Dilly Dally is a four-piece rock band from Toronto who describes themselves as “#softgrunge” on their Facebook page - I'm not sure how serious it is, but it seems to be relatively accurate (and in a good way, believe it or not!) Their debut Sore gives me two things I’ve been looking for in modern-day rock: (1) more girl rock bands, and (2) more albums packed with simple, good rock songs. Too often it’s a bunch of dudes putting out albums with stand-out singles and stand-out shit or concept albums that are too overwhelming for riding-the-bus tunes. High school friends Katie Monks (guitarist/lead-singer) and Liz Ball (guitarist), along with Jimmy Tony (bassist) and Benjamin Reinhartz (drummer), have put out an album that has hints of The Pixies and The Lovely Bad Things, but with Monks' rough vocals make them totally unique.The debut starts off with a simple “1, 2, 3, 4” snarl from Monks, but the rest of the album is far from predictable. The album cover features a bejeweled, bleeding tongue stud and bright, pink lipsticked lips. Raw female sexuality is all over this album, something that seems hard to find for anyone who doesn’t listen to Top 40. … Read more
Extinction A.D. rose like hellfire from the rubble of the, now listless, Long Island hardcore outfit This is Hell. In … Read more
It’s getting tough to find new things to say about Night Birds. They’re as great as ever with third LP … Read more
This is the second 7” from this new-ish congruence of Richmond, VA old-timers. The band flexes a pedigree that includes … Read more
The musical collective led by J.R. Robinson has always been inventive when it came to the subjects of their sonic … Read more
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Crybaby are one of those punk bands where you could fill a review with subgenre tags and namedrops and every review would pick a different one to highlight. There’s a lot of stylistic variance, a lot of influence, but it comes together as Crybaby instead of some hyphenated slurry of ‘90s and ’00s bands. Instead, I’ll just say it’s DIY punk. The vocals are scratchier than sing-song, the production is adequate but somewhat muddy, and the harmonies are imperfectly perfect.Crybaby takes some early soaring emo, mixes with pop-punk melody, and some hardcore crunch. In the end it’s melodic punk with a little more heart on its sleeve instead of the whoa-ohs. Matt’s coarse vocals come through atop driving chords that carry the sway of each song. Guitar pushes the songs … Read more
At a point in the late '90s and early-to-mid 2000s, it seemed like every major artist had at least one tribute album out there. Invariably produced by one cheap-jack record label or another, these albums highlighted a dozen or so no-name musicians playing through (and quite possibly butchering) various well-known songs and were often framed around a particular type of … Read more
While electronic music used to be a rather exclusive club that only those with access to (expensive) equipment could hope to break into, in recent years, the increased availability of technology has allowed anyone with a will and/or a way to become an electronic producer. Theoretically, this has enabled more talented people to express themselves through music, and there is … Read more
Diaz de Leon explores the limits of hallucinatory music through his project Oneirogen. Back in 2012, the debut album of Oneirogen, Hypnos, came into existence, combining experimental and heavy music, with the inclusion of big sounding synths, abrupt noise explosions and dark ambient yearnings, all under a veil of distortion and emerging soundscapes. A year later, Kiasma would be released, … Read more
Every so often I go through a phase where I’m listening to a lot of pre-Independent Wormhole Saloon era Butthole Surfers. Such was the case when this 17-song slab-o-wax landed in my mailbox via Food Fortunata, the genius behind Ear of Corn fanzine. I promptly ripped this to MP3s so that I could listen to it while riding my bicycle. … Read more
The name Dan Barrett is well known to anyone following projects such as Have a Nice Life, Giles Corey and Enemies List (and quite a few more.) In his latest project, Black Wing, Barrett sets on a digital-only path. While the motto of his other project, Giles Corey, has been: “only acoustic instruments allowed,” Black Wing features only digital instruments. … Read more
Back in 2010, Beastmilk were on the rise with the release of their demo White Stains On Black Tape. The band from Finland, with an impressive line-up featuring Kvohst (Hexvessel, ex-Code and ex-Dodheimsgard), Valtteri Arino, Linnea Olsson (ex-The Oath), Johan “Goatspeed” Snell and Paile, was putting together a disturbing vision of apocalyptic post-punk. The result of this concept was the … Read more
The Necks is an experimental jazz band from Australia, which has been outputting record after record since their inception back in the '80s. Following the release of their previous full-length, Open, this trio of excellent musicians embarked on a journey towards their next release, Vertigo. Where Open features a more minimalistic mindset, Vertigo is a cinematic piece placed against a … Read more
Gloriously unpolished and perhaps one of the outright loudest and gnarliest records I've heard all year, 2015's I Saw My Soul Leaving is a sort of greatest hits album released to commemorate the first US tour by Italian garage rocker Panda Kid (a.k.a. Alberto Manfrin). This album combines two new tracks with eight from the artist's back catalog in a … Read more
The Blind Shake have honed their sound over the years, always identifiable yet always moving it forward and with a keen difference between records. It’s pretty impressive considering they write 2-3 minute stomp-garage tracks with a big emphasis on beat and hook—a style where repetition and sameness run rampant.Where Fly Right stands out is its variation from that tradition. The … Read more
Though composer Chuck Cirino is not a name that most movie fans – even those who like B-movies – would instantly recognize, there's a decent chance cult film aficionados have heard some of his work. First breaking into movie soundtrack work on 1980's Gypsy Angels, a film best known for featuring a then-unknown Vanna White in various states of undress, … Read more
Having produced the energetic low-budget action picture Assault on Precinct 13 in 1976 prior to laying the foundations of the modern slasher movie with 1978's Halloween, film director John Carpenter positioned himself as a master of frightening and just plain exhilarating cinema with the early '80s trio of The Fog, Escape from New York, and The Thing. 1983's Christine (based … Read more
Since their founding almost a decade and a half ago, Pittsburgh, Pennsylvania duo Zombi (made up of bassist Steve Moore and drummer A.E. Paterra, both of whom contribute synthesizer sound) have positioned themselves among the best contemporary groups inspired by the world of vintage horror soundtracks. Following a string of releases from 2002 through 2011 that found the band utilizing … Read more
A studio and touring musician with Nine Inch Nails since the mid '90s and part of the whole Chinese Democracy saga for Guns 'n' Roses, guitarist Robin Finck has clearly learned a few tricks from NiN mastermind Trent Reznor over the years. Capable of working in almost any field he became involved in, Reznor went beyond his NiN recordings to … Read more
Though there are plenty of composers who've made a name for themselves by crafting the soundtracks to horror films, Italian progressive rock group Goblin stands as one of the few legitimate bands known more or less exclusively for their work in this field. A revolving door-type project built around guitarist Massimo Morante, keyboardist Claudio Simonetti, and bassist Fabio Pignatelli, Goblin's … Read more
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