Much like the recently-reunited Owls, the unfortunately short-lived American Football was a group formed from the remnants of seminal Midwest-based 1990s emo band Cap’n Jazz (whose members went on to form a seemingly endless number of great bands). Unlike Owls who set about making rhythmic post-punk however, American Football’s lineup of Mike Kinsella (guitar, bass, vocals), Steve Lamos (drums, trumpet), and Steve Holmes (guitar) crafted an influential brand of emo music that provided a more mature alternative to what one might typically accept that genre to be all about. The group’s only full-length album, a 1999 self-titled effort, has gradually come to be accepted as one of the finest genre releases of its day or perhaps, ever, prompting a two-disc re-issue in 2014 by Polyvinyl Records. Roughly doubling the length of the album, this deluxe edition contains ten bonus tracks, including several demo and practice tracks as well as a handful of live recordings. All in all, it’s a great package for old and new fans alike.Though the nine-track American Football album is solid from top to bottom and boasts excellent production, Mike Kinsella’s vocals may be the main reason why it has stood the test of time. Whereas many … Read more
You know the saying: “Third time’s the charm?” Well it could not be more suitable for the latest Lord Mantis … Read more
It’s almost at the point where Chuck Ragan has reinvented himself. Sure, he’s always had the voice and he’s done … Read more
With roots in Orlando, Florida but now touching down in Philadelphia, members of hardcore outfit Direct Effect have presumably fallen … Read more
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Pallbearer’s evolution from their early days as a dark, funeral doom leaning band into a prog-embracing emotive force is well documented in their back catalogue and as Forgotten Days expands the horizons of their sound, Pallbearer open up their hearts for all the world to see. This record is vulnerable and honest in its humanity and much like their previous work where Pallbearer were known for giving glimpses into their past through their music, Forgotten Days delves further beneath the surface to show the cracks in all their painful glory.Previous record Heartless was steeped in a sorrow that was tangible in its aching progressions and it was here that Pallbearer stepped up to become a band that was more than just the sum of its influences – this was now … Read more
A post-rock review is always a challenge. If you think it’s tough to capture the attention of an audience and carry them on your journey, musically, for 45 minutes without lyrics or choruses then try writing about that action. The successes and failures of the genre come in the ebb and flow, the storytelling, atmosphere, and ability to pull away … Read more
Many people don't realize it, but Green Day released a trio of albums throughout the fourth quarter of 2012. However, due to some personal problems and a public breakdown at a festival from frontman, Billie-Joe, promotion for the albums was put on hold. Those albums, Uno!, Dos!, and Tre!, had their share of lackluster songs, but they also contained some … Read more
Portland, Oregon (and beyond) and Agalloch have long been held in high regard as being at the forefront of the much-loved Cascadian black metal movement. With bands like Wolves In The Throne Room, Skagos and the oft-cited as hugely influential, Weakling as peers and a curiously under-appreciated record in 2010s Marrow of the Spirit, Agalloch have much to prove with … Read more
Coffinworm has been terrorizing the world since the release of their debut demo, Greater Bringer of Night. From that point on the black/doom/sludge sickening horror that they unleashed continues to haunt us. Their excellent debut album, When All Becomes None, would certainly seal the deal, and their split with Fistula would only increase the anticipation for a follow-up album.So here … Read more
Merzbow is noise music. While this may seem like an overstatement, Masami Akita is the forebear of the genre itself not to mention the most well known name in said genre. So i would have a hard time believing anyone involved in noise in even the most perfunctory way would pass up the opportunity to work on a project with … Read more
It is quite difficult to define what Barren Harvest is offering in Subtle Cruelties. The duet of Jessica Way of Worm Ouroboros and Lenny Smith of Atriarch and Trees has found an intriguing way to present a neo folk album. But, it seems like there is always something underlying the initial folky sound of the album with its majestic melancholic … Read more
Tweak Bird is the Los Angeles sludge-pop duo of Caleb Benjamin and Ashton Leech. Their stoner/garage rock crossover sound has enabled them to share the stage with acts ranging from art metal quartet Tool to cheeky indie poppers Best Coast.The duo’s latest release, Any Ol’ Way, combines the gritty metal of Kyuss with the indie psychedelia of Tame Impala. The … Read more
WAR//PLAGUE always come a little different each time out. Primal is their fifth release (and the seventh single in the Profane Existence Single Series) and one that shows the Minneapolis quartet stripping away the evolved crust and blackened characteristics of their previous material in favor of a sound that is more, well, primal. Jamming an airtight metal-punk attack into its … Read more
I heard about Tweens as a Vacation side project. Well, they’ve dwarfed that band’s popularity already, so it’s the last I’ll use that term. The Cincinnati three-piece released their self-titled debut earlier in April on French Kiss Records, and they’ve been hitting the supporting tour scene hard, including dates on the Breeders’ recent Last Splash tour.So how does a band … Read more
Whole genres are made off the backs of originators. Sometimes these genres become forgotten for awhile or just bogged down with repetition and simplicity. Every once in awhile a band sheds mere aping to become something interesting, yet familiar. Something clearly within genre stereotypes but with their own sense of interpretation. The Bellicose Minds are one of those on the … Read more
I haven't been following Architecture in Helsinki too much since the underwhelming, Places Like This. In 2011 they released, Moment Bends, which almost completely flew under my radar. I once again almost missed another album cycle with their new record, Now + 4EVA. Following their sophomore output, In Case We Die, the group began to lean more towards synth-pop and … Read more
Often when a critic writes of a band not changing its sound it’s meant in the negative light: art should be about exploring new boundaries and punching the listener in the face with something new. But sometimes it’s not.Banner Pilot have been kicking out raspy pop-punk jams for the better part of a decade now—since 2005—and in that time they’ve … Read more
Five years removed from a self-titled debut released on the legendary Slumberland Records label that to many, signaled the return of sugary indie pop and shoegaze, New York City-based group The Pains of Being Pure at Heart return with 2014’s Days of Abandon, an album that demonstrates that lead singer and guitarist Kip Berman has all but perfected his songwriting … Read more
Self-released in November of 2013, Roaming Herds of Buffalo’s Alien Canyons is the band’s second release to date. The Seattle-based group has described this outing as a “collaborative project” in their web-based press kit, although I’m not sure what to conclude from this vague statement. Maybe everyone played everything and everyone got songwriting credits? Maybe the band considers these types … Read more
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