Chances are, most listeners have would heard everything on Derek Grant’s 2015 solo album Breakdown before - it seems to imitate everything from the driving road music of Jackson Browne to the ballads of Guns ‘n’ Roses while frequently capturing an alt-country vibe that might be unexpected coming from a musician undoubtedly best known for drumming in punk group Alkaline Trio. Truth be told, this record may not be what fans of Grant’s more established project would want – it’s about as far from the world of punk as possible - yet it’s hard to honestly dislike this sleepy little album. Grant seems quite capable of carving a niche for himself as an indie songwriter and musician, and this debut effort goes a long way in establishing his credibility as such.The album starts with one of its more upbeat numbers in “Holiday Breakdown” which saunters along to a warm acoustic guitar strum and cheerful lyrics. When the singer makes a declaration late in the going that he “thinks [he] needs a breakdown,” it hints at the melancholic undercurrent which flows throughout even the most bright songs here and is especially evident on a handful of tracks. The driving, gyrating electric … Read more
I know I’d already read the band’s bio, but I think I would have guessed Pacific Northwest anyway. There’s just … Read more
After a 2013 full length album that marked the band’s first full-length as a self-described “Carp Rock Power Duo,” a … Read more
The meaning of the word “personal” does not even begin to describe what the COIN COIN works must signify for … Read more
When listening to a band you’ve never heard of, it’s a lot easier to make all those “sounds like” comments. … Read more
The basic tenets of theology and philosophy concern discerning right from wrong, good from evil. There will never be any … Read more
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Looking back at Sunbather, Deafheaven's sophomore release, it is very easy to understand how that album was able to become the point of dispute within the black metal realm. The debut album of Deafheaven, Roads To Judah, was easier to come to terms with. Its blend of black metal and post-rock, as well as the shoegaze tendencies were still at an early stage, although that would change. Deafheaven made a very big leap with Sunbather, merging their love for extreme metal, the expansive vision of post-rock and the emotional depth of shoegaze. The album itself was glorious, filled with great use of structures, changes in dynamics, extremity yet at the same time approachable and with a slightly, dare I say, melodic core.Even though what Deafheaven achieved with Sunbather is not … Read more
Third album for the American indie rock, and it comes with a quite disturbing story to it as well. Main man, Colin Huebert, of the band was diagnosed with hyperacusis, a condition that makes the ordinary noise level of everyday life intolerable. That enough could knock out most ordinary people, but you can only imagine what effect it could have … Read more
Naming an album is something of a branding concept. Yes, it’s also artistic, but occasionally those two worlds collide, even if we don’t want to admit it.Go To Prison is fitting for Pears debut. It’s angry and often reflects the tone of a loner lashing (slashing?) out at the system. Then the group choruses come, bringing solidarity to the forefront … Read more
If Fistful of Hollow seemed fast, well it is. Swingin’ Utters released Poorly Formed in 2013 and Here, Under Protest in 2011. With another one in the can in late 2014, the band is showing a little more experimentation this time around.That’s not say their folky version of ’77 punk has lost a step. The best songs here are “I’m … Read more
When it was announced that John Reis (Night Marchers, Rocket From the Crypt, Hot Snakes) was collaborating with The Blind Shake, it was expected that the combo would pack a punch. When it came out that the collaborative record was to be instrumental surf, even that made some sense—though the instrumental part is a bit surprising. But, as The Blind … Read more
Fifth album for the rock band from Chicago, and they are still at it, blending the elements of shoe gaze and kraut rock in their alternative rock base. Irreal is an album that finds Disappears pushing their sonic identity to extremes, with the dark quality of the album remaining always present as does their search of finding the most intriguing … Read more
You had to be there. In the grand scheme of box-office existence, Through The Never was a blip. The release was limited, as was apparently, the appeal. Despite all this, It was well worth seeing. It looked fantastic, the sound mix was great. It was possibly the most immersive concert-film experience ever. But, sadly, It will never be credited as … Read more
With a hard copy release that’s designed to look like a blood-spattered wedding invitation, The Messiah is Back has to be one of the most excitingly eclectic and boundlessly imaginative albums that came out in 2014 – or any year for that matter. Produced by Polish group Orange the Juice which, with its seven player lineup more resembles a jazz … Read more
There's something deliciously miserable about Dublin weather that stretches from the end of January to the early flecks of spring, with the pre-summer season not usually making its presence known until the end of April. The skies are grey and morbid, the rain feels heavy and overarching, the ground is muddy and the air has a prevailing chill. You get … Read more
It has been quite a journey for Jef Whitehead, aka Wrest, and for his solo project Leviathan. The longevity of the band is quite astonishing when you consider that its inception dates back to the late ‘90s, releasing myriads of demos through the years before the debut album, The Tenth Sublevel of Suicide, came out, with the aggressive sound of … Read more
After relocating from Cleveland to Philadelphia, singer/songwriter Matthew Scheuermann put together a self-titled three-song EP released on Valentine’s Day 2015 under the name of Roses. Working alongside crisp acoustic guitar strumming, Scheuermann’s voice reminds me a bit of Band of Horses vocalist Ben Bridwell or maybe even Jeff Mangum since he has a tendency to sing in a higher register, … Read more
Expect adjectives. Adjectives and hyphens. For, you see, Chokecherry are a punk band that doesn’t play punk songs. I guess folk-punk is the subgenre tag du jour, but that term steers in the wrong direction in many ways. As does country-punk, though it’s far more apt. Chokecherry play country songs run through a DIY punk filter, influenced by a lifestyle … Read more
It's a blank, black slate. There is little information, and everything about Cape Noire is ambiguous. Live pictures are, fittingly, of a woman in a black cape, her face shielded from the glare of the lights. As far as anyone knows, in the absence of a back story, Cape Noire have appeared out of nowhere. Their Ad Nauseam EP is … Read more
The origin of Mastery, the one man black metal project of Ephemeral Domignostika, is traced back in 2005. Through the years, Mastery have released five demos, a compilation of which is found in Barbaric Usurpation of the Hypereonic Black Metal Throne, and a couple of splits with Palace of Worms and Skullflower. So it has taken the act quite a … Read more
Canadian art rock band Women disbanded in 2012, and ex-members Matthew Flegel and Michael Wallace formed Viet Cong almost immediately afterwards. They released an EP, Cassette, in 2013, but this is the first LP we’ve seen from the band. The elephant-sized question in the room is: Is this album really a Viet Cong debut, or is it just another Women … Read more
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