My Lover, My Stranger is the first solo record from David Moore, formerly of Chamberlain and Split Lip. It is difficult to imagine Moore extricating himself completely from a self-imposed anonymity in order to refashion himself as some indie country troubadour, but from the sounds of this, at times, intimate album, he is attempting just such a feat. Considering the sound of later Chamberlain, an argument could be made that Moore's solo work might be a logical progression from his previous work, which should please fans of his old band who also aged and became middle of the road yuppies. One thing is definitely for sure, it is truly frightening to hear such polished pop sounds coming from My Lover, My Stranger. In some tracks there is a pop country sound ("After Everything I've Done," "Radiate," "Home to Me") while in others the sound is pure power pop or flat out pop balladry ("When You Fall" which could probably be a monster hit if given the right exposure). One excellent aspect of the slick production (and it is so very slick) is the use of lush string arrangements in spots on the album (see "After Everything I've Done," "Breaking You … Read more
Do not confuse this Louisiana band with the Tennessee band of the same name. Otherwise you will find yourself looking … Read more
Taking black metal by storm, or maybe pushing black metal out of the basements and into the conscious of many … Read more
When first opening this record, I glanced at the cover art, track titles, and album length and made the assumption … Read more
We are off to Portugal for this five-piece female-fronted hardcore band. Reaching Hand play mid-tempo to fast chunky hardcore with … Read more
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The last time Lucinda Williams released an album, it was a waste of time for everyone. West was slow, drab, and devoid of any catchy melodies, and it gave me serious doubt as to whether she should continue making music or not. But Lucinda has pulled a total about-face, and stepped up her game. Ignoring LL Cool J's advice, I am officially calling Little Honey a comeback. When I was lucky enough to see Lucinda live a couple months back, she said that most of the songs on Little Honey were b-sides and others that were written during the West sessions. That is mind-blowing when you consider how much better these tunes are than anything found on West. She gets things going right away with "Real Love," the album's first … Read more
Dumbwaiter is a decent enough EP from this Boston four-piece. The first track, "Watch and Ward" is the best one as it recalls a fuzzed out Pixies mixed with any catchy latter day Replacements songs. After "Watch and the Ward", The Cold Beat go through the motions of being your average indie/college rock bar band with their roots firmly planted … Read more
This eight-song EP is completely and utterly awesome. I really wasn't expecting much from former Christie Front Drive guitar player Eric Richter since last I heard he was in the coma-inducing Antarctic. However, Golden City is just great. I'm having a hard time expressing just great these eight songs really are, but I'm going to try, really, I am. Imagine … Read more
We head off to the land of pizza and the Pope for this full-length release by Locked In. I never thought of Italy as a hotbed of hardcore bands and Walk the Plank does nothing to deter that as I'm forced to review yet another run of the mill hardcore band. Locked In play metal influenced hardcore with high-pitched yelled … Read more
Driving on City Sidewalks is a Canadian duo who play a heartbroken strain of indie post-rock, with a few heavy nods to folk. This five-song EP begins with "To Finish the Race," which has instrumentals heavily ripping off The Appleseed Cast. This band uses simple and slow vocal patterns, drawing out every lyric with a melancholy tone in this particular … Read more
New live E.P. from these DC music legends. Featuring an earlier line-up than on their last live record (Strange Wine), this fits neatly on your shelf sandwiched between that record and Finale. Besides John Stabb on vocals and Tom Lyle on guitar, this release sports Marc Aberstadt (sans headband) on drums and Mitch Parker on bass. Two different live shows … Read more
I tried to listen to this one with an open mind. I know The Wallflowers never did anything for me. And Bob Dylan? Listening to his vocals is like having all your hair pulled out with pliers. I do have to admit that the musicianship is solid throughout on this release. But nothing here piqued my interest. "I Told You … Read more
Most people who listen to Owen are all-too-aware of what I like to call the Kinsella continuum. Chicago-based brothers Mike and Tim are responsible for some of the more infamous 90's Midwest bands, being the minds behind Cap'n Jazz, American Football, Owls, and the ever-revolving doors of Joan of Arc. Their prolific nature has even brought in younger brother Nate … Read more
Owen made being a self-deprecating, guitar-playing romantic a cool thing again. But its 2009 now, and maybe it's a little played out. Yeah, there will always be a sense of comfort in Kinsella's wistful melodies and twinkling arpeggios. However, the works of Owen were starting to sound too alike, predictable, or reused. Surprisingly, Owen expands its sound with its fifth … Read more
Over the course of a period of time, Chris Wollard (of Hot Water Music, The Draft, Blacktop Cadence, and Rumbleseat fame) and a gaggle of friends (George Rebelo of Hot Water Music sits in on drums on some tracks) recorded a batch of songs composed by Wollard that were basically front porch jams that got fleshed out into more realized … Read more
All right, might as well just get this done and over with. There's been a lot of hype surrounding this three-piece Jersey group and I for one never thought it warranted. Then again, I'm not a hipster and never cared about the hype that came with any band. Hype is for people that need to think what they are about … Read more
Album number eight from the band now renowned for their genre-shifting and reinvention. Three years in the making, three producers in the studio, and twelve tracks long (given the band's penchant for Lost-esque symbolism, there's probably some deep significance to these numbers). What new style will be unveiled with Crash Love? Nothing too thrilling, is the answer. Opener "Torch Song" … Read more
For whatever reason, it took me a little while to warm up to hip-hop. Maybe I was too into that guitar and percussion sound to really give hip-hop a fair chance. And I guess the whole "rap is crap" thing sort of rang a bell back then. Yeah, I fucked up. I'll admit that I never gave hip-hop a close … Read more
From time to time certain friends of mine will make the same kind of declarations in the month of February that I do. And when statements like, "This might be the best record of the year," spew from their overexcited mouth while trying to tell me about a new album, I do indeed take notice. So, when such declarations of … Read more
Dead Swans is the U.K. hardcore circuit's latest export to reach American soil, currently being championed by the folks over at Bridge Nine Records. Sleepwalkers marks the group's debut full-length and continues down a similar path of gnarling metallic hardcore that the band churned out on their previous offerings, the Southern Blue EP and split 7" with Architects. The five-piece … Read more
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