David Bowie's passing was a huge blow for most of us. But luckily we had his final release, Blackstar to ease us through the loss.Now, with the passing of Leonard Cohen, we find ourselves assuaged with the same sadness and loss, but thankfully once again a legend was kind enough - while coming to grips with his own mortality, to leave us with his epitaph to give us our own catharsis.You Want It Darker is rife with musings, analogies and metaphors for the end of life - so much so, that in the hands of a lesser artist, it would seem hacky and contrived, but not so with Mr. Cohen. When he sings "I'm leaving the table, I'm out of the game", you know he means it.Everything we've ever come to love about the man's music is all represented right here. The cadence, the hushed tones, the female vocals, only delivered with more...finality - even talking about his relationships - as Cohen sings on "On The Level", the only song on the album co-written with long-time collaborator Sharon Robinson, "They oughta give my heart a medal for letting go of you, when I turned my back on the devil, turned … Read more
Three great musicians of the extreme/experimental metal scene meet up to as Brain Tentacles. Bruce Lamont of Yakuza, Dave Witte … Read more
I discovered This Is My Fist at the tail end of the band’s run, which was unfortunate in that I … Read more
Since the 1980s, Vancouver, B.C. has always had a thriving punk scene, but the new millennium came in like a … Read more
Sometimes I want to add a lot of back story, my own perspective coming into a record. While that certainly … Read more
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Priscilla Ford's debut EP, The Blackout Club, is a raging punk rock'n'roll album. It careens with a controlled abandon, much like the Reno, Nevada murder spree after which the band is named. The band is composed of veteran musicians from a variety of punk rock subgenres, but The Blackout Club is a concise and directed effort. The band appears to accomplish what they set out to do with the album, striking a comfortable balance between frenzy and melody, and between hardcore and rock'n'roll. From the start The Blackout Club is loud and fast. The band draws influence from older sources, with their Bandcamp page mentioning Black Flag and Black Sabbath as inspiration. While the early hardcore punk influence is clear, I would liken their sound more to the dirty garage … Read more
A lot of the bands I listen to have gotten older and slowed their productivity so it’s nice to realize that The Coathangers are already releasing their fifth album even it’s already been a decade for the Atlanta-formed trio. On Nosebleed Weekend the band takes a bit of a curve toward a cleaner, less challenging sound, even if it’s just … Read more
American Football are the sort of band that shouldn't have attracted so much attention. When they first properly emerged in 1999, a copy of their eponymous debut in hand, they were still playing small college bars around the University of Illinois at Urbana-Champaign. Their album cover was so low-key it should have been unremarkable, depicting the darkened exterior of a … Read more
Taking their name from a well-known Danish fairytale, the trio from Brighton entered with confidence the alternative rock world. A series of EPs and three full-length records, with Violet Cries and Wash The Sins Not Only the Face especially standing out, has led the band down an interesting road, as their alternative rock style took on elements from indie rock … Read more
S U R V I V E, the experimental synth quartet from Austin, rose to fame quite fast when it became known that two of its members contributed to the score of Stranger Things, a hit sci-fi/horror series on Netflix (just in case you have been living under a rock.) That information alone can give a fair insight on what … Read more
8 years. Jesus. That’s the same length of time as Barack Obama’s two-term administration. That’s the entire lifespan of an 8 year old child. That’s too goddamn long between albums, is what it is. Yes, Hetfield, Ulrich, Hammett and Trujillo have finally returned with a new album – Hardwired…to Self Destruct. We all know, given their rarity of appearance on … Read more
Given that it's a split release between a well-established group and one making its U.S. debut, the best thing about 2016's Fatso Jetson / del-Toros 7” may be how well its two tracks play alongside one another. Self-proclaimed “godfathers of the desert rock scene,” California's Fatso Jetson kick off the record with the churning “Dream Homes.” Conveying a sense of … Read more
Midtempo punk sounds like such a boring idea.And sometimes it really is.But when it works, it’s hard to top. The chords are still powerful and concise, the frustration and fury still present, but it’s more tempered when the tempo drops down a bit and more powerful when it rises to the top. The vocals need to sneer and snarl instead … Read more
Starting off with an unusual combination of crust, hardcore and black metal, Oathbreaker have evolved significantly since their debut album, Maelstrom. The follow-up album, Eros/Anteros saw a further evolution of their sound, with post-metal elements beginning to populate their palette. This slightly eased the connection between hardcore and black metal, and resulted in a more expansive vision. Rheia comes now … Read more
Collaborations in the experimental music domain always bring something interesting to the table. Oneida is a great experimental rock band, encompassing elements of noise rock, psychedelia and krautrock, as a method of crafting a diverse sound. Having released a plethora of records, mostly through Jagjaguwar, they are now putting out their first collaborative full-length with Rhys Chatham. Chatham is a … Read more
The Icelandic composer has risen magnificently in the last few years due to his works within the film domain. A prolific artist, Johannsson has contributed with scores for some excellent recent movies, including The Theory of Everything, as well as his frequent collaborations with visionary director Denis Villeneuve, in Prisoners, Sicario and the upcoming Arrival. Johannsson returns now with Orphee, … Read more
For a Marillion fan, a new album isn’t just a release – it’s an event. And as far as events go, on an ascending scale from a co-workers 30 day alcohol-free chip celebration, to a close cousin’s Harry Potter themed wedding, to the birth of your new baby, FEAR is more of a birth. A birth of ideas in a … Read more
I’ve covered The Blind Shake for most of their career so far. Over that time it’s been a steady growth often focused on syncopated and rhythmic rock: forceful, punchy, and precise. The kind of rock that you can set your watch to, while still angry and striking a deeper chord. They’ve taken some turns along the way: their collaborations with … Read more
OK, here we are dealing with an absolutely stunning collaboration. In a live setting, cellist Okkyung Lee, an excellent improviser who has worked alongside artists such as Jenny Hval, Swans, John Zorn and Cecil Taylor, and Christian Marclay, a visual artist and composer, master of turntablism, meet to create an Amalgam, a combination of the most strange, bizarre metals that … Read more
As much I knew I’d like this record after spending some time with Almost Famous and seeing the band live a few times, I was hesitant to review it. There are certain sounds I have trouble describing. So while I enjoyed Almost Famous, it had this hard to summarize element where I felt vocalist Kait Eldridge’s lyrics blended into guitar … Read more
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