The Brokedowns have come a long way. That’s not to say they were torchbearers of suckitude earlier, but early reviews of the band were festivals of namedropping and comparisons to various Midwestern-tinged punk groups. On Life Is A Breeze, those RIYL days of yore can go straight into the Springfield tire fire: The Brokedowns have their own sound and it’s alternatingly angry and melodic, blistering and unpredictable.While they are a good fit with Chicago-based label Red Scare Industries, The Brokedowns have a heavier edge than the pop-punk the label tends to work with. The vocals are most always gruff and shouted, regardless of the singer, and the bass tends to lead the rough and pounding aggression while the guitars and backing vocals come in with melody. “The Gospel of Mustafa” is as good a starting point as any for their style. The vocals are shouted, with backing vocals coming in an equally hoarse manner that provides melody but without any sugar to it. The structure is familiar enough to let your voice go AWOL in singing along, but it avoids the trappings of genre-based writing, eschewing easy choruses and pogo-happy hooks. Vocalists Jon and Kris aren’t just singing themselves hoarse, … Read more
The Dead Milkmen were always an idea band. A band who sparkled or fizzled depending on that idea, with some … Read more
It’s not so surprising that 2014’s Shortwave Nights, the debut album from Canadian duo Hiss Tracts, sounds similar not only … Read more
Bate Kush, the second short release from a side-project of drone and ambient musician Foie Gras known as Bad Kisser, … Read more
When it comes to minimalistic ambient and dark jazz it does not get much better than these. Two great acts … Read more
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The last couple of years the Macedonian punk scene was a revelation to me. Fonija, Bernays Propaganda and Noviot Pochetok became personal favourites while other bands like Xaxaxa have had their regular time on my turntable as well. What these bands have in common is a sense of melody that is rather melancholic, the courage to develop their sound in new directions and the fact they sing (mostly) in their mother tongue.That last fact is something that I have learned to appreciate. Instead of lyrics in broken English the singer is self assured and has the freedom to express him- or herself in the language that is closest to the heart. Of course, it is pretty hard for me to sing along with lyrics in a language I do not … Read more
When I hear the phrase “indie rock,” I think of about 4-5 things: Pavement, The Pixies, maybe Weezer, glasses, skinny guys, and bizarre instrumentation or time signatures. Some of that (queue the ‘90s references there) is due to my age, as the former part of that description is a bit more rock oriented than the latter. That former part of … Read more
Reunited bands have a tendency to disappoint. Maybe their hearts aren’t in it the second time around, maybe they’ve changed as artists and individuals, or maybe the expectations of a rabid fanbase are impossible to meet.Whatever the case, let’s put aside our memories of In Name and Blood, their last studio full-length which came out 14 years ago, and focus … Read more
Gloriously imperfect and scratchy, the P-Sides Demo by Denver, Colorado’s Strawberry Runners starts off with “Slip In.” Initially sounding like melodramatic ‘50s pop with a folky undercurrent and sauntering rhythm, the piece works towards a climax of triumphant guitar and jangly background noise. Singer Emi Knight provides a melodic focal point to the piece with her soaring vocal, while male … Read more
Classically trained musician and collaborator of Hidden Orchestra, Poppy Ackroyd, follows the neoclassical path that started off with her debut album, Escapement. In her first full-length Ackroyd was bringing piano and violin on the spotlight and creating tremendous atmospheric music with her melodic ideas. Her collaboration with visual artist Lumen, who created bespoke films for her live performances, led to … Read more
Made up of one half of Sweden’s Masshysteri (vocalist Robert Hurula and drummer Erik Viklund), Cross play dark and grimy music that seems indebted to the almost primal, noisy garage rock of the ‘60s and ‘70s. The group’s loud, sinister, and chaotic 7” debut Pyre makes up for what it lacks in quantity with an overload of shrieky guitar, loud, … Read more
Oruga’s sludged out sound is deep, dirty and disgusting and the French quintet move through massive pits of despair to crawl through the filth and head towards the inevitable end of debut full length Blackened Souls. Their sound has slowly been evolving since the release of a well-received demo in 2010 and with orthodox or post-black metal being more the … Read more
In many ways The Rebel Spell’s Last Run is a depressing album. The cover art depicts a feeble, aging anthropoid trying desperately to hold back an immense industrial wave. It’s clear that he won’t be able to stand his ground for long. The album title itself can be interpreted as an ominous prediction for the fate of our civilization. And … Read more
With their sophomore album, Sky Burial, Inter Arma released one of the best metal albums of the past year. Their style of playing brought to mind the earlier days of Mastodon and Baroness, but Inter Arma was not merely borrowing ideas from the two great acts. The vibe that Sky Burial had was much darker and bleaker than any of … Read more
I can’t figure out just who The Rational Anthem remind me of, but it’s poppy on the clean and crisp side, with a lot of backing harmonies and a fun sound that counters what is generally a lost at sea mindset. In other words, it’s Midwest-influenced pop-punk that would fit great on a comp with bands like Dear Landlord, The … Read more
Following a handful of shorter releases, San Francisco three-piece The Bilinda Butchers (named after the guitarist/vocalist from My Bloody Valentine and made up of Michal Palmer and Adam Honingford who alternate on vocals, bass, guitar and synth, as well as drummer Ryan Wansley) released their full length debut in mid 2014 and in doing so, followed through on the potential … Read more
Now that was intense! Having listened to the new Baptists full-length multiple times I still cannot get enough of it. The crust of Baptists is rapid and exciting, filled with violence and oppressed anger. The band from Canada is releasing their second album, Bloodmines, just one year after their debut album, Bushcraft, was out. And since everything seemed to be … Read more
In a career lasting some two and a half decades at this point, Earth has gained near-legendary status and plenty of critical acclaim for making expansive drone masterpieces. Over the years though, the band has mellowed out a bit: by the time The Bees Made Honey in the Lion’s Skull came along in 2008, the group had incorporated melodic elements … Read more
Having piqued the interest of Jack White while handing out demos at a Dead Weather show in Detroit, Olivia Jean was quickly initiated into the Third Man Records family. She became the frontwoman of garage rockers The Black Belles, and has backed an assortment of Third Man Records signings, such as Karen Elson and Wanda Jackson. Now, armed with her … Read more
“This is how losers feel // I am a loser // and you’re here to remind me” ...so begins Cool Choices, recorded by Jenn Ghetto, founding member of the outstanding and sorely missed Carissa’s Wierd, under the name of “S.” Ghetto has made a career of producing some of the most heart-wrenching, emotionally-devastating, and downright sad tunes imaginable, and this … Read more
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