I’ll admit to coming into this one with a clean slate. I don’t know Feral Trash, who predate Chiller and share members Ilisha and Eric. The duo recruited Erin (Black Tower) and Tim (Mother’s Children) and, as the press release says, so began “what has rightly been deemed as a continuation of Feral Trash.”So that’s the history lesson. Because I haven’t sought out the back catalogue (yet), this review lacks comparisons. Instead, it focuses on Chiller today. Their sound is one of those styles I have trouble putting to words. It’s punk at its broadest, with garage rock and power pop influences seeping in throughout. Besides all the previous band namedropping earlier, it also reminds me of label mates Low Culture, particularly in Eric’s vocals. While the songs throughout the self-titled debut are in that vague garage-punk world, most notably by the heavy use of cymbals and the powerful drums, they have depth and nuance that stretches the gamut of different styles. Summarized on their Facebook “about” page, the band is into minor chords.“Satisfied” has meandering desert rock guitar that leads seamlessly into group harmonies, and the rest of the album balances soothing harmony within nuance songwriting. Each song is … Read more
How do you tell a fairy tale using only sound? That's a question seemingly answered by Japanese artist Mokumedori's self-titled … Read more
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Man, The Jesus Lizard really left their mark. And as funny as it seems for such a quaint little band from Chicago, to this very day they're still firmly imprinted and can be spotted ever so clearly within modern music all across the board. Maybe its just that David Yow & Co.'s expansive sound was such a mishmash of punk, rock, attitude, and bizarre licks that it just seems like a lot of bands are trying to imitate it. Maybe their sound is so expansive and engulfs so many musical niches that every other band just happens to have sounds alike them. Or maybe it's just that the sound The Liz' patented reeks of an undeniable coolness and a certain brand of swagger and strut that comes from the testicles … Read more
While I’ve always enjoyed Mind Spiders, they’ve kind of felt like a side project, an idea that hadn’t really grown into a full-fledged band yet. On each of their releases so far, I listen and think, “I like this, but it’s not really my thing.” Then the next album comes along, I give it a spin, and think, “This keeps … Read more
Though the thought of pairing a shoegazey indie pop band with an anything-goes punk group on a split record may seem odd, in the case of this effort from South Korea's Say Sue Me and Japan's Otoboke Beaver, the results are magical. Say Sue Me's contribution is the sunny “Good For Some Reason,” which finds gorgeously hazy vocals soaring over … Read more
There is no easy starting point with a record such as Ion. It’s an album that’s dense, almost to the point of being utterly impenetrable, with vocals from The Curator that swirl with crawling chaos and drums that march to an inhuman beat. Portal are not an easy band to digest and their music is a claustrophobic head-trip into the … Read more
Given their name, it's appropriate that San Francisco's Spiritual Cramp have a sound rooted in the punk rock of 40-ish years ago. I don't think debut EP Mass Hysteria would have the same punch had it featured a more aggressive approach. Alienation figures prominently in the lyrics of opener “All MY Friends Are Out Tonight (Alright),” and the somewhat vulnerable, … Read more
Erstwhile Kaiser Chief Nick Hodgson has spent the past five years penning songs for the likes of Mark Ronson and Shirley Bassey, basking in being out of the limelight and no longer having to endure a punishing touring schedule as part of one of the UK’s most successful indie bands. The 40-year-old spent much of his 20s and 30s perched … Read more
Music with a message has long been a starting point for many bands but for Orphaned Land that message is of the most extreme importance. Spreading the missive of peace and understanding has been at the root of the Israeli band and their output since the very beginning and over the last twenty six years. Addressing the turmoil that has … Read more
Take Back The Night isn’t one of those experiment Dwarves records, like the industrio-tinge of Come Clean. On their latest offering, the long-running band alternates styles consistently between their unique and twisted take on bubblegum pop-punk and screaming, single-vocalist hardcore. For the most part, the hardcore songs are fronted by Rex Everything (Nick Oliveri), with occasional SPB guest contributor Blag … Read more
Every now and then I find it entertaining to randomly pick something out of the promo-bin without overthinking what to review. Sometimes this way I discover brilliant stuff, sometimes I question my choices. Baronen & Satan’s short and snappy promo chatter sounds promising enough. This quartet is from Gothenburg, Sweden. There’s more than enough quality music coming from Sweden. That … Read more
Contemplative and calming, “Delacorta” kicks off Damon Eliza Palermo's Beacon of Maracaibo release with flowing piano and bubbling electronic tones playing under a pleasant, naturalistic bed of chirping birds. Slightly glitchy but undeniably relaxing even when it introduces a cymbal-heavy beat late in the going, the opener transitions into a lengthy title track awash in sweeping synths, seesawing vocal tones … Read more
The Fest is a pretty cool event. The first time or two I went, I went to see the headliners on the big stages, packing a day of well known (by punk standards) into one action-packed 12-hour period. Over time, I’ve come to seek out the newer bands on the smaller stages. The atmosphere is more my vibe, but it’s … Read more
Described aptly by its creator, Barcelona songwriter Daniel Ruiz, as an “ode to misery,” A Cup of Coffee with Two Sugar Cubes, Cream, and a Tiny Drop of Whiskey is a relaxed and dreamlike work built around layers of hazy guitar, warbling organ, and just a hint of piano. Vaguely idiosyncratic lyrics deal with a woman, her particular taste in … Read more
There’s a lot of analysis when listening to Old Scars, New Blood. When singer Rob Huddleston sings, “Nothing ever changes/ Nothing ever stays the same” in “Fairweather,” it seems to epitomize the experience of this record, a re-recording of 13 songs by the recently born again Ann Beretta.I can’t decide if this album is a great idea, modernizing a reformed … Read more
To put it mildly, Otoboke Beaver's Love is Short doesn't beat around the bush, though that phrase seems wildly inappropriate given the origin of the band's name. Following a churning title track that sets off immediately at breakneck speed and features aggressive foreign-language vocal shouts, shrieks, and howls, even -gasp- a bit of melody, the album transitions to the more … Read more
Ronald Belford “Bon” Scott.Lyrics, the personality and presence – it is not merely because of his vocal range and the band he headed that he is considered to be one of the greatest frontmen and rock’n roll vocalist of all time.His life and untimely death is being revisited in the new biography Bon: The Last Highway: The Untold Story of … Read more
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