On the brand new 80/20, The Dopamines break into a whoa-oh! about six seconds in, then their trademark shouted vocal tradeoffs. The first three songs on 80/20, their first album in 7 years, set the tone immediately. Back when they were a little more active, the group was often compared to Illinois pop-punk group The Copyrights. I bring that up in reflection because both bands are still going today, albeit at slower speeds, but I think they’ve distanced themselves. The Dopamines are angrier and louder while, yes, using those pop structures as a foundation. The shouted vocals are raw and relentless and -- to be as blunt as their own lyrics – the vocal style would get old if it was all the band did. Fortunately, while The Dopamines have a very distinct sound, they also aren’t afraid to mix it up. “State of Being” is a bass-slappy tune with a unique rhythm for a punk band. The it sounds like a synth in the quick and fun “Jon Goes To Camp”. The vocal tradeoffs match rhythmic shifts to kick off “Groundhog Day Parade,” which showcases the band’s ability to shift gears, and it later mixes in metallic guitars and … Read more
Beginning with the layout of their album covers and continuing with the live recording theme, DCxPC Live releases are inspired … Read more
Rob Moss was a member of one of my favourite D.C early hardcore bands, Government Issue as well as Artificial … Read more
Poppy punk from Florida, Vicious Dreams is a dual vocal trio who recently released Turn Off My Brain. This record … Read more
Stoke Signals are an emo-punk hybrid. The band bears most of the marks of the midtempo, singalong gruff-vocal punk I … Read more
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Skeletonwitch is the latest band from Ohio to make it to the big-time. These five dudes sport some silly names - Nate "N8 Feet Under" Garnette and Derrick "Mullet Chad" Nau for example - but the jokes end when they pick up their instruments. Beyond the Permafrost is twelve tracks of metal that'll give even the most experienced Hessian a neck-ache. Over the course of Beyond the Permafrost Skeletonwitch deliver a well-executed concoction of thrash and black metal. After self-releasing two EP's, the band has crafted their skills and blaze through song after song. Cuts like "Upon Wings of Black," "Limb from Limb," and "Feast Upon Flesh" are prime examples of the bands skill and highlight their influences, which seem to range from Slayer to Venom to Iron Maiden. Admittedly, … Read more
They say love is a universal language. But this eponymous EP by Norway’s Assistert Sjølmord is downright angry, so maybe they got that one wrong. I don’t know what they are singing about on here at all, though I can discern a few words from the song titles. But this 7” is a 7-song rager. The drums set the tone, … Read more
Retro music as retro as this is not something I listen to a lot. Nick Waterhouse is the closest comparison I can make that I actually listen to. So why on earth am I reviewing this album, you might wonder? Well, I discovered their label last year. Wap Shoo Wap is a Dutch label specialized in old school punk and … Read more
Lucta come from Milan, IT and play heavy, fast hardcore that sounds straight out of 1984. It’s aggressive, while also feeling unpredictable and a little bit unstable, like it could break into pure chaos at any moment. There are some metallic flourishes, kicking off with a minute-plus heavy atmospheric instrumental lead in the intro track, “Sacrificio,” but then it shifts … Read more
There is no doubt that Menace Ruine is a pioneering force in the extreme music space. The Quebec-based duo of Geneviève Beaulieu and S. de la Moth honed their avant-garde sound by encapsulating components of drone, neo-folk, and tinges of black metal. This unique mix resulted in some of the seminal works of the ‘10s, particularly Alight In Ashes and … Read more
I’ve covered a lot of bands in the Scrunchies family tree in the past, so Colossal is pretty much what I expected. Yet, at the same time, it’s a slight turnaround in style for the band, who released Feral Coast in 2022, which was a punkier sound. Their third LP, on new label Learning Curve, Colossal takes a hard ‘90s … Read more
This is the third album from MakeWar and they have their sound pinned down. I mean that, in the best way possible, A Paradoxical Theory Of Change is exactly what you want from the band. I also note it because, as it’s my third time review them, I’m trying not to repeat myself. This album introduces a new drummer, Alejandro … Read more
Shehehe, from Athens, GA, deliver a powerful sound that’s part rip-roarin’ rock ‘n’ roll, and equal part Ramones. It’s as classic as it gets in a way, while still feeling like a unique band that’s doing their own thing. Throw in a dose of DIY grit, and you’ve got their general sound. It’s punk rock from the heart, where you … Read more
This full-length record might fit on a 7”. It’s short and fast, but still definitely a full record with 10 fully-formed tracks of stomping punk rock just over 15 minutes overall. I’ve written about the band before and this record continues their trajectory. I remember a little more barking and aggression last time, but that isn’t to say this record … Read more
Volume 22 of DCxPC Live, a live album vinyl record label for punk, hardcore, ska and metal bands, features Sticky Steve, Borrowed Sparks, Jacob Danielsen-Moore and Dougie Flesh and the Slashers. This iteration leans heavy into folk punk and psychobilly sensibilities. Think Laura Jane Grace if she was obsessed with Spirit Halloween and B-horror movies. The vinyl itself didn’t seem … Read more
Some artists slow down as they get older. Who knows if that’s because of day jobs or family or something about the new creative process. It’s all case by case and speculation, and that’s not why I’m here talking about John Reis’s latest project anyway, other than to give a lengthy intro to Swami & The Bed Of Nails, which … Read more
A pioneer of the extreme ambient scene, Jouni Ollila's work with Mz.412 has been instrumental in tying the dark ambient scene with a black metal perspective. In effect, Ollila has influenced an array of artists from the brutal, dungeon chaos of Abruptum to the horrifying, noise dreams of Gnaw Their Tongues. While Ollila continues to produce dark visions through Mz.412, … Read more
One of the rare instances of a band getting more raucous with time (and success), Mannequin Pussy’s third studio album I Got Heaven sets the mood with heavy drums and cutting vocals. While the sound doesn’t swing in as hard, or as messy, as previous albums, the band hits their stride with lyrics equal parts scalding and snotty. Album opener … Read more
It comes with the territory. The harshness of noise, the unbearable coldness of industrial music, and the vastness of dark ambient naturally combine with the most visceral and dark themes. Uboa’s 2019 opus, The Origin of My Depression, weaponized these sonic arsenals to weave a story of the personal struggle of artist Xandra Metcalfe with transitioning and dealing with mental … Read more
This is apparently the fourth LP from FVRMN, previously known as “Fever Moon” and presumably pronounced as such. It’s not exactly a solo project, as there is a full band on Back To The Whip, but it’s definitely the brainchild of Jay Holmes (formerly of The Ladderback and also a recognized visual artist who has done design work for the … Read more
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