I first saw Oxbow perform live back in 2007. The band has just released their then new album, The Narcotic Story, and the experience was simply beyond words. I was not familiar with their back catalogue and they completely stunned me, apart from the vocalist methodically removing his items of clothing through the show, was their radical take on rock music. Looking back now at Oxbow, it is impossible to pigeonhole them into any category, without using the broad “rock” umbrella term.Ten years have passed since The Narcotic Story came out, and with that long an absence, expectations are naturally at a high, but Thin Black Duke delivers. Carrying on with their unclassifiable rock aesthetic, Oxbow carries down a path of explosive exploration. It is not just that they include influences outside of rock music that makes them unique, but it is the diversity and contradiction of such inputs that is surprising. How can a song structure adopting elements of classical music lead to a free-jazz frenzy? How can blues co-exist with punk? It is all an enigma, masterfully orchestrated by a progressive (not in the musical sense) aesthetic, on the rock genre and its evolution.As versatile as the music … Read more
Would you rather a musician be great live commanding all manner of powers that conjure spirits and whisk the entire … Read more
You don’t need to have been to Los Angeles to best experience L.A. Takedown’s latest album, II. It’s an album … Read more
Jim and the French Vanilla is the solo moniker for Jim Blaha, guitarist in The Blind Shake, a band with … Read more
The term “Irish punk” sprung up in the late ‘90s around the time Flogging Molly jumped into the spotlight and … Read more
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Before Lullabies to Paralyze could even be committed to tape, frontman Josh Homme was faced with several important choices. And none was going to be more crucial than his decision to fire close friend and bassist Nick Oliveri. Was it the appropriate decision to make? I don't think we'll ever know. All we can really do is take the music that is Lullabies to Paralyze and compare it to all previous Queens of the Stone Age material. If my opinion were to be based solely on the album's opening song, "Medication," then I would say that I have very few concerns. But while the grooving riffs and vocal harmonies are catchy, the drumming skills appear a little sub par in my opinion. But that's what happens when you go from … Read more
Reunions make me cringe. I’ll just say it like it is. I dislike reunions. A lot. I am always afraid a band will ruin their legacy. Or at the very least it will feel different. This is most likely due to the fact I’m a different person than I was when I listened to a band first. New material just … Read more
There is a familiarity that builds when musicians collaborate. Experimental alchemists, Dag Rosenqvist and Matthew Collings have met in the past to produce the wonderful Wonderland EP, released in 2012 as part of Hibernate's collaboration series. Their new record together, Hello Darkness, produces a more distinct and complete end result of what their combined musical vision is. At first glimpse … Read more
After making some waves around ye olden DIY hardcore scene circa 2014, these Toronto-ians took a little hiatus from recorded output (sans a couple live tapes). But now they’re back to kick of 2017 with this quick, four-song ripper. The titles of which all start with the letter I – “Insidiation”, "Incorporation”, “Information”, and “Individuation.” The aura of leather jacket-clad … Read more
This book brings together quite a few things:For a start, it is being published by Feral House, which is owned and operated by Adam Parfrey. Founded in 1989, Feral House has established itself as a publishing house, championing innovative and celebrated non-fiction books– books that planted seeds for the development of what were to become cultural trends that eventually invaded … Read more
Dayton, Ohio’s Mouth of the Architect was a post-metal lover’s wet dream when they came on the seen. The Midwest quintet fell into the same bucket as Isis, Pelican, and Intronaut but came out swinging with a sound and fury all their own. They managed to merge beautiful, landscaped instrumentals with scalping, scraping weaponry refined to a point on their … Read more
You’d think that a band that titled their album The World’s Best American Band may be getting ahead of themselves. But not every band is White Reaper. They might have just done it.The second album from the Louisville, Kentucky natives somehow takes elements of ear-pleasing 70’s hard rock a-la Van Halen and a very coked-up Aerosmith, but imbues a punk … Read more
This is the first collaboration between Monolog, master of Drum n Bass and IDM music, and Subheim, explorer of abstract electronica and admirer of ambiance. The two artists have a steady presence in the experimental scene, with Monolog starting off in the early '00s while Subheim appeared in the scene during the last few years of that decade.What is captivating … Read more
This is some killer punk out of Madrid, Spain on that throwback tip. If you had told me this was some recently excavated ‘80s gem getting the reissue treatment I’d have no reason not to believe you. Even the band photo used on the cover—which itself looks like it was clipped from an old photocopied zine kicking around your dad’s … Read more
As an entity Zu always strive to move forward, aiming towards the very essence of experimental music: innovation. Through the years they have changed multiple forms, and collaborated with a diverse array of artists, including free jazz guru Mats Gustafsson, experimental hip-hop project Dalek and singer of experimental rock outlet Oxbow, Eugene Robinson. Morphing from one sound to the next, … Read more
Trumpeter Justin Walter is mostly known through his works in experimental jazz/fusion collective NOMO, his collaboration with Brian Case (of Disappears) in Bambi Kino Duo, and his contribution to works of His Name Is Alive and Colin Stetson. What is constant in all these instances, is the depth of his exploratory playing, something that whets the appetite in seeing him … Read more
I’m a fan of a select little niche of pop punk. The cleaner the voices, the more I tend to dislike it or just not connect. However, Red Scare Industries has been capturing a nice little segment that hits right in the middle between my proffered gruff stuff with the more up-front and happier sounding ilk (on the surface, anyway). … Read more
Mystery Date fit that classic mod-power pop sound, with an ear for well-tuned guitars, a hint of fuzz, and more focus on melody than “lead” anything, be it lead vocals, lead guitar, whatever. Love Collector is their first (recorded) album, first issued digitally in 2014 and now out on LP via Collision Course (late 2016). They released New Noir previously … Read more
English record label Drunken Sailor Records released this sweet and short EP. For some reason that made me believe Liquids are an English band. And that’s not only because this EP is released on an English label. The band sounds like they could be from that funny little island. I was wrong though. Dead wrong. Liquids hails from Indiana. And … Read more
Laura Marling was routinely described as being precocious when she first started making her own music as a teenager. She emerged as part of London's early '00s nu-folk scene, alongside the likes of Mumford & Sons and Noah and the Whale, but her music still seemed distinctly different from her peers'. Marling dealt with a preoccupation with death when she … Read more
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