Uniform’s music is aggressive; it’s harsh, noisy, power electronics with smatterings of industrial, metallic hardcore and rumbling chords and overseeing it all is Michael Berdan’s voice – a voice that has lived through more than most can ever imagine and one that underpins their fourth full-length, Shame, as its narrator.Shame is the study of the in between, the moments that are never spoken about that intersperse huge incidents and in the words of Berdan – “It focuses on the static state of an antihero as he mulls over his life in the interim between major events, just existing in the world.” Shame certainly doesn’t dwell in the quiet and is instead a journey of hard-hitting stations that leave you wondering just how apocalyptic the major event needs to be if this is the intermission.Opening on “Delco,” Uniform immediately bring to the fore their power as guitars churn over agile drums and Berdan screams – “You are what you’ve done, you are what’s been done to you,” giving the impression that this antihero is moving further away from the status of protector and perhaps into a darkness that will be difficult to climb out of.The painful feedback loops that colour “Life … Read more
There’s a lot to unpack in this new Dave Hause EP, released in conjunction with the Patty EP. While there’s … Read more
This synth punk group hails from the headwaters of the Mississippi River. A mighty mass of water that connects Minnesota … Read more
Aidan Baker’s experience as a musician encompasses solo work, collaborations, bands, remixes writing books of poetry, and with this release, … Read more
I was tempted to start this review with a “for fans of” reference, but that’s both lazy and mean. Kid … Read more
Supreme Commander is a prototypical, overtly masculine, DC hardcore quartet. Points for extremely proficient galloping drums, and a Slayer-like metal … Read more
Choose a year to view reviews of albums released in that year.
752 reviews
42 reviews
25 reviews
300 reviews
4964 reviews
19 reviews
Beware Of Safety are a Post-Rock band. Sounds simple and plain enough. As they do reside in a genre known for aping their forefathers in a near religious way does little for any band that chooses this route. Many of these bands rely on what the first 3 Mogwai albums taught them. Start calm, build with some heavy parts, climax and release. It isn't even an issue of copying as much as it is lack of originality in how to put this simple framework into practice. where certain bands have made their own little piece of the style by putting some personality into their music whether that includes vocals, alternate instruments or just general skill.The question in this case is has Beware Of Safety been able to really bring something … Read more
Almost three decades after Pearl Jam’s career-changing album Ten catapulted them from an independent act with a knack for channelling their alchemy in fusing their angst and alienation with a love for hard rock of the seventies, British independent music and punk rock to a veritable mainstream act. While some of their contemporaries have famously imploded or their careers taking … Read more
Brujas, Cholas e Inventadas is a fast-paced 7” with 7 songs in maybe 10 minutes. It’s concise but probably the right dose for this style of lo-fi punk by Huraña, a four-piece from Chiapas, Mexico.With Spanish lyrics and muddy production, the EP is all heart and energy. It’s fierce without being aggressive. It’s melodic without being singalong. It’s potent without … Read more
Experiencing a band grow and evolve is one of the most rewarding parts of being invested in music and for Enslaved, their fanbase has been given plenty of opportunities to be in awe of just how progressive and inventive the Norwegian's have been since their inception almost thirty years ago. The core of the band - Grutle Kjellson and Ivar … Read more
DFMK formed 10 years ago but didn’t release their first full-length until now. The band has been active –- with five EPs to their name and many, many live shows and tours –- but no long-players. At 15 tracks, DFMK shows they took this release seriously.I’m happy to say that their self-titled debut delivers. When a band has such an … Read more
Sometimes one thinks you got what an artist is about, even if his oeuvre only was only on the periphery of your radar, then upon further inspection and stripping away the superficial mainstream appeal, it becomes apparent that there is much more to it than meets the eye, which prompts one to revisit the respective oeuvre. Case in point: Lenny … Read more
An essay I penned a couple of years ago will help to set the scene to describe the influence Sakevi Yokoyama and G.I.S.M. had on me as a juvenile delinquent.In essence, Sakevi Yokoyama’s artistic creations have always been absolutely brilliant, cryptic, majestic, ahead of its time and transcending the status quo by experimenting with new media and forms of expression. … Read more
Quintron & Miss Pussycat is a project like no other. They call it “Swamp-Tech,” from New Orleans, and it’s dance rock with otherworldly, high energy vibes and puppets. With 16 full-lengths, most of the instrumentation up ‘til now has been on organ and homemade synthesizer.It pretty much has to be heard to be understood, and perhaps seen to reach that … Read more
When Mr. Bungle announced their first shows in nearly 20 years last August, fans worldwide rejoiced that their beloved Bungle had finally awoken after laying dormant for almost 20 years.But just like their 3 full-length albums, nothing is ever predictable, and details soon emerged that this would not be the funhouse Mr. Bungle of the self-titled album. Nor would it … Read more
I love it when music takes me to places. In my mind there’s two ways a record can do that. First is the kind that is linked to certain events in my life. Sometimes as simple as a book I read at the time of listening. There are albums that transport me to the fantasy worlds I read about when … Read more
When William Elliott Whitmore signed to Bloodshot, I thought it was a natural fit. I like Whitmore; I like the label. Win/win. But I also wondered how an artist I think of as more on the folk/bluegrass side fit with a label I think of as Americana/alt-country. Similar, for sure, but not quite there. These are silly semantics to worry … Read more
I’ll admit I haven’t listened to much Atmosphere in recent years. But what I’ve heard of the new stuff, it’s more introspective and chill, as if Slug is content to ride in the passenger seat and look out the window instead of driving the car. It has a little less punch -– which is totally fine -– it’s his art … Read more
"The world's on fire and I don't feel a thing at all." Sung with a breezy nonchalance, Andrew Paley's prescient lyrics on "Caroline", including the admission "I've been raging at headlines", sound like they were written at the exact moment you're hearing them. On his second album Scattered Light, following 2016's Sirens, the Chicago-based musician looks to the future with … Read more
Alien Nosejob is a one-person project by Jake Robertson. On Suddenly Everything Is Twice As Loud, released in January, it was heavily influenced by melodic garage-punk. This time around the word was that Once Again The Present Becomes The Past is a hardcore record.So of course it starts with a short song called “Piano Prelude.” Because even when you know … Read more
From the ashes of the sorely missed, contemporary but old school death merchants Morbus Chron rises an altogether different phoenix. From 80s style Death-and-Entombed death metal we get the same decade as a frame of reference, but this time we’re talking some fist-pumping New Wave of British Heavy Metal infused with speed metal and more than a smidgen of hardcore.This … Read more
Looking for the SPB logo? You can download it in a range of styles and colours here:
Click anywhere outside this dialog to close it, or press escape.