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Woe

Withdrawal
Candlelight (2013)

Having began life as a one-man project borne from the mind of Chris Grigg, Woe’s motive was one of total aggression and pure hate and signified a time when American black metal was only just starting to find its feet within the darker realms of the musical sphere. With A Spell for the Death of Man Grigg stepped forward and … Read more

Nai Harvest

Whatever
Pinky Swear (2013)

I unfairly judged Nai Harvest at first glance. Band name: wacky. Album title: hip self-awareness masquerading an average sounding record. Genre: Emo. Oh emo, we meet again old foe. A style birthed by ex-punks, killed by its own apathy, briefly reanimated by fringed goths, then killed and mounted by Tumblr. Why me? Can't Lew go back to Grazes and we … Read more

Caitlin Rose

The Stand In
ATO (2013)

In the intervening years between her debut Own Side Now and this sophomore record, there has been very little sign of Caitlin Rose apart from a great cover of Alex Turner’s “Piledriver Waltz.” So as she returns, it is immediately apparent that this interval has been used for growing up: gone is the indie aesthetic in favour of cover art … Read more

Jungle Rot

Terror Regime
Victory (2013)

Kenosha, Wisonsin's Jungle Rot have been peddling their form of death metal since 1994. The band have managed to release a nearly insane amount of records in that time and create a fanbase that allowed them to get signed by Victory records. The band have remained committed to their original thought process, to be brutal and heavy. Where as most … Read more

Steven Wilson

The Raven that Refused to Sing (And Other Stories)
Kscope (2013)

Though they all claim lineage to the great acts of the 1970s, no modern progressive band can claim that they sound even remotely similar to them. Bands in the modern progressive rock genre (see Transatlantic, Spock's Beard, Coheed and Cambria) tend to sound closer akin to brightly-polished half-metal than the rock of the 70s, with a loudness and clarity that … Read more

The Spits

V
In The Red (2011)

Dirty, spacey punk rawk—in a nutshell, that’s what The Spits are bringing. We could talk costumes, we could talks subgenres, and we could talk recording quality (and we will), but The Spits are a concept best described in those few words. Sound-wise, it’s largely Ramonescore run through a fuzzy filter, so much so that it sounds like half of the … Read more

Puscifer

Donkey Punch The Night
Puscifer Entertainment (2013)

I first became aware of Maynard James Keenan's solo work through his latest studio album, Conditions of My Parole, which immediately sold me with its incredibly pleasant meanderings through light-rock post-industrial soundscapes (with a fair amount of his trademarked humour mixed in). So, of course, I scooped up his new EP, Donkey Punch the Night, as soon as I saw … Read more

200 Words Or Less

Protestant

Reclamation
Halo of Flies (2012)

Protestant have around since 2007, yet it feels like longer. Mind you this isn't a put down as much as it is a reflection upon their multitude of releases. In the last 6 years the band has managed to cobble together a discography that reaches into the double digits. Throughout said discography the band has managed to broaden their original … Read more

200 Words Or Less

Deric Dyer

Renaissance Man
Dellboy Records (2012)

So this is what happens when you gather up some of the best musicians around the Boston scene and then front the band with one of the top saxophone players going these days. Deric Dyer has played saxophone for the likes of Tina Turner and Joe Cocker even guesting on the Ric Ocasek - Beatitude album. Deric has been carefully … Read more

Sol Cat

Self Titled
Independent (2013)

Nashville based Sol Cat independently released their first full length album on bandcamp in mid February. The indie and rock scene in Nashville is a well kept secret thanks to the city’s reputation for country music and being home of so many major labels, but you won’t find any country influences here. The nine track self-titled release is all chilled … Read more

Thee Oh Sees

Floating Coffin
Castle Face Records (2013)

As a critic there are certain things I’m supposed to keep up with. Fact of the matter is that’s not always possible and, once you get behind, just where do you catch up? Thee Oh Sees are a band I’ve heard peripherally for the past couple of years but never got jumping in on a full-length. Compound that with their … Read more

Shai Hulud

Reach Beyond The Sun
Metal Blade (2013)

Despite their age and influence, Shai Hulud have rarely been the focal point of underground music. Sure, they've toured internationally, had some notable members during their time and have been released by some well-regarded labels; they've also had a permanently fluctuating lineup, periods of inactivity and a troubled relationship with the genre their guitarist, Matt Fox, coined- metalcore. However, they've … Read more

Azure Emote

The Gravity of Impermanence
Selfmadegod (2013)

I truly think that the word “progressive” has lost its actual meaning for quite some time now. Instead of meaning something new, innovative, and daring it is reserved for bands that are being just technical. Well Azure Emote is a true progressive death metal band, doing something quite new in the extreme side of metal. Keeping a death metal base, … Read more

Restorations

LP2
Side One Dummy (2013)

Is classic rock punk now a genre? I don’t have a whole lot of background with Restorations, other than catching half a set at Fest 11 last year. The energy in the room was powerful and vocalist Jon Loudon had a distinct and memorable voice, of the raspy variety. What I get in LP2, my first recorded introduction to the … Read more

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