If one were to define post-punk as the departure from the musical rawness and simplicity of punk rock and the adoption of dancey rock elements, Brooklyn-based The Black Black would fit the bill quite well. Their third long-player spans eight tracks, which sonically traverse bass-centric territory between 1980s sentiments left in the wake of Joy Division and the groovy end of what the advent of the independent rock at the dawn of the new millennium had to offer – think a dirtier version of The Faint. Gloomy and atmospheric in their approach, The Black Black have certainly found their lane and deliver competently their brand of energetic, fuzzy dance punk. While the records sounds like from one cast in terms of coherence and production, over the distance of a full-length the album would have benefitted from a tad variety as far as songwriting is concerned as it would have added an interesting arc of tension. On the upside, if you dig The Black Black’s catchy, slick and danceable driven melodies, which are topped by cheery hooks, the album will deliver and excite in terms of consistency. Read more
At Home With Proud Parents caught me a little off guard, right from the start. While the debut showcased a … Read more
Hangman’s Hymnal is a nice addition to the Snappy Little Numbers roster and every bit as archaic as the title … Read more
Jiffy Marx' She’s My Witch / Warning Sign 7″ does not only look like a 45er from the late seventies, … Read more
Rough and tough d-beat, oi-influenced punk with a boot on the cover. If you follow the scene you probably already … Read more
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Naming an album is something of a branding concept. Yes, it’s also artistic, but occasionally those two worlds collide, even if we don’t want to admit it.Go To Prison is fitting for Pears debut. It’s angry and often reflects the tone of a loner lashing (slashing?) out at the system. Then the group choruses come, bringing solidarity to the forefront before the next angry burst. Pears set the bar pretty high with opener “You’re Boring,” though it loses a little momentum over the next couple of songs in the more sing-song melodic bits. The band has some pounding angst akin to Kid Dynamite (which isn’t a reference I frequently make), though they don’t pull off the melodic parts nearly as well, choosing a singing tone that throws off the tone, … Read more
Labels like Amphetamine Reptile and Skin Graft Records and the “now wave” and noise rock avalanche they launched has served as an immense source of inspiration for a myriad of bands. Listening to Stella Research Committee’s fifth LP, they do not only seem to be overly familiar with the output of the aforementioned label rosters, but have channelled those influences … Read more
A quick word on the Drunk Dial series. Basically, the label asks bands to get intoxicated, then record an original a-side and a cover b-side.On #8, we get The Dumpies, who deliver 4 songs at a total runtime of five minutes. It’s fast, catchy and harmonized rough-around-the-edges garage-punk goodness. Take some of your favorite garage bands and speed them up. … Read more
It’s fantastic to still see label holding up the torch when it comes to being dedicated to the fine art of the analogue format, partly because of its sonic superiority, partly as a reminiscence to a time where it was de rigour.Snappy Little Numbers is a label that keeps pumping out quality releases, lovingly illustrated with attention to detail and … Read more
Inhumanity Vortex started life in Poland in 2008 as the project of Tomasz Dziekoński and has slowly evolved over time into a sort of cyber tech-death metal band that has grown beyond the initial seeds of inspiration from those early days. Having released a handful of pre-production demos and EPs prior to Reverse Engineering in the winter of 2020, Inhumanity … Read more
Two Dutch punk groups decided to join forces. 2020 saw their dreams of playing live go up in smoke. What to do instead? Write new music! Both bands bring three tracks to the table. Ink Bomb is the most experienced band of the two with an EP and full length under their belt. In my review of that full-length album … Read more
Memories burn in the flames while onlookers stare on. Relief washes over those present as though cleansed in the fires and reborn. Screams of catharsis spill from the lips of the watchers, emptying their souls of all the hurt and pain that has brought them to this point. Letting go of the mistakes and agonies that tie us to this … Read more
Troy Pierce has been creating off-kilter techno since the mid ‘00s, always opting for a non-conformist, adventurous output (just listen to his 2007 full-length, Gone Astray). Now, he is joined by another forward-thinking creative mind in Natalie Escobar, who has also stepped into the off-kilter experimental music realm with her project Poison Arrow. Their collaboration, Pierce With Arrow, finds them … Read more
Love her, hate her – the thing that cannot be dispute is that she has left an indelible mark on the firmament of contemporary popular music. To tide over the waiting period until the release of her new album, Billy Eilish has released a photo book showcasing how she was brought up from infancy and her evolution to the person … Read more
I’d seen the name Jason Paul + the Know It Alls around a few times but never really looked into them -- which is a shame, seeing that they share members with a personal favorite, Toys That Kill. It took ‘em four records, but I’m finally checking out the brand new Alien or Martian?, released this April.Suffice to say there … Read more
Needles//Pins have all the familiar elements of pop-structured punk. Yet, at the same time, it’s hard to distill their sound to a single scene or subgenre. It’s melodic; it’s gruff; it’s sing-along. But it’s not really angry, fist-in-the-air cynicism. There’s an uplifting vibe underneath the coarse offering that soars instead of cycles. Off the top of my head, there are … Read more
Monte Penumbra’s obscure origin dates back to 2013. The project of one W.uR suddenly appeared in the underground black metal scene with a debut full-length in Heirloom of Sullen Fall. Released at the time through Deamon Worship Productions, a label with an excellent pedigree of extreme metal having released music from the likes of Devouring Star and Wormlust, Heirloom of … Read more
Imagine a highway, stripped of all life and containing their minute particles, each one full of information and colour, sound and breath. Imagine the highway reaching to the sky, its steps as notes and stretches of sound as the straights. thisquietarmy have created such an image in their collaboration with Voivoid’s Michel “Away” Langevin, their rhythms bringing soul and a … Read more
Indonesian duo Senyawa are experimentalists of the highest order on Alkisah, a record the dives head-first into the strange and unusual through improvisation with homemade instruments from Wukir Suryadi and a voice that ranges from the manic to the beautiful from Rully Shabara. Senyawa link the traditional to the modern as Alkisah progresses through structures that are formed as if … Read more
This is short, fast, loud; brutal, punishing stuff. Ripping straight into it with “Bastard,” the first verse is spit-shouted in a way that, to normal people who don’t listen to this kind of thing all the time, will literally sound like he’s saying “blah blah blah, fuck shit.” It’s damn fast, and damn angry.But speed and intense drumming isn’t enough … Read more
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