After making some waves around ye olden DIY hardcore scene circa 2014, these Toronto-ians took a little hiatus from recorded output (sans a couple live tapes). But now they’re back to kick of 2017 with this quick, four-song ripper. The titles of which all start with the letter I – “Insidiation”, "Incorporation”, “Information”, and “Individuation.” The aura of leather jacket-clad arrogance that I’ve always appreciated is still intact, but they’ve evolved a bit. I mean, inasmuch as punk will allow while still being, you know, punk. They’ve integrated longer instrumental parts and scaled back on the snot-infused vocalization in favor of a smidgeon of decipherability. On the subject of the vocals, they’re kind of buried in the mix, giving off that demo tape vibe that this particular reviewer is quite fond of. Musicality-wise, it’s still that buzzing, noisy crux that we go gaga for but with a little wiggle room for each player to flex their chops.While I’m of the belief that punk is best served via shorter releases, I’d really like to see where these guys will take things if they ever decide to go the seven-to-10 song 12” route. If the small flourishes of arty improvisation here are … Read more
This book brings together quite a few things:For a start, it is being published by Feral House, which is owned … Read more
Dayton, Ohio’s Mouth of the Architect was a post-metal lover’s wet dream when they came on the seen. The Midwest … Read more
You’d think that a band that titled their album The World’s Best American Band may be getting ahead of themselves. … Read more
This is the first collaboration between Monolog, master of Drum n Bass and IDM music, and Subheim, explorer of abstract … Read more
This is some killer punk out of Madrid, Spain on that throwback tip. If you had told me this was … Read more
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William Fowler Collins is a very interesting experimental music producer from New Mexico, who specializes in creating abstract and majestic dronalities. Through the years he has released some excellent solo records, including Perdition Hill Radio and the amazing Tenebroso, and he has also appeared in collaborations with Aaron Turner (in their shared project Thalassa), Raven Chacon (in Mesa Ritual), avantgarde noise fiend Gog and shamanic sound designer Daniel Menche. Collins now returns with his first solo full-length since Tenebroso and once more focuses on the dark minimalism that drones can shape. For his new record Field Music, Collins finds inspiration in the history of the atomic bomb, with the album cover displaying the ranch where the first nuclear weapon was constructed. Collins dive further into the lore of this subject, … Read more
As an entity Zu always strive to move forward, aiming towards the very essence of experimental music: innovation. Through the years they have changed multiple forms, and collaborated with a diverse array of artists, including free jazz guru Mats Gustafsson, experimental hip-hop project Dalek and singer of experimental rock outlet Oxbow, Eugene Robinson. Morphing from one sound to the next, … Read more
Trumpeter Justin Walter is mostly known through his works in experimental jazz/fusion collective NOMO, his collaboration with Brian Case (of Disappears) in Bambi Kino Duo, and his contribution to works of His Name Is Alive and Colin Stetson. What is constant in all these instances, is the depth of his exploratory playing, something that whets the appetite in seeing him … Read more
I’m a fan of a select little niche of pop punk. The cleaner the voices, the more I tend to dislike it or just not connect. However, Red Scare Industries has been capturing a nice little segment that hits right in the middle between my proffered gruff stuff with the more up-front and happier sounding ilk (on the surface, anyway). … Read more
Mystery Date fit that classic mod-power pop sound, with an ear for well-tuned guitars, a hint of fuzz, and more focus on melody than “lead” anything, be it lead vocals, lead guitar, whatever. Love Collector is their first (recorded) album, first issued digitally in 2014 and now out on LP via Collision Course (late 2016). They released New Noir previously … Read more
English record label Drunken Sailor Records released this sweet and short EP. For some reason that made me believe Liquids are an English band. And that’s not only because this EP is released on an English label. The band sounds like they could be from that funny little island. I was wrong though. Dead wrong. Liquids hails from Indiana. And … Read more
Laura Marling was routinely described as being precocious when she first started making her own music as a teenager. She emerged as part of London's early '00s nu-folk scene, alongside the likes of Mumford & Sons and Noah and the Whale, but her music still seemed distinctly different from her peers'. Marling dealt with a preoccupation with death when she … Read more
The word quintessence derives from the Latin “quintus” and the english “essence,” translated roughly to the fifth essence. The reason for the number appearing in this instance comes from medieval philosophy, where quintessence was considered to be the fifth addition to the four classical elements (earth, wind, fire and water,) one that exists in the heavenly bodies, and is inherent, … Read more
Neo-classical music and minimalistic explorations always had a point of convergence. Minimal electronic applications found their way into classical orchestrations, expanding the sound of the orchestra, as well as the emotional scope of the composer. Max Richter is a proud example of this tradition, a composer who has learned as much from Philip Glass and Steve Reich, as he has … Read more
The Obsessed belongs in the category of the legendary American doom acts. Formed during the '70s as Warhorse, they truly kicked things off in the early '90s, with their self-titled debut full-length. Led by Scott “Wino” Weinrich, an iconic figure of the scene, The Obsessed was a powerful vehicle of heavy rock visions and bleak doom worlds. And as a … Read more
Greg Graffin has always been a big influence on the way I approach things. I love punk rock, but there was always a stigma attached to those that partook in the genre. It’s true I was part of a generation that pushed the vision of the '90s slacker kid, but I would like to think it was much more than … Read more
The influence of H.P. Lovecraft in popular culture is undeniable, and its presence in the metal genre is highlighted from classic Metallica tracks, to off-kilter acts like Blind Idiot God. The Great Old Ones, a French post-black metal outfit, proudly embrace this tradition, as their suggests, exploring the themes of cosmicism through the years, starting with their debut album, Al … Read more
Paco Sala is the strange, outsider pop project of producer Anthony Harrison and singer Marie-Pascale Hardy. Having released a series of albums, with their main goal being the tinkering of pop structures and norm, The Silent Season marks their fifth full-length, and is the first of their works to be released through experimental label Denovali.The production of this record is … Read more
When I heard my first Hellmouth record—which I’ve since learned was their second release (Gravestone Skylines, 2010)—it was more of a curiosity than something that really grabbed me. Here was Jay Navarro of Suicide Machines in a metal band. His voice definitely fits the style, but the riff-dominant vitriol was such a transition that it threw me off. I enjoyed … Read more
Pallbearer’s evolution over the last seven or so years has been one that seems natural and organic, with each record building on what came before and giving the Arkansas based band a step forward on the ladder towards greatness. Their demo of 2010 introduced a band indebted to doom greats Black Sabbath, but the inclusion of a cover of Billie … Read more
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