Dead Boys, or should I say Dead Dolls (no, not those creepy little Dolls that were mass produced for wannabe Wednesdays). Johnny Blitz had just been stabbed on the streets of New York. A benefit was created to raise funds to help the fallen comrade, known as the Blitz benefit. Look it up, plebeians. Anyways cue in snot, attitude and high energy dangerous rock and roll. How could you go wrong with a combination of New York Dolls, particularly Jerry Nolan, The Dead Boys minus Johnny Blitz and killing it behind the puking Dead Boys Kick Drum was none other than Saturday Night Live's John Belushi. The days of cell phones obviously didn't exist at this time, but this time capsule was captured as an audio recording, and it proves that John Belushi is no slouch on the skins, and of course, Jerry Nolan is the master of his pink drum kit. (I still kick myself for not acting on an opportunity to buy one of his kits- Ya snooze, ya go on a cruise). Of course, this all took place at the infamous CBGB's Club in the underbelly of the Bowery, where “all the animals come out at night—whores, … Read more
Formed in Tokyo in 2002, Crystal Lake have spent more than two decades shaping their own high-velocity hybrid of metalcore, … Read more
I knew of Tired Radio, but I didn't really know the band's work. When Red Scare announced they'd signed the … Read more
Interesting little slab we got sent to SPB by a Mr. Ed Young. Two originals and a cover, recorded in … Read more
Split records have always worked best when they feel intentional rather than convenient, and Bombs Away! lands firmly in the … Read more
Sarasota, Florida’s Floating Boy have been grinding for seven years, quietly shaping themselves into a band that lives and breathes … Read more
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Sometimes I love the predictable unpredictability of punk. You hear the name Career Suicide and think a certain sound and, well, they’re right in line with that. Here on Machine Response the band mixes ‘80s hardcore, snot-punk and more in a blitz of a record. It’s aggressive and relentless, but mired in a traditional sound that merges melody and anger, singing more than shouting. While it fits within a certain type, this record is still fresh and energizing.The band was founded by Martin Farkas (vocals) and Jonah Falco (guitar here, drums in Fucked Up. There are a few shades of Falco’s well known other band but, really, this record is more about bursts of speed than lumbering riffs. It’s 11 songs long and 25-minutes, but it almost feels like more … Read more
I've reviewed a lot of Brokedowns records over the years. First, I'll say I love the band and I honestly feel like they keep getting better. Second, I'll say that this record threw a couple of surprises at me. The band play multi-vocalist poppish punk in the school of Dillinger Four or Errth, albeit more on the angry side. There … Read more
When I started my end of year list this year I asked my pal Joel from Portland’s Dumpies to share his best of 2025 playlist with me. Several songs caught my attention which I, in turn, went and checked out the albums from which they had come. The one that has quickly climbed up my year end list over the … Read more
Deathcore is a genre that’s constantly threatening to eat itself alive. For every band trying to push boundaries, there are ten more content to recycle the same breakdowns, the same vocal gymnastics, the same studio-polished violence. Osiah, however, have never been interested in playing it safe and their latest EP Aion is proof that they’re still operating on a level … Read more
Ramleh is a cornerstone of the UK industrial and noise underground. Staring out in the early '80s, they are one of the pioneers of noise and power electronics alongside the likes of Whitehouse and Sutcliffe Jügend. But, beneath the havoc and the sonic debris, Ramleh always carried an emotional pulse. It is what separates their finest moment, Hole In The … Read more
Crippling Alcoholism have always navigated a delicate balance between musical depth and immediacy. A blend that few bands attempt, let alone master, but Crippling Alcoholism's two previous full-length records, When The Drugs That Make You Sick Are The Drugs That Make You Better and especially With Love From A Padded Room did exactly that. With a foundation formed through post-punk … Read more
There are no signs of slowing down for Australian jazz masters The Necks. Following the release of the excellent Bleed in 2024, the legendary trio makes a return with their 20th full-length record, Disquiet. Long-form compositions are nothing new for the trio, but here they dive headfirst into a three-hour tour de force, traversing the abstract and meditative territories they … Read more
Is The Eradicator a joke that's been going for 10 years (the band), or for 35 (the skit)? Does it matter? Well, only in the sense that I question how much material the Kids In The Hall-inspired hardcore band can cull from a 5-minute skit. (Maybe 10 minutes. The character was revived in 2022's Season 6.) Why do I bring … Read more
Standing between genres can act as a vantage point. For Prayer Group, sitting at the intersection between noise rock and hardcore has armed them with the necessary arsenal to propel their anger and frustration forward. And so, through a series of EPs and singles, this work culminated in their 2022 debut full-length, Michael Dose, where The Jesus Lizard methodology collided … Read more
For experimental rock artists torn between noise-rock abrasion and torturous drone immersion, one side usually wins. It is either a certain sentimental and ethereal quality or an oppressive noise dimension that prevails. But there are some acts that can balance between these worlds. Names like The Angelic Process, and of course Low exemplify this strange balance in different ways. A … Read more
I believe the first I heard of this album was when Wild Honey released the limited edition It’s All About The Music concept 7” EP back in July. Exclusively released for the Punk Rock Raduno festival, IAATM is a three song 7” but only sort of? The concept: one garage-rock anthem, three versions- one is slowed down, one is regular … Read more
Formed around the tight-knit chemistry of brothers Xavier and Vincent Morency with drummer John Muggianu, Canada’s Second Harbour are that rare modern post-hardcore band that sound equally comfortable bleeding and building. Their new four-song EP, Coalesce, marks both their SharpTone Records debut and their clearest creative statement yet. The title isn’t just poetic, it’s literal. This is where the band’s … Read more
Hailing from Wichita, Kansas, Stay The Course brings their brand of pop-punk/easycore onto the scene. This is the band’s second album and is being released courtesy of Punkerton Records out of Ohio. What started out as a 5-song EP, developed into a 10 song LP. The band re-recorded some of the material from their back catalog and added some new … Read more
Straight out of Boise’s unforgiving hardcore pipeline, the band Witness Chamber returns with Bronze Gates, their most suffocating and sharpened release yet. Seven tracks with zero breathing room. If you’ve followed the band since 2021’s Paradise Awaits EP or the 2023’s True Delusion, you already know they’ve never been subtle. However, this time the punishment feels sacramental. It’s straight edge … Read more
There's a song on Watch It Die called "Dancing With Anxiety," a title that wraps up Home Front's style quite well. Because I like to beat metaphors to a pulp, maybe also consider "Between The Waves" as another title that captures how they straddle the punk and new wave worlds. Home Front plays street punk with a lot of synth … Read more
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