The Icelandic composer has risen magnificently in the last few years due to his works within the film domain. A prolific artist, Johannsson has contributed with scores for some excellent recent movies, including The Theory of Everything, as well as his frequent collaborations with visionary director Denis Villeneuve, in Prisoners, Sicario and the upcoming Arrival. Johannsson returns now with Orphee, his Deutsche Grammophon debut, an album that he considers his first “true” full-length in six years.The reason for Johannsson considering Orphee his first record in that time span is due to his continuous work with film soundtracks. This is the first time in that period when the composer is allowed to work unrestrained from an existing film or script. Taking influence from Ovid's rendition of Orpheus' myth, he sets out on a masterful musical journey, navigating through the underworld and the realm of the dead, as the hero is trying to escape towards life.Sonically this work is closely related to Johannsson's previous film scores and other releases. Styles are bent, as the composer is able to move across various influences to enrich his sonic palette. Standing solidly on a neoclassical basis, elements such as piano and string quartet to full … Read more
I’ve covered The Blind Shake for most of their career so far. Over that time it’s been a steady growth … Read more
OK, here we are dealing with an absolutely stunning collaboration. In a live setting, cellist Okkyung Lee, an excellent improviser … Read more
Taking Back Sunday accidentally ended up being one of the bands that spearheaded the emo movement that bled into the … Read more
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A cold wave/goth group made up of members of dark, black, sludgy metal bands? Huh? Sounds wild right? But hey, don't knock 'til you've tried it! Because Liar In Wait are absolutely the gloomiest band around right now that aren't French maestros Soror Dolorosa and you probably (definitely) should be listening to them. Comprising of Adam Clemans (vocals, Wolvhammer, ex-Iron Thrones, Veil of Maya), Jeff Wilson (guitar, Wolvhammer, Chrome Waves, ex-Nachtmystium), Jim Adolphson (bass, keys) and Peter Clarke (drums, ex-Iron Thrones) - told you they were metal - Liar In Wait traverse the world of deathly sadness and revel in the melancholy melody of it all with their debut EP Translations of the Lost.The four tracks found on Translations of the Lost are deeply moving compositions that stir with a … Read more
One (of many) differences between indie rock and punk is generally the sense of humor as it relates to self-awareness. Considering that other reviews namedrop Built to Spill frequently in the RIYL section for Pinned in Place, it’s a nice touch to start the record with the song “Built to Chill.” It’s both self-referential and a sweet name that describes … Read more
Amirtha Kidambi is an intriguing musician, an exploratory musics creator and a stellar singer. Having participated in a number of projects, including Mary Halvorson's Code Girl, Seven Teares and Tongues, with Elder Ones we see her for the first time acting as the band leader. Around her is an excellent cast, comprising of saxophonist Matt Nelson, bassist Brandon Lopez and … Read more
It’s nice when your favorite bands surprise you. It took six years for Fambly 42), so I wasn’t ready for Sentimental Ward yet (though apparently it’s already been another four years). Fambly 42 acted like no time had passed and the same holds true here, on Toys That Kill’s fifth full-length release. The four-piece continues playing off kilter pop punk … Read more
When it was announced that Nick Cave was releasing a new album Skeleton Tree to accompany the release of his documentary One More Time With Feeling, it felt decidedly unnatural for a couple of reasons – first and foremost, marketing tie-ins don’t really come to mind, when it comes to an artist like Cave. And two, it was all coming … Read more
Drummer Bobby Kapp and pianist Matthew Shipp are legends of free jazz. Improvisation is their arena, and through a series of albums they have proven unique musicians they both are. Strangely enough, the two have not crossed paths in the past when it comes to recoding, apart from Kapp's album Themes 4 Transmutation. In Cactus the two are thrown into … Read more
Sims is something of a firebrand on his early work, spitting political vitriol and pointing fingers outward and in on records like Lights Out Paris and Bad Time Zoo. This time around, the Minneapolis rapper is looking even more inward on the new More Than Ever, a record that pushes expectation beyond the hard-hitting beats and spitfire lyricism with echo-y … Read more
40 Watt Sun hold a special place in the hearts of those who have heard their music and been affected by the honesty within. 2011s The Inside Room was a stunning debut that still garners regular plays from this writer and Wider than the Sky will do the same in the years to come. Having been many years in the … Read more
Written in Paris while the city was still reeling in the aftermath of the November 2015 attacks, Mapping the Rendezvous is an album that brims with escapism and the irrepressible desire to live for the moment. Part of the the band's previous album, 2014's Concrete Love, was also written in the French capital but this time it was different: frontman … Read more
I’ve never met Aaron Freeman and Mickey Melchiondo, the two-headed songwriting duo of Ween, but I have my own speculation about who contributes what based on their output in other projects. That guess is that Gener does the Pink Floyd styled space-prog-pop while Melchiondo, aka Dean Ween aka Deaner, brings on the grimy and oddball guitar rock.The Deaner Record only … Read more
Austin, Texas duo achieve an unholy alliance of industrial music and punk rock in their debut album, End Position. In paper it feels that something like that would not work, and a failed attempt to produce something coherent would only end in hysterical laughter. Thankfully, this is far from the case here, and Leo Ashline and Shaun Ringsmuth unleash one … Read more
Jenny Hval has soared into the experimental scene since the release of Viscera, the first album under her own name. The quality of her work, and the scope of her vision continued to take form through a series of excellent records in Innocence is Kinky and Apocalypse, girl and is now reaching a peak with her newest album. Blood Bitch … Read more
The project of Amalie Bruun has stirred quite drastically the black metal scene, since the release of her debut, self-titled, EP in 2014. M, the first full-length of the project, came in 2015 and it displayed in glorious fashion the extent of Bruun's vision. Comparisons with early days Ulver are to be expected, with Myrkur's style fashioned around the more … Read more
A limited edition split of two not-super-active bands that are Fest staples for this writer, this EP from No Idea Records combines Seattle’s Dead Bars and Tampa’s The Tim Version head to head, or head to ass or however literally one takes the physical conceptualization of a 7”.Dead Bars get the A-side here and it’s not my favorite of their … Read more
The experimental and extreme music scenes today would be completely different, probably for the worse, if it was not for the influence that Neurosis have had on numerous bands through the late '90s and early '00s. Starting off as a hardcore punk band in the late '80s, Neurosis went through a perpetual evolution, acquiring additional elements, revealing a plethora of … Read more
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