Universally regarded as one of the most important figures in the world of instrumental hip hop and turntablism after having gained massive recognition for 1995’s Entroducing....., DJ Shadow (a.k.a. Josh Davis) seems in recent years to have been operating more in the, well, shadows of an electronic music scene that’s increasingly been focused on the newest and shiniest acts. Released three years after Shadow’s previous full length The Less You Know, The Better, 2014’s The Liquid Amber EP marks the first release on the music imprint of the same name, founded by Shadow himself. Containing two originals and a remix and running a little over eleven minutes in length, The Liquid Amber shows that one of electronic music’s most heralded performers can still stay relevant in today’s scene and hopefully is an indication of bigger, better, and more things to come in the future. The EP kicks off with “Ghost Town,” which has that “anything goes” vibe that seems to be popular with today’s electronic music producers. The first minute or so of the track operates under icy synthesized tones and a severe, robotic rhythm before sampled vocals join in along with trademark DJ Shadow live drumming. After a brief … Read more
Padkarosda is a three piece punk band from Hungary. Szabadulásom Művészete (translated as Art Of My Liberation) is their second … Read more
It’s difficult to find a decent single-track LP these days. A classic is Sleep’s Dopesmoker (disregarding the album’s live bonus … Read more
I must admit, before I sat down to watch this I wasn't exactly excited to listen to Circle Jerks vocalist … Read more
The Hold Steady has been on quite a ride. They went from “New York bar band” to critical and indie … Read more
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My first real exposure to Daughters would be an argument amongst SPB staff members in a thread on our dainty message board, in which their hype and their similarities to the Locust were put on the table. Not being a big fan of the Locust myself, this didn't give me too high of hopes for the Locust, in terms of me finding them appealing to me. After about 14 minutes or so, I realized the record was over. I was a bit confused, I wasn't sure if I had gotten trapped in some hole in the space-time continuum, so I checked my watch and all surrounding clocks, but apparently time had passed as it usually does. The least I can say about Daughters is that they don't outstay their welcome, … Read more
Wrong Side of History is the debut 7” by Chicago upstarts Earth Girls. This piece of weighty green wax (via Grave Mistake in the United States) was recorded during the same session as their sold-out limited run demo cassette from earlier this year. Earth Girls are headed up by Liz Panella of Libyans and Broken Prayer on guitar and vocals. … Read more
I’m not sure what this says about me, but I like Astpai’s Burden Calls just fine but it takes until they pull a sample from Teenage Mutant Ninja Turtles (the original) to hit that next level. It has little to nothing to do with the actual songs, but somehow it shifts the tone and the energy just picks up at … Read more
Musically tight and lyrically inventive, Pittsburgh, PA-based, self-proclaimed “slacker rock” group Girl Scout seems to draw inspiration from various indie rock groups of the ‘90s and early 2000s - it doesn’t at all seem a coincidence that the band included a cover of Pavement’s “Cut Your Hair” as the b-side to their first single. Built around Jeremy Zerbe’s vulnerable voice … Read more
Proving that Italians can do the doomy, post-metal thing just as well as anyone else, mysterious and methodical five-piece group John, the Void’s 2014 self-titled EP (which actually runs a bit longer than what I might typically expect from an extended play) features six tracks ranging from two minute ambient pieces to sprawling, nine-minute epics. Throughout this very atmospheric but … Read more
Despite the fact that the man’s been dead for more than two decades at this point, the reputation of GG Allin, self-described “public animal #1” who aimed to bring the danger back into rock and roll through live performances that existed somewhere in the netherworld between punk rock shows and performance art pieces, has only continued to grow over the … Read more
Hour-long songs can be somewhat of a hard sell. For starters, there has to be an audience of listeners who are willing to carve out the time and sit and engage for sixty-plus minutes. Additionally and most crucially for instrumental projects, the sounds have to be there. Dopesmoker is an hour long, but it tells a story to go along … Read more
Demonstrating on their 2013 self-titled EP that they may be the modern group that best replicates the sound of classic, British shoegaze bands (particularly, Isn’t Anything-era My Bloody Valentine), Baltimore five-piece Wildhoney returned with 2014’s three-track Seventeen Forever. Showing off new vocalist Lauren Shusterich as well as more confident songwriting, the EP kicks off with the calming “Seventeen.” Guitarists Joe … Read more
Heartbreak in its truest form is one of life's most sobering and unyielding experiences. As the tedious old adage goes: there's a thin line between love and hate. The strength of these emotions can feel like a bizarre tug-of-war. They're not lacklustre, they're arresting, enthralling and all-consuming. If You Wait siphons some of the rawest feelings, left over after picking … Read more
Say what you will about the old “don’t judge a book by its cover” metaphor, but it’s got some credence in the music world too. The Sands’ Hotel & Casino is a case in point. The black vinyl sleeve may have suggested something darker, but the simplicity and attention to precision that marks the cover is befitting of the record … Read more
Total Funeral is the entire anthology-to-date of Electric Funeral, the one-man Swedish raw punk hobbyhorse manned by Jocke D-Takt. And holy crap is it ever unnecessary. We’re talking about 53 songs that, to the untrained ear, are nearly indistinguishable from one another. Southern Lord, as is their wont, reached into their deep-ish pockets to compile material from yet another act … Read more
I had the fortitude to come across GOG’s previous album, Ironworks, and was astonished with what I discovered. On his previous album, Michael Bjella (the man behind GOG) explored the noise and industrial scenes with much precision and no hesitation when it comes to how extreme a musical offering can be. The ability of Bjella to retain the harsh industrial … Read more
Running nearly twenty minutes in length and featuring two tracks, 2014’s Elegy is the second demo from Indonesian five-piece Maur. I’d classify this band as sounding somewhat similar to stoner metal, particularly on Elegy’s fourteen minute title track which unleashes crisp guitar work played at a deliberate, relaxed tempo. There are moments when the instrumental parts didn’t quite match up … Read more
Though the band is not doing anything that the typical punk rock fan wouldn’t have heard dozens of times before, there’s definite energy and excitement in the four rowdy songs featured on Finnish group Van Dammes’ debut EP. Opening track “(Let’s) Go” kicks the album into high gear immediately, with the sort of singalong punk one would expect from The … Read more
Known primarily as the frontman for Black Moth Super Rainbow, Tobacco (the stage name of electronic musician Thomas Fec) has nonetheless carved out a little niche for himself as a solo artist in the electronic music scene with albums like 2010’s Maniac Meat, which featured contributions by the one and only Beck. Four years later, Tobacco has unveiled Ultima II … Read more
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