Demonstrating on their 2013 self-titled EP that they may be the modern group that best replicates the sound of classic, British shoegaze bands (particularly, Isn’t Anything-era My Bloody Valentine), Baltimore five-piece Wildhoney returned with 2014’s three-track Seventeen Forever. Showing off new vocalist Lauren Shusterich as well as more confident songwriting, the EP kicks off with the calming “Seventeen.” Guitarists Joe Trainor and Dave Litz deliver distorted background parts and tinny, warm melodies over bassist Alan Everhart’s ragged and growling bass, while Shusterich’s dreamy vocals make this song quite catchy with lyrics that fit perfectly into the musical base. “Get Out of My Dreams” is a more punchy, uptempo song that incorporates similarly intricate melodic construction and the more driving album finale “Soft Bats” positively glows when warm vocal harmonies show up during the chorus. The odd jingle-jangle of discordant, unconventional counter-melodies happening in these tracks speaks to the fact of how musically-savvy and open to experimentation Wildhoney is even this early on in their career. All things considered, this band is doing the neo-shoegaze thing better than most groups that have been trying for years and I couldn’t be more excited to hear their future releases. Read more
Heartbreak in its truest form is one of life's most sobering and unyielding experiences. As the tedious old adage goes: … Read more
Total Funeral is the entire anthology-to-date of Electric Funeral, the one-man Swedish raw punk hobbyhorse manned by Jocke D-Takt. And … Read more
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Finally, I seriously have been waiting for this album since Cursed released last year's furious EP, Blackout at Sunrise. No, scratch that because the wait has been going since I listened to II (their obviously titled second album), and while Blackout at Sunrise was a bit of a tease and served to get listeners through until III. Cursed lay down eleven tracks of their loud and brash version of hardcore/ punk thrashing with what is appropriately the band's third full-length, III: Architects of Troubled Sleep to my surprise includes none of the songs from their recent EP but instead offers a whole new batch of tracks with Chris Colohan's personal polemics to digest. When I first put III on my stereo, the sound collage of individuals speaking create a nasty … Read more
Though the band is not doing anything that the typical punk rock fan wouldn’t have heard dozens of times before, there’s definite energy and excitement in the four rowdy songs featured on Finnish group Van Dammes’ debut EP. Opening track “(Let’s) Go” kicks the album into high gear immediately, with the sort of singalong punk one would expect from The … Read more
Known primarily as the frontman for Black Moth Super Rainbow, Tobacco (the stage name of electronic musician Thomas Fec) has nonetheless carved out a little niche for himself as a solo artist in the electronic music scene with albums like 2010’s Maniac Meat, which featured contributions by the one and only Beck. Four years later, Tobacco has unveiled Ultima II … Read more
Coming to prominence in 2011 on the strength of the almost unanimously praised debut LP Meet Me at Muster Station, PS I Love You (made up of guitarist/vocalist Paul Saulnier and drummer Benjamin Nelson) popped up at precisely the right time to take advantage of a music community all too willing to embrace an unconventional indie rock duo. Though the … Read more
At one point during Kids Like You & Me, the documentary chronicling Atlanta "flower-punks" the Black Lips' 2012 tour through the Middle East, drummer Joe Bradley remarks that it would be easy for the band to go out and book a tour in North America or even Europe really since the band already has a developed audience there. However, for … Read more
Low Forms self-titled 7” is a six minute blast of power-pop defined by clean guitars, rhythmic chops, and traditional format rock ’n’ roll. While it’s not reinventing anything, it’s a solid homage to a timeless style with a nice build-up from opening verse to close, milking the verse-chorus-verse structure to increase urgency as the song progresses without succumbing to dumbed … Read more
This black metal act from Louisiana continues to spread destruction and devastation. Barghest released their debut album back in 2011, unleashing an echoing shout of misanthropy and obliteration. After their self-titled album, the band put out a split EP with fellow black metal act, False, which also marked their first work for Gilead Media. So now the band carries on … Read more
White Reaper is a cool-named trio who are rubber-burning their way out of the Louisville, KY DIY scene. There’s a dude named Tony Esposito who sings and plays the guitar, and twin brothers Nick and Sam Wilkerson who play drums and bass respectively. Their self-titled debut EP will appeal to fans of Wavves, Japandroids, and Jay Reatard. Hate to drop … Read more
This drug influenced, euro-electronic laser beam, drum and bass can be very, VERY repetitive, Anxiety inducing, tough to listen to, and at times I felt like it was going to trigger a panic attack or an audible seizure.An ‘80s pop-locking, track suit wearing dance crew wouldn't touch this album that brings no emotion or anything of value to the table. … Read more
Despite a confrontational name, Versus You are every bit positive punx with songs praising friendship, relationships, and the like. It’s not that they play bubbly music countered with cynical lyrics, but they place peppy rock that’s further emphasized by sunny reflections over a gritty pop punk sound. The band is also pretty guilty of abusing the RIYL tag on a … Read more
Versus You's album Moving On is short and sweet, but not with out its flaws. It's heartbreak music at its semi finest and the simple yet meaningful lyrics and fun brand of melodic, emotional pop punk establishes itself well with the opening track “When It All Goes Down.” Don't be fooled by the opening track, there's a lot this album … Read more
Hotel Books' I'm Almost Happy Here But I Never Feel At Home is well-versed prose that at times can be a bit repetitive. Each verse has elements that are thought provoking and heartfelt which helps carry the album to make up for the repetition. The tone sets in almost immediately with the opening song, “Lose One Friend,” and quickly gets … Read more
Daniel Pujol is prolific and ever changing. The leader of Pujol continues to release records at a rapid pace, successfully switching up his backing sounds in the process. While early material was a lot more garage in style, the overall tone on Kludge is quirky and rock-based, but it ranges from sauntering slower material (“Spooky Scary”) to minimalist electropop (“Small … Read more
Moloch returns a second time for 2013 while Meth Drinker join them this time. Moloch remain relatively the same in that what they do is play a deep dark style of doom that embraces the blacker elements of the genre. New Zealand's Meth Drinker return the favor by playing something that can at one point resemble trudging doom and at … Read more
This is a record resembling Clash Of The Titans. Both Canada's Ensorcelor and England's Moloch have been lurching in the darkest reaches of the metal underground for a few years. While some bands err to the side or fluid hooks in their riffs and others slink towards creating the most noise possible, somewhere in between lie these two.On one side … Read more
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