for the SPB logo? You can download it in a range of styles and colours here:
Click anywhere outside this dialog to close it, or press escape.