The mighty Intronaut is back! The band returns with their fourth full length, still following the same path they first set with the release of their monumental debut Void. You know when a record is great when you cannot really start pinpointing it in one specific genre, and this is the case here with Inronaut’s last album Habitual Levitations (Instilling Words With Tones). Although the influences from other bands are there, the way that Intronaut is implementing them to craft their own sound is truly unique, separating themselves from other modern metal bands.The first thing that struck is that in this album, Intronaut seem to be much more comfortable with their sound, at first I thought that the album might have been lacking some punch but I understood soon enough that that was not the case here. Intronaut blends together post metal moments, sludgy guitars beautifully with jazzy music, and although that is something the have been doing since they first started. But I think that it is in Habitual Levitations that they have managed to merge them in such a way that they sound much more coherent and in place than they did before, so if you think that … Read more
Swallow the Sun may have gotten into the death-doom metal craze a good decade after its peak, but even thirteen … Read more
Sound City Studios was a recording studio located in the industrial heart of the Van Nuys district of Los Angeles … Read more
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Though they all claim lineage to the great acts of the 1970s, no modern progressive band can claim that they sound even remotely similar to them. Bands in the modern progressive rock genre (see Transatlantic, Spock's Beard, Coheed and Cambria) tend to sound closer akin to brightly-polished half-metal than the rock of the 70s, with a loudness and clarity that was completely unknown to their progenitors. Compared to the generally softer, dirtier, and less polished sound of their forebearers, it's hard to imagine that they are cast from the same musical mould. Even bands who are still around from that time (like Rush and Yes) sound a far cry from their earlier works.Part of that, obviously, is just a change in the musical landscape: with better equipment comes a different … Read more
When Isis called it a day, it felt as if a part of me was ending in a similar manner as the band had meant so much to me over the course of their prestigious run; but hanging over their end statement was the promise of one last recording to be given to the band’s listeners, and, with Temporal, the … Read more
Massed In Black Shadow is a fifty minute swirling vortex of harsh sound and painful noise imbued with a seething wretchedness that creeps and boils with a deeply unsettling pace. The duo that comprise this project are often found contributing to a multitude of other dirty and rotten bands, most notably Welter In Thy Blood, but also The Slaughtered Lamb … Read more
New Jersey's Old Wounds come out of the gate bolting for the finish. After a handful of eps and a few choice covers the band finally releases their full length debut on the public. The band play a style of hardcore that combines the demonic, metallic thrust of Disembodied and the barely contained rage and guitar noise torture of Kiss … Read more
Up until now I believed that Menace Ruine would not release anything that I would find mind blowing. Their three previous albums (Cult of Ruins, The Die Is Cast and Union of Irreconcilables), although good releases, could not prepare me at the slightest for what Menace Ruine was able to conjure with Alight In Ashes. The band brings together elements … Read more
Albums from supergroups always make me feel torn. I am excited and worried at the same time whenever great musicians decide to collaborate, excited for obvious reasons but also worried because it would be a major disappointment listening to an album with a “dream come true” line-up that turns out to be mediocre. But with Soen there is no reason … Read more
The Avett Brothers have become bonafide pros at releasing an album. With The Carpenter being their seventh full-length album and second major label release, the Concord, North Carolinians have a method to their folk rock madness, without it being boring. Rick Rubin helps with producing for the second time too. Rubin is the link that ties the band’s songs together … Read more
Low Culture packs a punch. Not an angry punch, but one that, upon hearing it, your foot taps and your head bobs. The band, bringing ex members of Shang-A-Lang and Total Jock together, somewhat combines those sounds, but here they are growing in a cleaner sound that is more rooted in the melody. Oh, and they round out the group … Read more
Though I hadn't heard of Bulgarian math rockers Mental Architects myself, as soon as I heard their 2012 album Celebrations, I knew they weren't your average math rock band. The key feature of Mental Architects' music is the impressive level of technical complexity that abounds in their music. But unlike most tech death or math rock acts, whose technicality can … Read more
I don't listen to folk music that often--not enough 7/8 if you ask me. But when I do make exceptions to that rule, it's usually for a very strong artist, and UK based artist Seabuckthorn (né Andy Cartwright), especially on his new release The Silence Woke Me, is one such musician.His style of music blends folk acoustic guitars with elements … Read more
Upon first hearing fragment. on the split / collaboration with Iroha entitled Bittersweet, I began a search for more to hear from this seemingly enigmatic French solo artist because the contributions to said record piqued my interest; but finding recorded material to listen to proved somewhat problematic, and then Home showed up in my mailbox with no real explanation as … Read more
Some days, I just can never get enough Unsane on my headphones, which is the method to which I listen to music while at work and might be a great explanation of why that a little Unsane is never enough as anyone with just a tinge of workplace angst might be able to empathize with me; and Wreck is one … Read more
A lot has been said about Ancient VVisdom, not all of it positive, and for many just letting the music do the talking isn’t enough. Heck, it should be more than enough, because Ancient VVisdom’s second shot at the full length is a deadly and distressing thing of beauty. Deathlike does exactly what it says on the tin, and this … Read more
Ah the Dum Dum Girls… the Dum Dum Girls are in serious danger of transcending the shtick that the band is partially and maybe unfairly saddled with as the End Of Daze certainly shows pushing back at the boundaries of songwriter Dee Dee’s previous songs for the band without losing any of the charm or panache with which those other … Read more
Druglord from Virginia are taking a slow, lurching crawl into this world. With this, their first proper LP, the three-piece make a case for less being more in many ways. The 6-song record resides on the cough syrup addled side of the metal/hardcore spectrum, relying on drawn out vocals and lengthy guitar passages. This is as good a place as … Read more
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