Rob Moss was a member of one of my favourite D.C early hardcore bands, Government Issue as well as Artificial Peace. While Rob officially joined Government Issue in 1983 and played on their US tour, one could say he was a GI since the band began. Rob not only sang backup vocals on the Legless Bull E.P., he made that big “mooo” at the beginning of "Cowboy Fashion." Rob hung up his thudding bass for many years but he's back into the saddle, releasing new material and thank God for that! In 2020, after a nearly 40-year hiatus from making music, Rob released his album, the aptly named, We’ve Come Back To Rock and Roll. His follow-up album, Now With More Rockets, came out in 2022, which continued Rob's rock and glam songwriting skills. Flash forward to 2024 with a glam, wham, thank you ma’am, Rob's new release, Records, further cements his journey on the cobble-stoned pathway of the music business. Rob is no stranger to danger in enlisting top-quality musicians to back up his well-crafted songs. On Records, you'll hear lead guitarists Anthony Piazza (Sister Ex, Winter Sect), Arthur Alexander (The Poppees, Sorrows), Charles Hansen (Justine and The Unclean), … Read more
Poppy punk from Florida, Vicious Dreams is a dual vocal trio who recently released Turn Off My Brain. This record … Read more
Stoke Signals are an emo-punk hybrid. The band bears most of the marks of the midtempo, singalong gruff-vocal punk I … Read more
They say love is a universal language. But this eponymous EP by Norway’s Assistert Sjølmord is downright angry, so maybe … Read more
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Few bands have covered as much ground within the confines of the hardcore genre as northern California’s Ceremony. The release of 2008’s Still Nothing Moves You saw a stunning display of brash powerviolence, while retaining traditional hardcore influence, and their third album, Rohnert Park, saw a stark evolution into more experimental and melodic territories without relinquishing the viciousness they’ve come to be known for. Ceremony’s latest release, Zoo, marks yet another transition in the band’s musical repertoire as they take a more direct punk approach, while integrating post-punk and surf rock influences to produce a full, cohesive album of intelligent, rhythmic hardcore.Zoo’s largest departures from previous recordings are the exemption of the blinding fast pace led by guitarist Anthony Anzaldo and raw, relentless bite of vocalist Ross Farrar. The band’s … Read more
There is no doubt that Menace Ruine is a pioneering force in the extreme music space. The Quebec-based duo of Geneviève Beaulieu and S. de la Moth honed their avant-garde sound by encapsulating components of drone, neo-folk, and tinges of black metal. This unique mix resulted in some of the seminal works of the ‘10s, particularly Alight In Ashes and … Read more
I’ve covered a lot of bands in the Scrunchies family tree in the past, so Colossal is pretty much what I expected. Yet, at the same time, it’s a slight turnaround in style for the band, who released Feral Coast in 2022, which was a punkier sound. Their third LP, on new label Learning Curve, Colossal takes a hard ‘90s … Read more
This is the third album from MakeWar and they have their sound pinned down. I mean that, in the best way possible, A Paradoxical Theory Of Change is exactly what you want from the band. I also note it because, as it’s my third time review them, I’m trying not to repeat myself. This album introduces a new drummer, Alejandro … Read more
Shehehe, from Athens, GA, deliver a powerful sound that’s part rip-roarin’ rock ‘n’ roll, and equal part Ramones. It’s as classic as it gets in a way, while still feeling like a unique band that’s doing their own thing. Throw in a dose of DIY grit, and you’ve got their general sound. It’s punk rock from the heart, where you … Read more
This full-length record might fit on a 7”. It’s short and fast, but still definitely a full record with 10 fully-formed tracks of stomping punk rock just over 15 minutes overall. I’ve written about the band before and this record continues their trajectory. I remember a little more barking and aggression last time, but that isn’t to say this record … Read more
Volume 22 of DCxPC Live, a live album vinyl record label for punk, hardcore, ska and metal bands, features Sticky Steve, Borrowed Sparks, Jacob Danielsen-Moore and Dougie Flesh and the Slashers. This iteration leans heavy into folk punk and psychobilly sensibilities. Think Laura Jane Grace if she was obsessed with Spirit Halloween and B-horror movies. The vinyl itself didn’t seem … Read more
Some artists slow down as they get older. Who knows if that’s because of day jobs or family or something about the new creative process. It’s all case by case and speculation, and that’s not why I’m here talking about John Reis’s latest project anyway, other than to give a lengthy intro to Swami & The Bed Of Nails, which … Read more
A pioneer of the extreme ambient scene, Jouni Ollila's work with Mz.412 has been instrumental in tying the dark ambient scene with a black metal perspective. In effect, Ollila has influenced an array of artists from the brutal, dungeon chaos of Abruptum to the horrifying, noise dreams of Gnaw Their Tongues. While Ollila continues to produce dark visions through Mz.412, … Read more
One of the rare instances of a band getting more raucous with time (and success), Mannequin Pussy’s third studio album I Got Heaven sets the mood with heavy drums and cutting vocals. While the sound doesn’t swing in as hard, or as messy, as previous albums, the band hits their stride with lyrics equal parts scalding and snotty. Album opener … Read more
It comes with the territory. The harshness of noise, the unbearable coldness of industrial music, and the vastness of dark ambient naturally combine with the most visceral and dark themes. Uboa’s 2019 opus, The Origin of My Depression, weaponized these sonic arsenals to weave a story of the personal struggle of artist Xandra Metcalfe with transitioning and dealing with mental … Read more
This is apparently the fourth LP from FVRMN, previously known as “Fever Moon” and presumably pronounced as such. It’s not exactly a solo project, as there is a full band on Back To The Whip, but it’s definitely the brainchild of Jay Holmes (formerly of The Ladderback and also a recognized visual artist who has done design work for the … Read more
“I’m a real band!” When you write about an artist a billion times, sometimes your head goes to strange places -- leading to references that probably only make sense inside your own head. With Par For The Curse, the third album from the Todd Congelliere founded project, Clown Sounds has evolved from solo origins to a collaborative effort. The results … Read more
There are a lot of ways to find new music, from word of mouth to opening acts to algorithms. For the better part of the last 20 years, The Fest has been a way I’ve discovered new artists. One the biggest surprises for me at FEST 21 was The Dreaded Laramie. With a name that makes with think Wyoming and … Read more
Post Scriptvum’s works are defined by their hypnagogic quality, and ability to construct a harsh dreamscape and lead the listener through. Take the start of their newest record, Eisstoß, as an example. “Frazil” unfolds slowly, the beeping sound mimicking a faraway radar trying to slowly cartograph the unknown space. This anchoring quality is vital in any noise and power electronics … Read more
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