Extinct is a meeting of giants, seeing the breakbeat-fueled leftfield industrial electronic of Meat Beat Manifesto clashing with the noise onslaught of Merzbow. As the first of the record’s two tracks, “¡FLAKKA!” settles in, it is the intricate and layered rhythmic backbone of MBM prevails, setting the tone. It is a post-club application, the staggered percussion forming complex structures and themes. Soon enough Merzbow joins in. Subtly at first, fragments of power electronics in the form of sonic beams distort the breakbeats. It feels like a stand-off, these two overwhelming forces keeping each other at bay. At that point, it feels like this will be an adversarial work, but the truth is that Merzbow and MBM feed off each other. In one way, this is a work of complete contradiction. As “¡FLAKKA!” unfolds, it is easy to consider how this work could be easily broken down into distinct parts, creating two new works, one from MBM and another from Merzbow. And yet, when you pay closer attention you realize how inseparable these two entities are. Extinct thus becomes an exercise in co-existence, a constant push and pull between order and chaos. “¡FLAKKA!” truly highlights this process, allowing MBM to take … Read more
We Are Horror Records are back, after a brief hiatus, and are better than ever. To celebrate this fact label … Read more
Doctor, Doctor give me the news…. Some of you might pretend you don’t have a winking brown starfish on the … Read more
On her second solo album Laura Jane Grace throws back, looks ahead and reminds us why we should be grateful … Read more
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The only thing that kept repeating in my head the entire time I listened to this record was "Wow, the Locust certainly do this whole 'chaos' thing a lot better." And that's my opinion of the whole thing, really. It's a big mess of high-pitched (we're talking exceedingly high-pitched) vocals and drums pushed all the way to the front. The whole record sounds like a band trying to be a chaotic grindcore band, but with less focus, poorer production skills, and a lack of any real threat. The band hasn't gotten the realization that what makes a good chaotic grind band is a focus on dynamics and structure, which this band certainly doesn't have. Part of me thinks this is a big joke, due to song titles like "Please Shit … Read more
Sex Organs is a duo based between The Netherlands and Switzerland, formed by members of The Anomalys and The Jackets who play scuzzy garage-punk while dressed as genitalia. Obviously, it’s a gimmick where the band has a focus on their fun, sex positive message rather than breaking new artistic ground. That’s a short way of saying this record reminds me … Read more
Something about this guitar tone always picks me up. Add in the raspy vocals and it really only takes me a few seconds into this record to know that Distants are my kind of band. Honestly, I’ve seen them before too, so I already knew that, but that was just a half set at The Fest, not a deep dive … Read more
As a generalization I’d call vacation garage-punk, but the band has just as much grunge to their sound as those other styles -- and a whole lot more too. It’s raw ‘n’ straight-forward rock ‘n’ roll in a balance that pulls from the classic structures, balancing emotion and fuzz within melodic and building structures that ebb and flow for powerful … Read more
Not to be confused with Neil Diamond's Song Sun Blue and I draw no real comparisons to that classic housewife panty-wetting meandering staple of heart-melting, throbbing, pulsing underlying sexual tension in Diamond’s piercing, crooning, come hither and watch me slither succubus style. Come to me, look into my eyes… look deep into my eyes. This leads me to a small … Read more
Pearls Before Swine= offering something of value to someone who does not understand its value or appreciate it The whole is greater than the sum of its parts. These two statements could best describe the debut release of Off Contact. To truly understand this release, it would take countless spins around the world of 33 ⅓ rotations. Easy comparisons are … Read more
The singer-songwriter gig is a hard one. You have to be the center of attention, captivating your audience from start to finish. Yes, Frank Turner plays with a backing band (The Sleeping Souls), but the focus is always on Turner, be it on stage or on a 14 song LP. And he’s willing to put it all out there. Many … Read more
Breathe In Breathe Out. Wheezing is often heard as a whistling sound primarily while breathing out but can also be heard when taking deep breaths. It is frequently attributed to the small Bronchial Tubes situated deep within the lungs. However, a maniac can often be seen as a derogatory term used in place of a lunatic, mad person, loony, wing … Read more
Do you take your punk with saxophone? Do you like post-angular guitars and rhythmic, near-spoken vocals? If so, Uranium Club is probably right for you. Apparently they call this egg punk nowadays. I would have called it art-punk. It definitely runs in the left-of-the-dial, DIY punk world, but has that glasses-wearing, proud-of-your-weirdness element that makes it hard to pin down … Read more
I spent a good part of the late ‘90s annoyed at the abundance of Ramonescore. I’ll stand by my word: many of the bands of that era were carbon copies that didn’t bring anything new to the format. But time has passed and what was overdone is now a refreshing change of pace. For whatever reason, when I hear a … Read more
I find Totally Slow a hard band to categorize. Their brand of melodic, hard punk is familiar and comforting -- rooted in ‘80s hardcore, ‘90s skatepunk, and post-something guitar-driven rock. The press release namedrops Dag Nasty and Hot Snakes, among others, which I think are good starting points. But while it’s familiar, it’s absolutely not a carbon copy. Like their … Read more
City Of Death is the third album from Polish noise makers Steamachine. Having dabbled in a few metal styles over their career, City Of Death has a heavy carnival influence to it which I have to say I really like. It's interesting just how much more sinister things sound when you pump eerie, jingly circus sounds amongst very dark, heavy, … Read more
The opening track on Somehow, We Are Here is a statement. Yes, Faulty Cognitions is a punk band with members of Low Culture, Shang-A-Lang, Nocturnal Prose,and more. Yes, this shares a lot of commonalities, but it’s also a new band with a new sound. The band humbly says they were going for an early, jangly R.E.M. vibe but self-confess that … Read more
Jim Mroz is no stranger to the darkest dungeons of the human mind. These locked doors of the psyche are a common destination for his project Lussuria, through which Mroz has quietly amassed an impeccable discography. And so another immersive chapter of harrowing music sprouts forth with Under Crumbled Stairs, with Lussuria extending their phantom limbs to touch upon numerous … Read more
When Pearl Jam dropped Gigaton in 2020 - a mere two weeks after the world shut down, there was a lot of fear and uncertainty about what track we were on as a society, and even as a species. We clung to whatever north star could guide us through those dark times. So it really says something that still, four … Read more
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