After a 2013 full length album that marked the band’s first full-length as a self-described “Carp Rock Power Duo,” a title which I can in no way explain yet love nonetheless, South Bend, Indiana’s The Rutabega is back with Shiny Destination, a 7” vinyl release that presents two very different sides of the group’s sound. With its playfully chaotic feel, rough-around-the-edges vocal, and bouncy, toe-tapping surf rock construction, the title track reminds me of something that might have come from The Unicorns, a notion only reinforced by quirky lyrical content. Energetic and catchy, it’s a breezy piece that’s nearly impossible to dislike, joined by a b-side in “Ladder” that, with its laid back tempo and more emotional punch, resembles an ‘80s soft rock ballad. Personally, I think this is the perfect complimentary number, even if it’s a definite comedown from the sugar high that kicks off the disc. Barely over five minutes in length, Shiny Destination is very (too?) brief. Nevertheless, it made a strong impression on me and is well worth a listen. Read more
The meaning of the word “personal” does not even begin to describe what the COIN COIN works must signify for … Read more
When listening to a band you’ve never heard of, it’s a lot easier to make all those “sounds like” comments. … Read more
The basic tenets of theology and philosophy concern discerning right from wrong, good from evil. There will never be any … Read more
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Lakeland, Florida has given birth to spawn that has been attempted by many. Consisting of four members, Mouse Fire's debut album Wooden Teeth slices, blends, sometimes smothers, and completes the emo-pop sound forged in the beginning of the 2000's. Musically enchanting in its own right, every one of the twelve tracks contains a sense of musical prowess. Undoubtedly, the talent of these four individuals has been personified over the years. Vocal frontman and guitarist, Joey Bruce illustrates a mature control of melody and experimentation. He takes risks numerously throughout the album, taking his voice to new levels, attempting new genres of sound. On occasion he falls short, but never the less the attempt portrays a dignified approach to the artistic value of music. Don't box me in, the essential philosophy. … Read more
If Fistful of Hollow seemed fast, well it is. Swingin’ Utters released Poorly Formed in 2013 and Here, Under Protest in 2011. With another one in the can in late 2014, the band is showing a little more experimentation this time around.That’s not say their folky version of ’77 punk has lost a step. The best songs here are “I’m … Read more
When it was announced that John Reis (Night Marchers, Rocket From the Crypt, Hot Snakes) was collaborating with The Blind Shake, it was expected that the combo would pack a punch. When it came out that the collaborative record was to be instrumental surf, even that made some sense—though the instrumental part is a bit surprising. But, as The Blind … Read more
Fifth album for the rock band from Chicago, and they are still at it, blending the elements of shoe gaze and kraut rock in their alternative rock base. Irreal is an album that finds Disappears pushing their sonic identity to extremes, with the dark quality of the album remaining always present as does their search of finding the most intriguing … Read more
You had to be there. In the grand scheme of box-office existence, Through The Never was a blip. The release was limited, as was apparently, the appeal. Despite all this, It was well worth seeing. It looked fantastic, the sound mix was great. It was possibly the most immersive concert-film experience ever. But, sadly, It will never be credited as … Read more
With a hard copy release that’s designed to look like a blood-spattered wedding invitation, The Messiah is Back has to be one of the most excitingly eclectic and boundlessly imaginative albums that came out in 2014 – or any year for that matter. Produced by Polish group Orange the Juice which, with its seven player lineup more resembles a jazz … Read more
There's something deliciously miserable about Dublin weather that stretches from the end of January to the early flecks of spring, with the pre-summer season not usually making its presence known until the end of April. The skies are grey and morbid, the rain feels heavy and overarching, the ground is muddy and the air has a prevailing chill. You get … Read more
It has been quite a journey for Jef Whitehead, aka Wrest, and for his solo project Leviathan. The longevity of the band is quite astonishing when you consider that its inception dates back to the late ‘90s, releasing myriads of demos through the years before the debut album, The Tenth Sublevel of Suicide, came out, with the aggressive sound of … Read more
After relocating from Cleveland to Philadelphia, singer/songwriter Matthew Scheuermann put together a self-titled three-song EP released on Valentine’s Day 2015 under the name of Roses. Working alongside crisp acoustic guitar strumming, Scheuermann’s voice reminds me a bit of Band of Horses vocalist Ben Bridwell or maybe even Jeff Mangum since he has a tendency to sing in a higher register, … Read more
Expect adjectives. Adjectives and hyphens. For, you see, Chokecherry are a punk band that doesn’t play punk songs. I guess folk-punk is the subgenre tag du jour, but that term steers in the wrong direction in many ways. As does country-punk, though it’s far more apt. Chokecherry play country songs run through a DIY punk filter, influenced by a lifestyle … Read more
It's a blank, black slate. There is little information, and everything about Cape Noire is ambiguous. Live pictures are, fittingly, of a woman in a black cape, her face shielded from the glare of the lights. As far as anyone knows, in the absence of a back story, Cape Noire have appeared out of nowhere. Their Ad Nauseam EP is … Read more
The origin of Mastery, the one man black metal project of Ephemeral Domignostika, is traced back in 2005. Through the years, Mastery have released five demos, a compilation of which is found in Barbaric Usurpation of the Hypereonic Black Metal Throne, and a couple of splits with Palace of Worms and Skullflower. So it has taken the act quite a … Read more
Canadian art rock band Women disbanded in 2012, and ex-members Matthew Flegel and Michael Wallace formed Viet Cong almost immediately afterwards. They released an EP, Cassette, in 2013, but this is the first LP we’ve seen from the band. The elephant-sized question in the room is: Is this album really a Viet Cong debut, or is it just another Women … Read more
Back in 2008, Pyramids were setting off with the release of their self-titled debut album. Blending together the different elements of shoe gaze, post-rock, black metal, dark ambient, drone and experimental their first album was nothing less than fascinating. Following the release of the album a variety of artists and bands, including James Plotkin, Colin Marston and Blut Aus Nord, … Read more
Long Winter is the third proper full length from former Cambridge frontman Jesse LeBourdais and seems to be his fullest musical realization to date. While his previous solo releases have been folk-oriented acoustic endeavours,Long Winter utilizes a full band for the entire recording. The instrumentals on the album give it depth and dynamism without taking away from the rawness and … Read more
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