Deathcore has spent the last decade mutating into increasingly technical, polished, and theatrical territory. Some bands chase symphonic grandeur. Others lean into hyper-technical brutality. The Indianapolis wrecking crew named Mauled take a different approach on When Your Eyes Are Shut. They drag the genre back toward the raw chaos of its early years. This six track EP feels deliberately rooted in the sound that first defined deathcore in the mid-2000s. There is blunt force riffs, suffocating breakdowns, and vocals that sound less like performance and more like an exorcism caught on tape. But Mauled aren’t just recreating nostalgia. Instead, they weaponize those familiar elements with modern production weight and a sharper emotional focus. After a brief into, the EP detonates with “Mouthful Of Glass,” featuring guest vocals from Frankie Palmeri of Emmure. The track wastes no time establishing the band’s intent. They want churning guitars that grind forward while drummer Tyler Powers drives everything with relentless, almost mechanical precision. Kirkpatrick’s vocals alternate between serrated highs and cavernous lows, cutting through the mix like a circular saw. “TheLastThingYouSee” and “Unidentifiable Autopsy” push deeper into the EP’s violent core. Riffs pile onto riffs, breakdowns arrive like collapsing concrete, and the pacing rarely … Read more
Mods & Gods, the 2026 release from the Mal Thursday Quintet, is a full-throttle blast of Farfisa-driven energy and playful … Read more
Tigers Jaw was formed in 2005 in Scranton, PA by high school friends. After a brief hiatus in 2013, the … Read more
N.E. Vains’ Running Down Pylons delivers that kind of glorious, basement-level destruction. You know, back in the ’70s when every … Read more
There’s no way to talk about Peace In Place without acknowledging the shadow it steps out from. Poison the Well … Read more
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Often an album comes along that defies all genre constraints and challenges your own perception on life and reality. Sometimes that album makes you delve deep within the self and question your own outlooks. Teethed Glory and Injury is that album. And oh, how it ravages your being.With Teethed Glory and Injury Altar of Plagues have created a work of huge scope that is wrought with intense physical and emotional pain. Their cathartic motives serve to bleed the soul dry via twisted concepts and punishing vibrations of sound with the introductory track “Mills” laying out their cause for all to feel, already pushing Altar of Plagues beyond their previous accomplishments and 2011s extremely well received Mammal. By the time the bombastic stomp of “Burnt Year” crushes your entire heart and … Read more
Sometimes when you think of a town you think of a certain sound. Philadelphia is not one of those cities for me, as the bands I know from the area vary a lot in style. Yes, there is the Dan Yemin tree (Lifetime / Kid Dynamite / Paint It Black) but there are also poppy bands and emo bands and … Read more
If rock ’n’ roll ever had a smoky, beer-soaked, throbbing heartbeat, it lives in Top Jimmy & The Rhythm Pigs’ Pigus Drunkus Maximus. Recorded in 1981 but not released until 1987 on Restless Records, the album always felt like a document out of time — lightning caught like fireflies in clumsy hands, then bottled too long. This newly remastered reissue, … Read more
There’s a particular tension that makes alternative rock compelling. I love the emotional push and pull between softness and eruption. On No Requiem, Massachusetts outfit Dream Fatigue thrive in that space, crafting a seven song EP that balances dreamlike melody with bursts of distortion and emotional urgency. Born from the creative partnership between drummer Matt Wood and vocalist Jonali McFadden, … Read more
I'm not sure what's happening to me in middle age. I used to find samples clever and a nice change-of-pace technique on albums. But lately I feel like they interrupt instead of compliment what I'm hearing. This Isn't What I Ordered starts off really strong with fast, melodic and personalized punk over the first few songs. Then the sound clips … Read more
Spillings is a minimalist reconfiguration undertaken by two artists whose careers have been about genre deconstruction. The paths of Mathieu Ball and Liam Andrews have been running on parallel tracks, but both have been aiming for a similar endpoint. That is to strip down the heavy, experimental rock form, while at the same time retaining its destabilizing core. With Big … Read more
There’s a reason five doesn’t feel like just another EP title. This isn’t a casual release or a stopgap between bigger moves but a line in the sand. On their latest five song statement, Bombay’s Pacifist sound fully aware of the lineage they’re working within, and just as aware of how much effort it takes to keep those ideals alive … Read more
Pure Intentions is a hard hitting punk band first emerging in the Chicago scene in 2020. Since its formation by Joe Asshole and Tommy Volume, they have since added Judson Jones in 2024 to become its current standing trio. During that time, these guys have spread their gritty sound by touring the United States while gaining a strong following along … Read more
There are few bands in extreme metal who understand their own lane as well as Exhumed. For nearly three decades, Matt Harvey and company have made gore feel theatrical, technicality feel fun, and deathgrind feel almost celebratory. Red Asphalt doesn’t rewrite that formula but weaponizes it, straps it into the driver’s seat, and floors the accelerator straight into oncoming traffic. … Read more
Ok full disclosure, I sung backups on (allegedly) three of these songs and one song is a cover (albeit a stretch lol) of a song I co-wrote. What can I say tho? I was a fan of The Dumpies from the get go, before we all became very close friends and constant tour mates! Dub music diehards might be a … Read more
There’s a specific kind of punk record that doesn’t try to inspire you, doesn’t bother offering solutions, and doesn’t pretend things are going to work out in the end. Nobody’s Going To Heaven is firmly planted in that tradition. Elway returns sounding less interested in rallying cries and more invested in documenting collapse as it happens. They cover every collapse … Read more
Heather The Jerk is a project from Madison, WI musician Heather Sawyer -- a scrappy punk band with garage and pop influences running rampant through the peppy, raw sound. This 4-song EP is called Very Motorcycle, released about a year after the Not Very Motorcycle tape. I have no idea what the phrase means, yet it sets a distinct mood. … Read more
If you were lucky enough to catch Toys That Kill live last year, you were maybe treated to a set that included classic F.Y.P bangers like “Come Home Smelly” and “Jerkoff”. I made the trip down to Seattle to see them with Off With Their Heads specifically for this reason and was in no way disappointed. I had somehow managed … Read more
Split LPs can be a gamble, but Talk Trash With lands squarely like a swift kick to those tender testicles dancing in the steel-toe-boot category — ten tracks of loud, unpolished punk mayhem that feel tailor-made for sticky floors, smoky blue air (ahh, remember those years?), piss puddles for those who can’t miss a note, and the smell of a … Read more
Citric Dummies might be the band I saw live the most often in 2025, yet I put off a thorough review of their latest LP until the calendar turned to 2026. Anyway, Split With Turnstile, besides having a great title, continues the band's garage-punk sound that draws from a deep array of influences from eggpunk to '80s hardcore while mostly … Read more
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