The talent and quality of Aisha Devi have been apparent since the release of her first EP, Aura For Everyone through her own Danse Noire imprint. As the years passed, Devi became more ambitious and started honing into the duality between ecstasy and mysticism. Her latter works, in 2018’s fantastic DNA Feelings yielded towards the atmospheric and ambient side, presenting a sublime journey through immersive soundscapes. But, Death Is Home brings back a stronger balance between the early-days immediacy and the more recent atmospherics. The kickoff with “Not Defined By The Visible” presents a post-club aesthetic, as dance elements come together through piercing synths and bombastic percussion. It becomes a Bacchian dance, one that at times can be direct and in-your-face, defined by the progression. Yet, Devi is capable of altering this approach, aiming for a heavier groove in the latter part of the opener. It is a fantastic change, one that constructs a more towering and overwhelming presence for her electronica, as showcased in “Immortelle.” It also reveals this transition from the post-club ambiance to a darker setting. Thus the aforementioned Bacchian dance shifts and changes, and with it Devi alternates between darkness and light. ”Lick You Wound” further … Read more
Aesop Rock seems to be the rare artist who gets better with age. I enjoyed his early work with Blockhead, … Read more
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Often when a critic writes of a band not changing its sound it’s meant in the negative light: art should be about exploring new boundaries and punching the listener in the face with something new. But sometimes it’s not.Banner Pilot have been kicking out raspy pop-punk jams for the better part of a decade now—since 2005—and in that time they’ve trimmed and hemmed their sound without any drastic changes. Their latest, Souvenir, follows that lead. It’s like a warm cup of coffee in the morning: it’s comforting and familiar, but it’s also brimming with energy and enthusiasm—music-wise, that is, as the lyrics lean toward the cynical (more on that later). The overall sound is best summarized as Midwestern pop-punk. It takes some of that Ramonescore bounce but it plays down … Read more
Six songs a bit shy of 12 minutes, it’s the new split EP from Time X Heist and Without Love. They didn’t waste any time so why should we? Let’s get into it. Time X Heist, a straight edge band hailing from Colorado, take the first half of the album with an optimistic, but gritty, intensity. Opener ‘Keep On Fighting’ … Read more
Alien Nosejob, the one-man project from Australian musician Jake Robertson has been releasing a lot of records. The project began a garage rock bent and recently moved into hardcore-inspired raw punk. The newest record, a 13-song collection called The Derivative Sounds Of... Or... A Dog Always Returns To Its Vomit goes full circle -- really even further back, with some … Read more
Gina Birch is a 67 year-old '70s feminist icon who smashed into 2023 with her loud bass. Originally only knowing of Gina Birch from her fame with The Raincoats experimental post-punkness, I found out that over the last four decades the godmother of punk has saved numerous audio files on her computer of her whispering, singing, and screaming to form … Read more
It’s hard to keep the classic genre styles sounding fresh, which is what makes a band like Chain Whip so vibrant. The Vancouver hardcore band play tough-sounding, angry, loud, and fast punk – the type that makes yoo want to punch things. Heck, they named the band Chain Whip and the record is called Call Of The Knife. It’s aurally … Read more
Drone music is a deceptively difficult genre to get right. Sure, anyone can play very slow and heavy, letting the feedback carry them into obscurity. But in truth, it is all about what happens in the space in between, and the feeling that the artists can transmit. The Immortal Samsara Travellers are more than capable of delivering exactly that with … Read more
Ocean County, New Jersey four piece, Meteor Police, mean business and have gone above and beyond to ensure their debut album New Type Destroyer gets the attention it deserves. This ten track album showcases their talent not just as musicians but the whole package, from recording quality to the artwork and marketing of the finished product. New Type Destroyer arrived … Read more
I really liked Some Legacy when it released, listening a lot in 2019-2020. Then it kind of slipped off my radar, as records tend to do as somebody who gets a ton of new music. Now, Billy Liar is back with new record and this one is equally vibrant. Billy Liar is a Scottish musician, sometimes playing solo and sometimes … Read more
Red Hot Chili Peppers, Cake, Iron & Wine, Meat Puppets, Blind Melon, Peaches, Neutral Milk Hotel, Lemon Demon and The Sugarcubes. While stylistically these bands are essentially alien to one another they do have one unifying quality. Bands named after food and drink have a long lineage. As a side note, I have a major beef with online lists of … Read more
Hanoi Rocks has always been pigeonholed as a hair metal band along the lines of bands like Faster Pussycat, Poison, LA Guns, Ratt, Warrant etc.. However, their allegiance has always been more so with forefathers in the skin of the New York Dolls. Drawing from the Doll's panache for wearing women's attire, high heels and carefully fixated palate of pancake … Read more
Ogives are led by ambition. That is the easiest way to describe the newly formed, nine-piece from Belgium. Featuring members of the criminally underrated, and equally ambitious Helium Horse Fly, Ogives make a start to their discography with the 75-minute long opus, La Mémoire des Orages (roughly translated to The Memory of Storms.) And it is very much a storm … Read more
“Keep it simple / It’s not that hard / Just play three chords / On the chorus part” That lyric comes from “Paper Bag Palpitations, “the final song on Real Gusto, but it covers the whole record quite well. Pack Sounds are an emo-tinged punk band that plays driving and energetic music that moves forward rather than looking back. It’s … Read more
Last year I discovered Nobro through their EP Live Your Truth, Shred Some Gnar. I cheated a bit and included this EP on my (albums only) yearlist. I still return to that EP (and the one before that) often. So you can imagine, my expectations were sky high. And that made me afraid: was I expecting too much from this … Read more
With their origin dating to the late ‘10s, I was quite amazed to find in Discogs that this is only the fifth instance of a band named The Shits. However, I am not taking into account the many out there who feel the need to adorn the famous noun with an adjective. The Sniveling Shits, The Tough Shits, the list … Read more
There has been a lot of excitement about The Telescopes’ latest record, Of Tomorrow, and rightly so. Yet earlier in the year, the historic act from England put out another record through the small, independent Aussie record label Weisskalt. Experimental Health is the ying to Of Tomorrow’s yang, tilting much more towards the experimental side of the band, but without … Read more
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