This is the type of release that you might find yourself anxiously waiting for if, one, you are a hopeless nerd for the band (in which case I am) or, two, you find elaborate and unique packaging to be completely in your wheelhouse (double check for me); so Monument Of Decay from Sutekh Hexen is a perfect confluence of these two circumstances where I am concerned, and this record also has some interesting back story (little of which I will go to here) to make the release even more intriguing. Suffice it to say that there is another release out there that has different versions of these songs (that the current lineup would probably rather not have out in the ether), which lends a bit of comparison if only to catch a glimpse into how Sutekh Hexen at one time operated on some level as far as their sonic creative process is concerned (that always fascinates me).Allow me first to wax a bit on the elaborate packaging with which the tape version special edition of Monument Of Decay is blessed (no disrespect to the simple and elegant LP version) as it is encased in a “ handmade, foil-stamped cardboard box … Read more
We've finally come to the last of Dave Hause's EP series. The final EP comes from Side One Dummy and … Read more
Year Of No Light’s emotive instrumental approach is one that embraces the deeper, heavier side of post/sludge/atmospheric music and the … Read more
After a successful gig at Fest 12 last month the Massachusetts based power trio The Young Leaves will hit the … Read more
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After hearing The Dillinger Escape Plan's Calculating Infinity, I had no idea that this style of weird timing technical metal influenced chaos could become a trend, mostly due to the fact that creating this music requires a lot of talent. It took a few years, but to my surprise, this sound has begun to rise from a few bands, such as The End, The Sawtooth Grin, The Number Twelve Looks Like You, Ion Dissonance, The Human Timebomb, and tons more I've never heard of. I'm not saying these bands are copying DEP, but there is definitely an influence that can be heard in the music. What's interesting is how all of these bands are using these elements but adding in other influences so that their final products don't end up … Read more
Imagine my pleasant surprise when the reissue of the long out of print vinyl version of the Saturday Looks Good To Me album Every Night was announced, and even pleasant surprise might be underselling just how excited I was to hear that the LP was being reissued because I had been searching for this format of the album for quite … Read more
A void was left in the world for those that enjoyed the jangly indie pop of Saturday Looks Good To Me when the group disbanded sometime following a tour in 2008 leaving us all wondering if we would ever hear the fun and sweet music that only Fred Thomas and company had been providing since they started playing their unique … Read more
I still remember the first time I saw Universe217 playing live in Athens, back in 2008. They were the supporting act for Scott Kelly of Neurosis and I found myself thinking that this band definitely is on the right path in terms of what they are doing with their music. Considering they had just released their debut self-titled album at … Read more
Splits are a dilemma at times, as they inevitably will either inform you of a new band or have a couple of songs that are clearly overshadowed by their counterpart. I am happy to report that is not the case for this split. With two of the Northwest hardcore scenes' heaviest, this record is a rager from start to finish. … Read more
It's always cool when bands from opposite sides of the world do a split together. It worked great for Thursday and Envy. Here, we have UNFUN from Canada and Despite Everything from Greece. Both have a different brand of dirty punk-rock. In the case of this split though, the Canadians lost. UNFUN's songs have great material to dance and sing-a-long … Read more
Aaron & the Sea have come a long way from writing dinosaur-themed ballads. The Minneapolis band formed in 2008 when roommates Aaron Rice and Alex Brown started making music together, and later completed their line-up with the arrival of drummer Peter Leggett. Over a year after releasing their debut album Creature Creature the trio are back with their Cloak & … Read more
The onesheet drops the term “subversive pop.” While the term may apply lyrically, musically The Julie Ruin is more ‘80s pop in sound. Keyboards lead the melodies and punchy vocals with earworm melodies are at the core, accentuated by a range of percussion accompaniments and funky, danceable bass lines.The Julie Ruin is a continuation of Kathleen Hanna’s 1998 self-titled Julie … Read more
It has been about four years since the release of What We All Come to Need, what was in my opinion the only weak moment in Pelican’s career. The Ataraxia/Taraxis EP, released in 2012, gave a first idea of the shape of things to come and now Forever Becoming has finally landed.Pelican was never a band that would stay in … Read more
Watain have been around for a long, long time but it’s only really recently that the band have broken out of the confines of the underground and became a black metal band that graces magazine front covers and headlines tours across the world. The Swedes have been a heady presence on the scene back home and with 2010s Lawless Darkness, … Read more
Watain has been on the cusp of something huge for the last couple years. With a handful of great records and a live show that could manage to get a mention from even the most jaded of writers. The band stowed away with an intent to write something that would be true to them but also capitalize on their successes. … Read more
Throughout their relatively short tenure, Sutekh Hexen has produced several thought provoking releases that intrigue from both a sonic and an aesthetic perspective; and Become is no different than that description as well as it seemingly marks a turning point for the (at times) shadowy outfit as it is purportedly the first recording to not feature one of the founding … Read more
Ihsahn is one of the most immediately recognisable artists that Norway has produced and his work in legends Emperor and now as a solo act has seen him move from the early stages of black metal to a much more progressive sound. Ihsahn’s solo efforts have always been extremely interesting and with Das Seelenbrechen he has created a textured landscape … Read more
Aeronaut’s Coronal Mass is one hell of recording, but just saying that does not a hint of justice to the overall quality of this release because I would be damned if I did not say that the packaging for this cassette tape is disgustingly awesome, and in truth, what ultimately makes the release is the music that takes up the … Read more
What dream like states can you imagine, and how exactly might you reach such a trance? Do you use illicit and not so illicit substances, or are you maybe touched a bit having brushed wings with delirium one too many times? Regardless of how you might enter a waking dream world, what do you enjoy to use as the soundtrack?Ever … Read more
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