Andrew Jackson Jihad make a return on their new label home, Side One Dummy, after a long tenure on Asian Man Records. Usually when a band makes a jump after a long run, many find a cause for concern. I assure you, there's nothing to worry about. The lyrics are as offbeat as ever and the compositions are still whimsical and catchy. The album also welcomes back Preston Bryant, Deacon Batchelor, and Mark Glick from Knife Man's recording sessions--this time as permanent additions to the band. As a more well-rounded full band this time around, everything feels more contrived. They open Christmas Island in true Andrew Jackson Jihad fashion. "Temple Grandin," is the classic folk romp you can expect from the band. It's a song described by frontman, Sean Bonnette, as finding your own way to ignore people that try to bring you down. There's nothing to bring down here. The song leads into "Children of God," which keeps the pace going. The piano is much more present on this record, and it's such a welcome component -- adding even more pleasant harmony to the songs. Up next is, "Do, Re, and Me." The track is pure rhythm and beautifully … Read more
If you find yourself loving classical or orchestral pieces, but would just enjoy something with a little more electronic funky … Read more
Four years on in a career that’s seen them work on perfecting the brand of quirky 1990s alt rock of … Read more
Omen Ex Simulacra is a difficult record - one that twists and forms new shapes as it progresses, one that … Read more
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After all the bedroom pop to come out of quarantine, we finally have a band doing something new that sounds like a real record, not an experiment. The Mimes features Maura Weaver, John Hoffman, and Megan Schroer, who played together in Boys long ago, and more recently in separate projects such as Homeless Gospel Choir, Ogikubo Station, and Vacation.Fittingly, The Mimes sound a bit like all three of those bands. But it’s far more experimental in nature, even if they mask it well by layering melodic guitars, vocals, and synthesizer up front and mixing the weird bangs, clangs, vocal effects underneath.This record feels like a journey -- or more accurately, a trip. It starts out upbeat and peppy: hopeful but cynical, then it turns into a mind trip with cyclical … Read more
Even though I’ve listened to some of their material, I hadn't really plunged deep into Fucked Up-mania. It wasn’t until I checked out their new song “Paper The House” that I became captivated by the music of this tumultuous, rudely-named band. The tribal drum intro, the ecstatic guitar duel, and barechested frontman Damian Abraham’s face-melting, guttural howls make Glass Boys’ … Read more
We all have our dark places and those journeys to and through and from those midnight shores in the bleak silence of night can produce some of the most meaningful moments of one’s life whether it be a conversation with a person that you barely know or just sitting with your cat staring into its eyes wondering what its thinking … Read more
Much like the recently-reunited Owls, the unfortunately short-lived American Football was a group formed from the remnants of seminal Midwest-based 1990s emo band Cap’n Jazz (whose members went on to form a seemingly endless number of great bands). Unlike Owls who set about making rhythmic post-punk however, American Football’s lineup of Mike Kinsella (guitar, bass, vocals), Steve Lamos (drums, trumpet), … Read more
You know the saying: “Third time’s the charm?” Well it could not be more suitable for the latest Lord Mantis album. The band from Chicago delivered two previous full-lengths, Spawning the Nephilim and Pervertor, both of which were great, but this one really fucking hits the spot. Death Mask is way nastier and dirtier listen, lifting the band to a … Read more
It’s almost at the point where Chuck Ragan has reinvented himself. Sure, he’s always had the voice and he’s done the countrified thing in the past with Rumbleseat, but the level of professionalism and dedication he’s brought to his solo project is worth noting. He’s now released four solo records and built his own momentum beyond the punk rock scene.Till … Read more
With roots in Orlando, Florida but now touching down in Philadelphia, members of hardcore outfit Direct Effect have presumably fallen victim to the general awfulness that is otherwise known as traveling up and down I-95 for extended periods of time. A slow crawl on a good day, traffic on this expanse of east coast highway has been actually known to … Read more
Considering that many of the group’s earliest albums were sometimes described as being unlistenable, it’s odd that Swans have garnered increasing critical acclaim and notoriety some thirty years on in their history. Led by Michael Gira, the only player remaining from the group’s earlier incarnation that was declared as “dead” following 1996’s outstanding Soundtracks for the Blind (an album I … Read more
Listen, I will fully admit that I am a hopeless Swans fan boy and might even listen to a record filled with sounds of the members defecating and giggling to each other while doing such a dirty deed; so imagine my immense surprise that not only did To Be Kind not immediately blow me away with its intense two plus … Read more
A post-rock review is always a challenge. If you think it’s tough to capture the attention of an audience and carry them on your journey, musically, for 45 minutes without lyrics or choruses then try writing about that action. The successes and failures of the genre come in the ebb and flow, the storytelling, atmosphere, and ability to pull away … Read more
Many people don't realize it, but Green Day released a trio of albums throughout the fourth quarter of 2012. However, due to some personal problems and a public breakdown at a festival from frontman, Billie-Joe, promotion for the albums was put on hold. Those albums, Uno!, Dos!, and Tre!, had their share of lackluster songs, but they also contained some … Read more
Portland, Oregon (and beyond) and Agalloch have long been held in high regard as being at the forefront of the much-loved Cascadian black metal movement. With bands like Wolves In The Throne Room, Skagos and the oft-cited as hugely influential, Weakling as peers and a curiously under-appreciated record in 2010s Marrow of the Spirit, Agalloch have much to prove with … Read more
Coffinworm has been terrorizing the world since the release of their debut demo, Greater Bringer of Night. From that point on the black/doom/sludge sickening horror that they unleashed continues to haunt us. Their excellent debut album, When All Becomes None, would certainly seal the deal, and their split with Fistula would only increase the anticipation for a follow-up album.So here … Read more
Merzbow is noise music. While this may seem like an overstatement, Masami Akita is the forebear of the genre itself not to mention the most well known name in said genre. So i would have a hard time believing anyone involved in noise in even the most perfunctory way would pass up the opportunity to work on a project with … Read more
It is quite difficult to define what Barren Harvest is offering in Subtle Cruelties. The duet of Jessica Way of Worm Ouroboros and Lenny Smith of Atriarch and Trees has found an intriguing way to present a neo folk album. But, it seems like there is always something underlying the initial folky sound of the album with its majestic melancholic … Read more
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