If you were to walk past any major chain shop these days, there is an overwhelming high probability that you will spot multiple 'retro' items placed in the window display; frankly society's current infatuation with the 80's and 90's is starting to get to a rather worrying level. And if you are as a savvy as The 1975 appear to be, then this fad can be used to your considerable advantage. Despite being together for around a decade in various incarnations, it was not until Matt Healey and co. chose their current moniker of The 1975 that they achieved any real modicum of success. Via a quartet of EPs and a series of well received live performances, the hype for this retro peddling act has continued to grow and the potential for 'real' transatlantic success is increasingly tangible. So here with the release of their self-titled début album, The 1975 are finally given the opportunity to prove themselves worthy of all of the buzz. The main problem with The 1975 is that too often it feels like a rapidly assembled Spotify playlist; amalgamating multiple releases of different styles into one slightly incoherent whole. From the start of the vaguely ethereal, … Read more
Look on the interweb and you'll find love for Avenged Sevenfold and you'll find hate. A lot of hate. I … Read more
Run the Jewels could easily have been a victory parade after the momentous 2012 that Killer Mike and El-P had. … Read more
Chicagoan quartet Ormen Lange (probably named after the mightiest Viking longship, not the natural gas field on the Norwegian continental … Read more
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You know how once you get an idea in your head, you can’t shake it no matter what else comes up? That’s happened to me in reviewing Aching Waits, an EP released at the start of the year by San Francisco’s Reunions.This 4-song 12” EP has nice variation across the board, yet I keep coming back to Hot Water Music, even though the connection is mostly there in the title track (and in the voice of one of the band’s two singers). One has a real Chuck Ragan thing going on—the old, shouty Chuck Ragan of HWM days: hoarse, yet bursting with emotion. It’s not just his voice, though. The whole title track has that magical balance driven by vocal tradeoffs that capturing deeper introspection tainted with frustration and regret. … Read more
I came to know Sigur Rós through their early material, all very long, dreamy recordings with just a hint of pop rock bliss to ground them. Ágætis byrjun and ( ) are the albums that made the band a household name, and it's difficult not to look back on them and feel like, in some capacity, that's what the band … Read more
Princess Music's members all hail from various chamber orchestras, which would lead you to believe that their debut would be a collection of classical recordings. The album cover, however, seems to suggest something else entirely--it looks like it'd be more at home on the cover of a kitschy indie rock album than that of a classical quintet. But that's exactly … Read more
For Eddie Spaghetti’s third solo LP, he’s taken a moment to quiet it down and get introspective while seeking answers to life’s big questions: meaty topics such as “If Anyone’s Got the Balls” and just who is “Fuckin’ with My Head.” Or, in other words, his solo work may be a separate project from Supersuckers, but the content doesn’t stray … Read more
There is one readily surprising thing about Arizonan post-metallers Temple: despite the loud ensemble sound projected in their music, the entire album is the result of the work of just two musicians. Unfortunately, that's just about the only surprise to be found on their otherwise unremarkable 2012 debut, On the Steps of the Temple.The issue is that, for all of … Read more
Before delving into the intricacies of Bell X1's latest release Chop Chop, it is important to note that they have written what is arguably one of the best songs to come out of the Irish indie music scene in recent years. "In Every Sunflower", from 2007's Music in Mouth, is the kind of song that if you're not on the … Read more
S/V\R is the project of S. de la Moth of Menace Ruine and audio explorer/percussionist Chanoine V. The band’s earlier release entitled Celebration Noire, released through Handmade Birds, was excellent and now, after some time spent on meditation and soul searching the noise/industrial duo strikes back with their latest offering, Sur Les Femmes I & II. Split into two parts, … Read more
Ef are an unusual band, and not just for their inexplicable fear of breaking their precious consonant-to-vowel ratio. Their take on the inexorably-expanding post-rock scene is a highly unique one, especially at a time when more and more bands are starting to sound suspiciously homogenous. And as if any more proof of their immense creativity was called for, we have … Read more
All bands have an expiry date; some bands are just more aware of that fact than others. And when an act has been around as long as Marillion has, it's not uncommon for their age to begin to show. Whether or not that is a bad thing is uncertain--some classic rock acts have put out some of their best material … Read more
Every so often bands live up to their buzz. Rumspringer popped onto my radar through the defunct Dangerous Intersections series of 4-way splits from Traffic Street Records. I had one song at home on the comp., but it never got me deeper into the band’s catalog. Here comes 2013 and the band has released Stay Afloat on Dirt Cult Records—a … Read more
I grew up on Rancid and they introduced me, eventually, to a much wider world of punk rock than what I caught on late night Headbangers Ball and 120 Minutes episodes. Or, for those who didn’t get where this is going from that intro sentence: I feel that I have to qualify why I’m listening to In a Warzone, the … Read more
It starts off inconspicuously enough, a series of instrumental swells that set the sombre and dark mood for the rest of the album. And then the growls enter, delivered as if part of a spoken word piece, each individual syllable pronounced as if there was all the time in the world. The swells become broader and more intense, a series … Read more
Heisenberg's uncertainty principle dictates that nothing in this universe has a truly defined position or trajectory and by trying to define it, the momentum of the object becomes even more unstable and unpredictable. The lesser known certainty principle is this: there will never be a Dead Kennedys reunion with Jello Biafra at the helm. Ever. It's not going to happen. … Read more
What-A-Nights are a Japanese four-piece punk group, mostly falling on the pop-punk side of the spectrum, with some tight Buzzcocks sensibility seeping in. Their self-titled full-length, first self-released in Japan and now brought to the larger masses by Drunk Sailor Records, brings ten songs of soaring melody, hooky guitar, and positive vibes.The songs, while labeled as pop-punk, utilize the guitar … Read more
Who needs functioning eardrums anyway? A Secret Policeman’s Ball play post-punk indie music with new wave undertones, and there is only one volume their music should be played at: LOUD. The Tennessee band have a penchant for mixing pop-filled melodies with aggressive guitars and vocals that frequently turn into screams; what initially starts off as a song with sweet vocals … Read more
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