Throughout their eight-year tenure as a band, The Mars Volta has never been timid about doing whatever they please. The collaborative duo that is The Mars Volta - guitarist Omar Rodríguez-López and vocalist Cedric Bixler-Zavala - have tried it all, and yet they continually make it a point to find new ways to express themselves. Full-length album number five, Octahedron, is yet another musical exploration for Rodríguez-López and Bixler-Zavala as it is their interpretation of an acoustic album. Octahedron leads off with the single "Since We've Been Wrong." The seven-minute plus track is a little bit of what we expect from The Mars Volta, but also something fairly different from Rodríguez-López and Bixler-Zavala. Anchored on the strumming of Rodríguez-López's acoustic guitar work, the song works its way through a standard verse-chorus-verse structure. Shocked? Don't worry; there are also plugged-in jam sessions and the ending of the song adds string instruments and jazz-inspired percussion. Bixler-Zavala's dynamic vocals match the sway of the music perfectly - equal parts soaring harmonies and soulful croons, not to mention his falsetto. The song is very reserved, and for The Mars Volta that's surprising. Most of the time we hear two or three songs worth of … Read more
Christian hardcore isn't exactly my thing but I was willing to give The Red Baron's debut album, My First Love, … Read more
Everyone Everywhere is a relatively new group from Philadelphia that loves to wear their influences plainly on their sleeve. Sounding … Read more
The third record finds this Canadian five-piece returning to the smooth atmospheric rock of their debut. But with more songwriting … Read more
On this outing Robyn Hitchcock is backed by Scott McCaughey (Young Fresh Fellows) on bass and vocals, Peter Buck (some … Read more
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Coming to prominence in 2011 on the strength of the almost unanimously praised debut LP Meet Me at Muster Station, PS I Love You (made up of guitarist/vocalist Paul Saulnier and drummer Benjamin Nelson) popped up at precisely the right time to take advantage of a music community all too willing to embrace an unconventional indie rock duo. Though the comparison to fellow Canadian group Japandroids is almost inevitable (particularly since both groups have a more chaotic, noisy side to their sound), Saulnier’s vocals often give PS I Love You’s music a melancholic, downbeat sort of feel and I’d be inclined to label them as the more typical indie rock group. Following the 2012 album Death Dreams that stood as an agreeable sophomore record, Saulnier and Nelson return with 2014’s … Read more
Outclassed's This Might Be Coincidence is a five-song escape from tranquility. Their satisfyingly raucous punk is filled with energy and misshapen tempos. Song titles like "Kick God in the Face, Hail Satan" and "Fuck Mark" are almost impossible to hate. Their label Forcefield Records is also home to City of Ships, Triac, and Cannabis Corpse. The one-sided LP release of … Read more
imadethismistake play catchy folk-infused punk. It's a simple concoction, but it works well for the band. It's Okay is an eleven song LP with awesome artwork done by EMY (aka Bughead). Kylewilliam Campol's vocals match the music nicely, and the music is never too overbearing or haughty. It's evident that imadethismistake have found their niche. It's Okay is a pleasant … Read more
Who Calls So Loud features ex-members of Funeral Diner and Portraits of Past, but that's not the only reason you should listen to their self-titled release. Their label, Protagonist Music, is well known for its incredible acts such as In First Person, Pyramids, Osceola, and Suis La Lune. The band plays emotional hardcore that breathes with quieter ambient sections. Heed … Read more
Stella Dawes sent us a promo of Contrasts with a press sheet on which they wrote too much about themselves. In all honestly, it turned me off to their album before I even listened to the twelve songs. They say their influences are "Poison the Well, Underoath" and "'screamo' bands." Thankfully, the music isn't exactly what I anticipated. The vocals … Read more
Limited to a number of 250, A Death Cinematic's most recent release features two discs and impeccable packaging. Comparisons can easily be made to certain output by A Silver Mt. Zion or Godspeed You! Black Emperor, but A Death Cinematic's sound is someplace else. It is distant, eerie, and always brooding. The long song titles such as "Their Blood Crawls … Read more
Magic Bullet reissued Lymbyc Systym's first release, but with two bonus remixed tracks. The five original songs sound as good as ever. Lymbyc Systym's brand of ethereal electronic noodling has grown since Carved by Glaciers, becoming even more cohesive and brilliantly layered. However, to be able to revisit the band's earliest material is a treat. It's good to learn about … Read more
"Haunted by Rivers" begins Drain the Sky's first release on Level Plane Records. Use of repetition, low vocal pitches, and no percussion make the song oppressive. However, the rest of Haunted by Rivers does not follow in the same fashion. "Sightless" increases tempo and dabbles in hardcore punk. I really like the juxtaposition between the first two tracks. Everything about … Read more
Chapter III: World Reclamation is a bizarre release. The Thucydidean Theory combine punk and trance arrangements that are heavily bass-driven. This four song release features female vocals that mingle with vocal-like synth sounds. "Please Stop Calling My Office and Yelling 'Cunt' at Whoever Answers the Telephone" is the most upbeat track on World Reclamation. Although the band's hybridized ideas are … Read more
Eksi Ekso is a group of six musicians from Boston. Their debut, I am Your Bastard Wings, highlights a musical prowess that dances between free-form and orchestrated. The breadth of instruments - viola, oboe, violin, flugelhorn, trumpet, bass, guitar, keys, drums - adds to Eksi Ekso's complex sound. Easy comparisons might be Ghastly City Sleep and Godspeed You! Black Emperor, … Read more
Three songs, forty minutes. Akai Yami was my first introduction to Japan's Birushanah. The band uses two metal percussionists as well as a drummer, a fretless bassist and guitarist. "Jyodo" is a calm and intriguing opener that features traditional Japanese percussion. However, this doesn't last long, and the twenty-minute track, "Akai Yami," begins. Vocals vary greatly during this song. Long-held … Read more
Light Yourself on Fire combine hardcore and death metal on Intimacy, their second release. Ex-Reversal of Man vocalist Matt Coplon gives us notes on his lyrics, which draw from writers such as Jean-Paul Sartre, Albert Camus, and Kierkegaard. It's always a bonus to get insight into the thoughts behind an album. The six song long release lasts only seventeen minutes, … Read more
It doesn't look like a man. It doesn't talk like a man. But does it fuck like a man? Does it? Does it fuck like a man? It doesn't smell like a man. It doesn't taste like a man. But does it fuck like a man? Does it? Does it fuck like a man? Wise words there from album highlight … Read more
People make it a point to search far and wide for new music. I'm not against this by any means; I've found many quality bands from the other continents besides mine. But oftentimes there is little to no effort needed when searching as there is quality music being produced right under ones nose. A perfect example of this is Minute … Read more
Most bands that are signed to No Idea Records have a sound that's usually expected from them. That, of course, being raw punk rock with gruff vocals and catchy melodies. North Lincoln are another band to add to that long list as they fit into this style almost perfectly. This album has been in the making since 2007 but recording … Read more
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