If Danish punk band Iceage’s debut New Brigade gave us just that, then it looks like their third album Plowing into the Field of Love gives us another brigade. Indeed, if it weren’t for Elias Rønnenfelt’s distinct baritone vocals (think Jonathan Richman of The Modern Lovers or Ian Curtis of Joy Division), we probably wouldn’t recognize Plowing as another Iceage album. While Plowing stays true to Iceage’s 12-songs-an-album tendency, it’s nearly 50-minutes long, while the band’s first two albums weren’t half an hour. Iceage doesn’t dawdle with their extra time: they take us on a dynamic, never-boring journey with tempo, instrumentation, and even genre. Plowing will please anyone who liked the face-pounding albums You’re Nothing and New Brigade, and it will likely convince others to jump on the Iceage train who weren’t already on the off-the-rails ride.Plowing is an obvious change of instrumentation – pianos, horns, and even mandolins inhabit this album – but this doesn’t mean Iceage has made a change of heart. Plowing still gives you that unapologetic punk attitude that gave everyone bruises in Iceage moshpits. The gleeful mandolin on “Abundant Living” dances beside Rønnenfelt’s literal hacks that he throws in at the beginning of songs (listen … Read more
Sergio Mendes is a Brazilian legend. His name might not be a big draw here at Scene Point Blank, where … Read more
Franz Nicolay is often billed as an ex-member of The Hold Steady, an ex-member of The World/Inferno Friendship Society, or … Read more
Writing a review for a live album can be a daunting task. There's only so much you can say about … Read more
Over the course of their last few records these Minneapolis crust punk stalwarts have really honed their metal chops. I’ll … Read more
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Long before this band went the way of the metal ear candy purveyors that they eventually turned into (check out Courting Tragedy And Disaster for a reference), Himsa dropped this terribly under appreciated and short eponymous EP on an arguably rather stagnant era of hardcore and punk with a dark tone and a bit more of a nuanced view of politics within and without the tight knit community that birthed the band and housed all of our horse blinder mentalities (at least from time to time the punk and hardcore community is so insular that it hurts); but regardless of the context, these three short blasts were something new and are definitely still exciting today. There are only three songs on their self titled EP (I believe only two on … Read more
The Banner has always been a band that embraced the darker side of their style. Being a hardcore band that tends to them lean closer to metal than punk, the band have always made their own version of this general style. Whether it was the more youthful style of their early album Your Murder Mixtape or later with the murky … Read more
You can’t have your middle finger in the air all the time. As such, Isaac Thotz (The Arrivals) has stepped away from his punk-leaning project to explore spacey 1960’s inspired psychedelia with The Treasure Fleet. The band also includes members of Smoking Popes, The Lawrence Arms, and Sass Dragons and was produced by Preston Bryant of Andrew Jackson Jihad, so … Read more
I first discovered Atlas Losing Grip after the release of their 2009 EP, Watching the Horizon, and became an instant fan. 2009 seemed to be a dark time for technical melodic skatepunk and Watching the Horizon was basically a glimmer of hope in the blackness. It didn’t hurt that the singer, Rodrigo, was a founding member ofSatanic Surfers, one of … Read more
Running nearly 70 minutes in length, the Neonautics v.01 compilation from Russian label skyQode collects sixteen tracks (many of which in album-exclusive versions) from a variety of European synthpop artists who clearly know their stuff when it comes to making catchy, danceable electronic music. Full of bouncy rhythms, lots of flashy keyboard and synthesizer, and awkward but lovable “English as … Read more
Hailing from Australia, Skye Klein’s project Terminal Sound System is set on an interesting path. The merging of doom, post rock, and jazz with the diverse fields of electronica and heavy dub has yielded some very promising results. The music of Terminal Sound System is quite difficult to pinpoint due to the above reason but what is quite intriguing with … Read more
Offering up an abrasive quintet of hardcore punk that flies by in five minutes, the 2015 self-titled demo from Oakland, California four-piece I WANNA DIE conveys the type of reckless desperation suggested by their name – the hopelessness present in the material is probably the demo’s strongest and most noticeable aspect. An opening trio of 45-50 second punk thrashers gives … Read more
Creating the most welcoming introduction that you're likely to hear this year, S opener "Swimming Pool" features haunting, echoing synthesisers that sound like a distorted church organ, while Wild Beasts' bassist Tom Fleming's vocal timbre compliments the ethereal quality of the song. Musing on the perils of engaging with other people on "Social Halo", Emmy sings "You and your friends … Read more
The Blind Shake have been consistently banging out juicy, syncopatic jams for the better part of a decade now. Breakfast of Failures is their fifth full-length and, with it, continues the evolution. They’ve always been a concise group, focused on big stomping hooks within the confines of a pop structure, and they’ve slowly made their sound less homogenized in the … Read more
Just last year, Kayo Dot were releasing one of their most ambitious and challenging albums, Hubardo. The US based band, led by mastermind singer/songwriter/multi-instrumentalist Toby Driver, has made a career out of their crazy mold of different musical genres. Hubardo was the perfect example of the Kayo Dot vision, encompassing in its two disks elements of avant-garde metal, post-metal and … Read more
In his long, storied, and in this mind, legendary career, Thomas Gabriel Fischer (Tom G. Warrior) has been a man of dark talent and darker vision. Where I think he has always been separated from his peers however, is always being able to show the listener the beauty in that darkness. From Hellhammer to Celtic Frost to Apollonyon Sun to … Read more
For years I was the biggest Rancid fan. The first record I didn’t buy on its release date was B-Sides & C-Sides, and that’s because I already had the songs. I was an unapologetic completest. As the post-2000 records have been coming, I became an apologetic completest. I bought the double album version of Let the Dominoes Fall and spun … Read more
Detailing the history of southern California punk of the late 1970s and early ‘80s and in particular, the scene that revolved around the legendary Cuckoo’s Nest club which hosted live music shows, the 2012 documentary Clockwork Orange County: The Rise of West Coast Punk Rock! (which earlier had been released under the title of We Were Feared) covers a fascinating … Read more
Pharaoh’s debut full-length, Negative Everything, is an absolutely crushing release. The New Jersey three-piece play a blend of doom, sludge, hardcore, and crust that is generally slow, sometimes fast, never predictable, and always heavy. The record’s opening track, “Recease,” starts with a slow, chugging, unaccompanied guitar and effectively sets the pace for the record. Pharaoh has no need for frills, … Read more
Tar has been an insane surprise for me. Even though the album was released back in December, I did not notice Weeping Rat until Handmade Birds announced that they were going to release the album on vinyl with an additional five bonus tracks! Weeping Rat comes from Australia, and even though when you first hear their music you will probably … Read more
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