Sometimes I really wonder about people. I turn on the television and I see rape, murder, and complete apathy towards the billions of human beings living on 40 cents a day. It's time for a change, it's time for a revolution to make everyone on Earth stop in their tracks and think about things in a brand new way, so that maybe there is hope for this world yet. Guff bring that revolution. Forging elements of pop and punk into an exciting new genre called "pop-punk". Their palm-muted guitars, overuse of pick slides, and melancholy lyrics filled with references to failed relationships and other trials and tribulations of being a misled youth are going to forever change the shape and sound of today's music. The boys in Guff spit in the face of interesting song structure, intelligence, and good songwriting, and instead cherish a new approach to music. This approach consists of lacking a strong pop sense, completely shattering the preconceptions that a good pop song and a smart pop sense go hand in hand. "Who needs a memorable catchy tune when you can write boring ones that sound a lot like 143,774 other bands?", asks the members of Guff. … Read more
The problem with the hardcore scene is that its music has become so immersed in repetition, unoriginality, and generality, that … Read more
One of the best, if not the best, hardcore album of 2003 so far. If hardcore doesn't strike your fancy, … Read more
Nothing sucks more than seeing a band live and loving them, then listening to their recorded material and running into … Read more
Apparently These Arms Are Snakes's debut EP was meant to hurt me. I'm not sure what I did to them, … Read more
The sticker on the front of this CD's jewel case is going to sell lots of copies of it, I … Read more
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Kid A was Radiohead’s fourth studio album, following the wildly successful OK Computer full-length, the wake of which found Thom Yorke and gang in a state that led them down a path culminating in a willingness to diverge from traditional rock music – not only musically but also as far as packaging and artwork is concerned, the latter of which saw Yorke join forces with Stanley Donwood. Donwood’s paintings, collages and scrawls, drawn with sticks and knives, served as a foundation which were then photographed and manipulated via emerging technologies like Photoshop, conceptually informed by the statistics of a website zeroing in on climate change and its implications, ultimately resulting in the cover artworks, one of which was depicting a mountain range, along with a myriad of other subtle references. … Read more
This record is by no means bad, but it's also not a great record. As a newcomer to Thrice, I was prepared to give this an un-biased review. Once I'd sat and listened through the record, I was sad to hear (literally) that they didn't stand out much from the current crop of hardcore/emo/punk/metal-core bands currently populating the scene. While … Read more
You've heard this record before. Honestly, you have. The last time that band you know jumped ship from their indie and put out a big budget major label debut, actually. Cave In already made this record earlier this year. Granted, Cave In had a mind-blowing first record to give themselves some credibility, which Thrice most certainly did not, but let's … Read more
Thrice have built quite a large fanbase in quite a short period of time. Perhaps this was one of the factors that led them to singing to a major label (Island) and subsequently shooting out a new record less than a year and a half after the release of their second full-length record, The Illusion of Safety. Illusion sparked that … Read more
Who knew that such an exciting and promising musical force was sitting right across the border from me? After hearing so much about this band and being severely disappointed when they postponed their Omaha show (and still haven't made it up), I was glad to finally get my hands (figuratively) on their newest album. In all its underproduced glory, "This … Read more
Upon listening to this in a moving automobile with my father, he was quick to inform me that the singer of this band sounded like vocalist of The Murder City Devils. I have no idea what he was talking about. Ten Grand manages to give off a raw sounding vibe without playing very simple music, which I'm sure is a … Read more
Ten Grand (formerly The Vidablue) are definately an acquired taste. Hearing their stuff before I thought it was just alright. Nothing to go nuts over. After seeing them live, my outlook on them changed drastically. I gave them a second chance and found out I had been kidding myself. This new record is no different. I suppose you could classify … Read more
On previous records, Ester Drang's output had an epic feel to it; it was more drawn-out and atmospheric than that on Infinite Keys. However, the strength and rise-and-fall aesthetic seemed to be more of a focus on density than precise instrumentation. Even as 2001's Goldenwest brought out more focused songwriting effort, the composition on Infinite Keys is leaps and bounds … Read more
The party starts to wind down and everyone is sitting in lawn chairs around the bonfire. There are at least 3 "marijunana cigarettes" being passed around while everyone kinda just kicks back and gets their chill on. Conversation goes back in forth in a mild manner yet there is always one guy dazed out to the music behind him. That … Read more
Every now and then a super heavily hyped record comes along and completely lives up to all of the expectations set by the preliminary buzz. This is neither now nor then. De-Loused in the Comatorium was hyped by some to be the "best album of all time", but alas, it's not even one of the best albums put out this … Read more
I've never heard The Mars Volta call themselves "experimental" or "out there," have you? Where does everyone get this idea? Why would anyone call their music experimental? They DO get spacey at times with their long, drawn-out segments of little or no music in the middle of a song (i.e.: "Cicatriz ESP," "Take the Veil, Cerpin Taxt," etc.), but the … Read more
As one of the few music geeks on the planet who wasn't infatuated with At the Drive-In, I approached this record with very few expectations. I'd heard the Tremulant EP and wasn't too impressed with it, but thought it was nice enough. De-Loused in the Comatorium sounds like a logical extension of that sound, with the same mix of guitars, … Read more
Every Time I Die has always been one of those bands that I thought were absolutely wretched. Surprise, nothing has changed. Songs like "I Been Gone A Long Time", feature some of the most terrible singing I have ever heard. With it's hardcore meets rock and roll feel that feels like Scissorfight at times, only twelve times worse. His vocals … Read more
It's a rare thing when the title of a band's record suits that record perfectly, but Every Time I Die has managed to do this. Once you peel off the slip case to reveal the liners littered with photos of two girls kissing, you very may well be saying "Hot damn!" Picking up where Last Night in Town left off … Read more
Electroclash seems to be a genre that died as soon as it was conceived, but that doesn't mean that all music that lies under that categorization is bad. Case in point, Stylex. A mix of instrumental disco punk and digital dance elements aids to the final product that is a fun dance collection. Although I wouldn't call this completely original, … Read more
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