Back in 2008, Pyramids were setting off with the release of their self-titled debut album. Blending together the different elements of shoe gaze, post-rock, black metal, dark ambient, drone and experimental their first album was nothing less than fascinating. Following the release of the album a variety of artists and bands, including James Plotkin, Colin Marston and Blut Aus Nord, re-mixed the material from Pyramids, and their further collaborations with Faith Coloccia, Simon Raymonde of Cocteau Twins and Albin Julius of Der Blutharsch, showcased how devoted the band was in producing excellent work of experimental music. A number of split albums would be produced between 2009 and 2012 with Pyramids working with some phenomenal acts such as Nadja, Wraiths, Horseback and Mamiffer before the band returned with their second full-length, A Northern Meadow.So what has changed? The core line-up of R. Loren, M. Dean, M. Craig and D. William has been expanded to include some very serious names, with the expectations also being raised. William Fowler Collins (check out his album Tenebroso for some sick dark ambient), Colin Marston (of Gorguts, Krallice among more) and Vindsval of Blut Aus Nord join Pyramids in order to push this release over the … Read more
Long Winter is the third proper full length from former Cambridge frontman Jesse LeBourdais and seems to be his fullest … Read more
I saw Father John Misty in concert about two years ago. Josh Tillman sauntered onto stage in an all-white suit—wild … Read more
I know what you’re thinking? Why has it already been five months without a new Dwarves release? Never fear, the … Read more
Yet another group that, like Trust, CHVRCHES, or any of the artists featured on the Neonautics compilation, is mining the … Read more
For the last few years any musical output with brothers Jez and Andy Williams at the helm has sounded otherworldly, … Read more
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The Colour and the Shape was the Foo Fighters second full-length release, though it was the first album in which Grohl enlisted a full band to back him in the writing and recording of the album. Grohl gathered an ensemble of musicians to surround him for what would become the band's breakthrough album: bassist Nate Mendel of Sunny Day Real Estate, guitarist Pat Smear of The Germs (as well as spending many years on the road with Nirvana as a second guitarist), and eventually drummer Taylor Hawkins (Grohl handled the majority of the drum work following William Goldsmith's departure). In addition, Grohl took the music to producer Gil Norton, who'd previously produced albums by The Pixies and Echo and the Bunnymen. Combined together, was there ever any doubt that this … Read more
Implodes from Chicago is a very interesting act. Their debut album Black Earth which came out in 2011 was an unbelievable blend of noise, post rock and kraut rock which showed the band balancing all these different elements to find their unique sound. A couple of years afterwards this insane company was putting out their sophomore release, Recurring Dream, digging … Read more
From The North is Raised Fist’s first release since 2009’s Veil of Ignorance, and is a continuation of the style and sound honed on that album. Veil of Ignorance was a ridiculously catchy album, and a repetitive guilty pleasure for this reviewer. The reason I could not fully get behind Veil of Ignorance, despite not being able to stop listening … Read more
Before developing into a full-fledged band, The Mohrs started out as a writing project between lead singer Jackie Mohr and Canadian Rock legend Hawksley Workman. Mohr’s former outfit Living in Red caught the music industry’s attention after being featured on the CBC’s competition/reality television show Cover Me Canada, and while many aspiring musicians have lived and died on a TV … Read more
The sound comparisons are undeniable when it comes to talking about The Capitalist Kids and their affinity for 1980s-era Lookout Records pop-punk. But the Austin, TX band does have a key difference to be noted. For every saccharine love song, there is a counterpunch of social commentary—not mixed within that same sappy song, but in one of the follow-ups. For … Read more
When listening to the debut album of Primitive Man, Scorn, back in 2013, one thing became perfectly clear about them: they are fucking serious about their music. The blackened sludge band from Denver does not exhibit the signs of their friendlier counterparts within the subgenre. Their dystopic vision back in their independent first release was overwhelming and all-consuming, and it … Read more
The duo that make up Vancouver-based synth poppers Humans met by chance while engaged in artistic endeavours outside of music. Robbie Slade is a former forest fire fighter who met visual artist and film maker Peter Ricq when he was helping a friend put on an art show, and in 2009 they began creating the electronic sound of Humans. With … Read more
Sounding like the result of glue-huffing fourteen-year-olds being let loose in a recording studio, Too Pooped to Pip, the 2015 demo from Baltimore, Maryland’s Post Pink, contains some of the most crude and snotty punk rock I’ve heard in quite some time. It may be surprising then that three of the group’s four members are female: listening to the singer … Read more
GC Records 15 Year Anniversary Comp: A Snapshot of the 2014 Las Vegas Music Scene is two things: it’s homage to 15 years of success at GC Records and it’s a time capsule of a local music scene. Does it succeed on both ends? From a non-Vegas resident, it seems so. There is a variety of music included, largely in … Read more
Started as the acoustic project of musician Mat Sweet, Boduf Songs have been transforming throughout the years. The debut self-titled album of the band featured interesting acoustic compositions, recorded with minimal equipment in Sweet’s own room back in 2004, but soon enough bloomed into a darker, experimental act. Such tendencies were revealed in Lion Devours the Sun as the music … Read more
I haven’t listened to Gang of Four in a long time, and I tend to stick to the classic Entertainment!, released in 1979, when I do. That’s not to talk about the band’s changes in 30 years, but to introduce that I’m not well versed on recent output. Obviously the band has changed since the early days, the most significant … Read more
Making a career in the arts is hard. The job description lands somewhere between self-expression and entertainment and there isn’t a sure fire way to know whether or not what you’re creating is going to be profitable until well after all the art is done and out in the world for public consumption. Complicating things further is the fact that … Read more
I always get scared when I listen to a new album by a band that I listened to in middle school. Throwing all the embarrassing angst that led me to terrible music aside, there are a lot of other things to worry about when it comes to still-active bands from middle school days. I remember a while back I was … Read more
Athens, Georgia has a long history of producing some great musicians and music, known for being the birthplace of groups like the B-52’s and R.E.M. as well as the adopted home of the Elephant Six Collective. One of the latest bands to emerge from the storied Athens scene is Grand Vapids, a quartet whose 2015 debut Guarantees features ten tracks … Read more
Hailing from Philadelphia, PA, Hurry started out as the solo project of guitarist/songwriter Matt Scottoline before expanding to its current three-piece form, and it’s quite obviously Scottoline’s fuzzed-out vocals and guitar that are front and center in any of the songs on the group’s 2014 album Everything/Nothing. The album features ten songs that update established pop song formulas from years … Read more
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