Leprous have an odd claim to fame—they serve as the live backing for fellow Norwegian metalhead Ihsahn (who, in turn, is known for his time as the vocalist for Emperor). But as their own band with a modest discography under their belts, Leprous play a much more subdued, near-rock version of progressive metal, and the stylistic difference is readily recognizable on their 2013 release, Coal.If there's anything that makes Leprous stand out above their peers, it's the vocal work. Between the incredibly sweet-sounding lead vocals and choral sections reminiscent of Spock's Beard, it's hard not to stand impressed. The vocals move anywhere between Devin Townsend-esque melodic screaming and soft, understated melodicism à la Maynard James Keenan (and that's not even counting the places where their buddy Ihsahn steps in). Despite the range and variety of the vocal work, they never seem to falter or become weak, even when the refrains on songs like "The Cloak" demand a particularly difficult range of voice. It's no surprise then that a lot of Leprous' compositions are very vocal-heavy.Unfortunately, that also seems to be a matter of compensation, as the instrumental portion of their compositions tends to be incredibly lacking. To put it bluntly, … Read more
I wasn’t expecting this one to hit like it does. It’s raw, forceful, and honest; personal but socially conscious, and … Read more
The fourth inclusion in the Profane Existence Single Series arrives via Minneapolis, MN's Rifle Diet, a band comprised of former … Read more
I know when I think of stoner music, I think of pot-fueled haziness, guitar theatrics straight out of the '60s, … Read more
Choose a year to view reviews of albums released in that year.
754 reviews
42 reviews
25 reviews
300 reviews
5004 reviews
19 reviews
I came to know of Tofu Carnage records when I luckily stumbled upon their first release, Dead to a Dying World. So when we were offered a copy of their newest album, Akkolyte's Clues in the Chaospile, I quickly snapped it up, expecting some more crusty doom-laden metal. What I got was...much more different.Describing Akkolyte's music as "chaotic" would be an understatement; from what I can hear, the band combine elements of hardcore, punk, avant-garde and just about any- and everything else to create short, concentrated bursts of sheer craziness. Imagine listening to Igorrr with about one fifth of the sanity, and you'll get a rough picture of what Akkolyte sound like. Most of the songs clock in under three minutes, which keeps the album moving at a brisk pace; … Read more
In an interview with the New York Times that predated the release of Yeezus, sixth solo album from Kanye West, the rapper/producer proclaimed himself the nucleus of music, fashion, internet and culture. On “New Slaves”, the quasi-single anonymously debuted on the side of 66 buildings worldwide, Kanye, in less-than eloquent diction, declared his preference of being a leader over a … Read more
Releasing the 7” teaser Maimed for the Masses certainly helped introduce the increasingly prominent surf guitar in Night Birds. Still, the opener “Escape from New York” is a holy shit moment as it perfectly blends surf lines with punk aggression. After their debut, The Other Side of Darkness, I was wondering just how far the band could take their sound … Read more
Amidst heavy guitars, ritualistic drums and enthralling melodies, Lycus raise their head howling. The band from California brings their debut album, Tempest, their first release since their Demo MXII, and they succeed in crafting funeral doom of the highest quality. The slow pace of the songs is enriched with Lycus’s stunning melodies, mournful leads, deep growls as well as howling … Read more
As far as downright ass-dirty stoner metal goes, Ice Dragon are amongst the best. Their latest EP, The Soul's Midnight, sounds absolutely disgusting, and I mean that as a compliment. The tastefully low-quality production actually enhances the low, grumbling, psychedelic ramblings, creating an air of confused haziness about the album that I suspect could only be reproduced by copious amounts … Read more
The transition from performing acoustic covers in your bedroom on YouTube to recording original songs in a recording studio and playing in front of a live audience isn't necessarily easy or guaranteed to work, but in this case it absolutely does. Lewis Watson's career initially began when he uploaded covers to YouTube, covering songs by Bombay Bicycle Club and City … Read more
Now this is surely a weird one. The mysterious and enigmatic The Devil, released their self titled album and they seem to have everyone’s attention. The band does not feature any vocals but they instead use recordings of famous speeches and to be fair the end result is great, it seems like the atmospheric gothic band has really managed to … Read more
For how active a band Night Birds is, they still only have one studio full-length to their name. Instead of releasing the long-players, the band has focused on short-form EPs and Maimed for the Masses, on Fat Wreck Chords, is yet another to add to the band’s discography. This one has four songs, notably the opening title track. It doesn’t … Read more
Listening to Elway’s debut Delusions there was a lot of promise. It’s a solid record, nice songwriting, big hooks and memorable choruses. It’s modern Midwestern punk but with a greater ear toward emotion and even a bit of drama, more Lawrence Arms in tone than, say, Banner Pilot. Where Delusions hit a wall was in just how similar it could … Read more
The short-form progressive album seems to be a dying art. Bands who venture into the genre are few and far between; more infrequent still are those who can do it well. There's just something about progressive music that compels bands to push themselves longer and longer, and while that's not unwelcome, there's something to be said for fitting all of … Read more
Since the release of their debut album, Mortuary in Darkness which came out in 2005, Coffins started building a cult aura around them. This was further developed with the release of their next two full-length albums, The Other Side of Blasphemy (2006) and Buried Death (2008), while on the same time their split releases, with great acts such as Otesanek, … Read more
Between being the vocalist for heavy metal band Edguy and the creative force for the rock opera project Avantasia, Tobias Sammet is a really busy guy. And though I've never really been able to follow the overarching structure to Avantasia's operas, apparently the last two releases (The Wicked Symphony and The Angel of Babylon, released simultaneously in 2010) wrapped up … Read more
You'd think a band named after Sir Walter Scott's most famous work would tend towards the contemplative (or, at least, the historically literate). But judging by German band Ivanhoe's latest album, that characterization falls several yards beyond the mark. The truth is, there's very little intellectual merit, or even any redeeming value, to be found in Systematrix.The largest issue with … Read more
It might come as a surprise that in the year 2013 Krokus—yes, that Krokus—have released a new album. And what might be even more surprising, at least to someone not in the know—such as myself—is that said album isn’t just some sort of reunion effort but rather the latest in a long string of releases, dating back to the year … Read more
Richard Thomson may be the vocalist for Xerath, but if you're expecting that same innovative blend of progressive metal, film music, and tech death in his new side project, you'll be sorely disappointed with The Custodian. Actually, if you were expecting any innovation at all, your expectations will be set too high for their debut, Necessary Wasted Time.The Custodian play … Read more
Looking for the SPB logo? You can download it in a range of styles and colours here:
Click anywhere outside this dialog to close it, or press escape.